Marilyn Monroe (born
Norma Jeane Mortenson;[1]
June 1, 1926 –
August 5, 1962), was a
Golden Globe award winning[2] American
actress ,
singer , model,
Hollywood icon ,[3]
cultural icon,
fashion icon,[4] pop icon and sex
symbol . She is
known for her comedic acting
roles and
screen presence. Monroe
became one of the most
popular movie
stars of the 1950s and
early 1960s.
During the
later stages of
her
career , she worked towards
serious roles and her
fame surpassed
that of many entertainers of her time.[5]
Her
death at
thirty six was classified as "probable
suicide ."[6]
Many individuals including Jack Clemmons, the
first LAPD
Police officer to
arrive at the death
scene [7] believed that she was
murdered.[8] She is the only
female on the
Forbes top
earning dead
celebrities list.[9]
Contents
1 Childhood
1.1 Family and early life
1.2
Foster homes
2 Career
2.1 Early
years 2.2 Stardom
2.2.1
Playboy playmate
2.2.2 A-list actress
2.2.3 Marilyn Monroe Productions
2.3 Later years
3 Marriages and relationships
3.1 James Dougherty
3.2 Joe DiMaggio
3.3
Arthur Miller 4 The Kennedys
5 Death and aftermath
5.1 Administration of
estate 6
Trivia 6.1 Pornographic
film claims
7
Quotes 7.1 Quotes about Monroe
8 Filmography
9
Awards and nominations
10 Art (
selection )
11 See also
12 Notes
13 References
14
External links Childhood
Family and early life
Main article: Childhood of Marilyn Monroe
Marilyn Monroe was born in the
charity ward of the Los
Angeles County
Hospital .[1][10] According to biographer Fred
Lawrence Guiles, her
grandmother,
Della Monroe Grainger, had her baptized Norma Jeane
Baker by Aimee Semple
McPherson .[1]
Although she
took a stagename of
Marilyn Monroe in 1946, she did not legally
change her name
until February 23, 1956.[11] Her
mother was Gladys
Pearl (Monroe)
Baker.[12] Her family is believed to have been Anglo-Spanish
originally; and possibly
related to the Sepulvedas. [13] For many
years it was believed Gladys' second
husband Martin Edward Mortenson
(
1897 –1981) was Monroe's
father . His name was listed on her
birth certificate. [14]
Foster homes
Mentally unstable and unable to care for Monroe, Gladys placed her
with foster
parents Albert and Ida Bolender of Hawthorne,
California ,
where she lived until she was
seven .[15] In her autobiography My
Story, Monroe
states she believed Albert was a
woman .
One day, Gladys announced she bought a house. A few months after they
had moved in, Gladys suffered a breakdown. In My Story, Monroe
recalls her mother "screaming and laughing" as she was
forcibly removed to the State Hospital in
Norwalk . According to My
Sister Marilyn, Gladys's
brother ,
Marion , hung
himself upon his
release from an
asylum , and Della's father did the
same in a fit of
depression .
Norma Jeane was declared a ward of the state, and Gladys'
best friend ,
Grace McKee (later
Goddard ) became her guardian. After McKee
married in 1935, Norma Jeane was
sent to the Los Angeles Orphans Home
(later renamed Hollygrove), and then to a succession of foster
homes.[15]
The Goddards were about to
move to the
east coast and
could not take
Monroe. Grace approached the mother of a neighbor boy, James
Dougherty, about the possibility of her son marrying the girl. They
married weeks after she turned 16, so that Norma Jeane would not have
to
return to an orphanage or foster care.[15] Monroe
stated in her
autobiography that she did not
feel like a
wife ; instead she enjoyed
playing with the neighborhood
children until her husband would
call her home for the
evening . The
marriage lasted until 1946 when Monroe
decided to pursue her career.
Career
Early years
Mrs. Norma Jeane Dougherty, YANK
Magazine , 1945While her husband was
in the
Merchant Marine during World War II, Norma Jeane Dougherty
moved in with her mother-in-law where she
started working in the
Radioplane Munitions
Factory owned by Hollywood actor Reginald Denny.
She sprayed airplane parts with
fire retardant and inspected
parachutes. During this time Army
photographer David Conover snapped
a
photograph of her for a YANK magazine article. He encouraged her to
apply to the The
Blue Book
modeling agency . She
signed with the
agency, and she began researching the
work of
famous actresses Jean
Harlow and
Lana Turner, and enrolled in
drama and
singing classes.
Monroe had her
hair cut, straightened, and lightened to golden
blonde .[15]
She became one of Blue Book's most successful models, appearing on
dozens of magazine covers. In 1946, she
came to the
attention of
talent scout Ben Lyon. He arranged a screen test for her with
20th Century Fox. She was offered a standard six-
month contract with a
starting salary of $125 per week.[16]
Since Norma Jeane was not
considered a commercial stage name, Lyon
suggested she adopt Marilyn (after the famous actress Marilyn
Miller). [17] For her last name, she took her mother's maiden name of
Monroe. During her first six months at Fox, Monroe was
given no work,
but Fox renewed her contract and she was given minor appearances in
Scudda Hoo! Scudda Hay! and
Dangerous Years,
both released in
1947.[5] In Scudda Hoo!, her
part was edited out except for a
quick glimpse of her
face when she speaks two
words . Fox decided not to
renew her contract. Monroe returned to modeling and began to
network and make contacts. She posed for nude photographs which were later
featured in the first
issue of Playboy.[15]
In 1948, during a six-month stint at
Columbia Pictures, she starred
in Ladies of the
Chorus . The low-
budget musical was not a
success and
Monroe was
dropped again . She met one of Hollywood's top
agents ,
Johnny Hyde, who had Fox re-
sign her after MGM turned her down.
Darryl F. Zanuck, the
vice -
president of Fox, was not convinced of
Monroe's potential, but because of Hyde's persistence, she gained
supporting parts in the
Marx Brothers film Love
Happy (1949), and in
Fox's All About Eve and MGM's The
Asphalt Jungle (both 1950).
Even though the roles were small, moviegoers as well as
critics took
notice.[5] Hyde arranged for her to have minor
plastic surgery on her
nose and
chin , adding that to earlier
dental surgery.[18][19][20]
The next two years were
filled with inconsequential roles in standard
fare
such as We're Not Married! and Love
Nest .
However , RKO
executives used her to
boost box office potential of the
Fritz Lang
production Clash by
Night . After the film performed well, Fox
employed a
similar tactic, and she was
cast as the ditzy receptionist
with Cary
Grant and
Ginger Rogers in
Howard Hawks's slapstick
comedy Monkey Business. Critics no longer ignored her, and both
films '
success at the box office was
partly attributed to Monroe's growing
popularity .
Fox
finally gave her a starring
role in 1952 with Don't Bother to
Knock, in which she portrayed a deranged babysitter who
attacks the
little girl in her care. It was a cheaply made B-movie, and although
the
reviews were mixed, they
claimed it demonstrated Monroe's
ability and confirmed she was
ready for more
leading roles. Her
performance has been noted as one of her
finest .[21]
Stardom
Monroe proved she could
carry a big-budget film when she starred in
Niagara in 1953. Movie critics
focused on Monroe's
connection with
the
camera as much as on the
sinister plot.[22] She played an
unbalanced woman
planning to
murder her husband.
Playboy playmate
Marilyn Monroe
First issue of Playboy, featuring a
black -and-white
photo of Monroe
(in a
dress ) promising inside
full -color pictures of her nude.
Playboy centerfold appearance
December 1953
Succeeded by Margie
Harrison Measurements
Bust : 36[23]
Waist: 24[23]
Hips : 34[23]
Height 5 ft 5 in (1.7 m)[23]
Weight 118 lb (54 kg)[23]
Around this time, the nude
photos of Monroe began to surface, taken
by photographer Tom Kelley during her
unemployment .
Prints were
bought by
Hugh Hefner and, in December 1953,
appeared in the first
edition of Playboy. To the dismay of Fox, Monroe decided to publicly
admit it was indeed her in the pictures. When a journalist
asked her
what she wore in bed she replied, "Chanel No. 5".[24] When
asked what she had on during the photo
shoot , she replied, "The
radio ".[24]
A-list actress
Over the
following months, Gentlemen
Prefer Blondes and How to
Marry a Millionaire cemented Monroe's
status as an A-list actress, and she
became one of the world's
biggest movie stars. The lavish Technicolor
comedy films
established Monroe's "dumb blonde" on-screen
persona .[15]
In Gentlemen Prefer Blondes, Monroe's
turn as gold-digging showgirl
Lorelei Lee won her
rave reviews,[25] and the scene where she
sang "Diamonds Are a Girl's Best Friend" has inspired the
likes of Anna
Nicole Smith, Madonna,[26] Kylie Minogue,[27] and
Geri Halliwell. In the Los Angeles premiere of the film, Monroe and
co-
star Jane
Russell pressed their foot- and handprints in the
cement in the forecourt of Grauman's
Chinese Theatre.
In How to Marry a Millionaire, Monroe was teamed up with
Lauren Bacall and
Betty Grable. She played a short-sighted dumb blonde, and
though the role was stereotypical, critics took
note of her comedic
timing.[28]
Her next two films, the
western River of No Return and the musical
There 's No Business Like Show Business, were not successful. Monroe
eventually got tired of the roles that Zanuck assigned her. After
completing work on The Seven
Year Itch in early 1955, she broke her
contract and fled Hollywood to
study acting with Lee Strasberg at the
Actors Studio in New
York .[5] Fox would not accede to her contract
demands and insisted she return to work on productions she considered
inappropriate, such as The Girl in Pink Tights (which was
never filmed ), The Girl in the Red
Velvet Swing, and How to Be Very, Very
Popular.
Marilyn Monroe Productions
Main article: Marilyn Monroe filmography
Once in New York Monroe set up her own production company, Marilyn
Monroe Productions, with fashion photographer
Milton H. Greene.
As The Seven Year Itch raced to the top of the box office in the
summer of 1955, and with Fox starlets Jayne Mansfield and Sheree
North failing to click with audiences, Zanuck admitted
defeat and
Monroe returned to Hollywood. A new contract was drawn up, giving
Monroe
approval of the
director as well as the
option to act in
other studios'
projects .
The first film to be made under the contract and production company
was Bus Stop, directed by
Joshua Logan . She played Chérie,[29] a
saloon bar singer who
falls in love with a cowboy. Monroe
deliberately appeared badly made-up and unglamorous. She was
nominated for a Golden Globe for the performance and was praised by
critics.[15] Bosley Crowther of The New York
Times proclaimed: "
Hold on to your chairs,
everybody , and get set for a rattling surprise.
Marilyn Monroe has finally proved
herself an actress." In his
autobiography, Movie Stars, Real People and Me, director Joshua Logan
wrote: "I
found Marilyn to be one of the great talents of all
time... She struck me as being a much brighter
person than I had ever
imagined, and I think that was the first time I learned that
intelligence and, yes brilliance have
nothing to do with education."
Monroe in a promotional
still for The
Prince and the Showgirl,
1957.The second movie filmed under her production company was The
Prince and the Showgirl co-starring Laurence Olivier. Olivier, who
directed the movie, said Monroe was "a
brilliant comedienne,
which to me
means she is also an extremely skilled actress"[15]
However, he became furious at her
habit of being
late to the set, as
well as her dependency on her drama coach
Paula Strasberg. Monroe's
performance was hailed by critics, especially in Europe, where she
was handed the David di Donatello, the
Italian equivalent of the
Academy Award, as well as the
French Crystal Star Award. She was also
nominated for the
British BAFTA award.
Later years
In
1959 , she scored the biggest hit of her career starring alongside
Jack Lemmon and
Tony Curtis in
Billy Wilder's Some Like It Hot. After
shooting
finished , Wilder publicly blasted Monroe for her difficult
on-set
behavior . Soon, however, Wilder's
attitude softened, and he
hailed her as a great comedienne. Some Like It Hot is consistently
rated as one of the best films ever made.[30] Monroe's performance
earned her a Golden Globe for best actress in musical or comedy.
After Some Like It Hot, Monroe shot Let's Make Love directed by
George Cukor and co-starring Yves Montand. Monroe was forced to shoot
the
picture because of her obligations to Twentieth Century-Fox.
While the film was not a commercial or critical success, it included
one of Monroe's
legendary musical numbers,
Cole Porter's "My
Heart Belongs to
Daddy ".
Arthur Miller wrote what became her and her co-star
Clark Gable's
last completed film, The Misfits. The exhausting shoot took
place in
the hot
Nevada desert . Monroe, Gable and
Montgomery Clift
delivered performances that are considered excellent by contemporary movie
critics.[31] Tabloid magazines blamed Gable's death of a heart attack
on Monroe, citing her tardiness and quoting Gable's
widow Kay
Spreckels Gable, who claimed that her husband did his own
stunt work
out of the frustration of waiting for Monroe.[32] Exacerbating the
situation was Gable's advanced age,
plus long history of
alcohol and
tobacco use. Monroe was invited by Kay to the baptismal ceremony for
her and Clark's son John Clark Gable. She attended.
In 1962, some of the most famous photographs of Monroe were taken by
Bert Stern as a feature for
Vogue magazine. This photo shoot was her
last and it is famously known as "The Last Sitting".[33]
Monroe returned to Hollywood to resume
filming on the George Cukor
comedy
Something 's Got to Give, a never-finished film that has become
legendary for problems on the set and proved a costly debacle for
Fox.
"Happy
Birthday , Mr.
President "
Marilyn Monroe's performance of the
song Problems
listening to the file? See media help.After shooting what
was claimed to have been the first ever nude scene by a
major motion picture actress, Monroe's attendance on the set became even more
erratic. On June 1, her thirty-
sixth birthday, she attended a charity
event at Dodger
Stadium .
Financially strained by the production costs of Cleopatra, starring
Elizabeth Taylor, Fox dropped Monroe from the film and replaced her
with Lee Remick. However, co-star
Dean Martin, who had a
clause in
his contract giving him an approval over his co-star, was unwilling
to work with anyone but Monroe. She was rehired.[34]
Monroe conducted a lengthy
interview with Life, in which she
expressed how
bitter she was about Hollywood labeling her as a dumb
blonde and how much she loved her
audience .[35] She also did a photo
shoot for Vogue and began discussing a future film
project with Gene
Kelly and Frank Sinatra, according to the
Donald Spoto
biography .
She was planning to star in a biopic of Jean Harlow as well as
starring alongside Jack Lemmon in
Irma La Douce, a Billy Wilder
comedy that eventually starred Shirley MacLaine.[15] Other projects
under consideration were What a Way to Go! (in which Shirley MacLaine
replaced her),
Kiss Me, Stupid, a comedy starring Dean Martin and Kim
Novak, and a musical version of A Tree Grows In
Brooklyn .[15]
Before the shooting of Something's Got to Give resumed, Monroe was
found dead in her Los Angeles home on the
morning of August 5,
1962[36]. She remains one of the 20th century's legendary public
figures and archetypal Hollywood movie stars.
Marriages and relationships
James Dougherty
Monroe married James Dougherty on June 19, 1942. In The
Secret Happiness of Marilyn Monroe and To Norma Jeane with Love, Jimmie, he
claimed they were in love, but dreams of stardom lured her
away . In
1953 he wrote a
piece called "Marilyn Monroe Was My Wife"
for Photoplay, in which he claimed that he
left her. In the 2004
documentary Marilyn's Man, Dougherty made three new claims: he was
her Svengali and
invented the "Marilyn Monroe" persona,
studio executives forced her to
divorce him, and that he was her only
true love.
He remarried in 1947. The August 6, 1962 New York Times
reported that, on being informed of her death, he replied "I'm
sorry ,"
and continued his LAPD patrol. He did not
attend Monroe's funeral.
His sister wrote in the December 1952 Modern Screen Magazine that
Dougherty left Monroe because she
wanted to pursue modeling. He
admitted to A&E Network that his mother asked him to marry her
and
told Lifetime in 1996 that he cut off her allotment after being
served with divorce papers.
Joe DiMaggio
In 1951, Joe DiMaggio saw a picture of Monroe with two
Chicago White
Sox players but did not ask the man who arranged the stunt to set up
a
date until 1952. She wrote in My Story that she did not want to
meet him, fearing a stereotypical jock. They eloped at San
Francisco 's City Hall on
January 14, 1954. During the
honeymoon , they
visited Japan, and she was asked to visit Korea. She performed ten
shows over
four days in freezing temperatures for over 100,000
servicemen. Biographers have noted that DiMaggio, who stayed in
Japan, was not pleased with his wife's
decision during what he wanted
to be an intimate trip.
Marilyn Monroe and Joe DiMaggio in an undated photo.
Back home, she
wrote him a
letter about her dreams for their future,
dated February
28, 1954:
"My Dad, I don't
know how to
tell you just how much I miss you.
I love you
till my heart could burst... I want to just be where you
are and be just what you want me to be... I want someday for you to
be proud of me as a person and as your wife and as the mother of the
rest of your children (two at
least ! I've decided)..."[37]
—Marilyn Monroe
DiMaggio biographer Maury
Allen quoted New York Yankees PR man Arthur
Richman that DiMaggio told him everything went
wrong from the trip to
Japan on. On September 14, 1954, Monroe filmed the iconic
skirt-blowing scene for The Seven Year Itch in
front of New York's
Trans-Lux
Theater .
Bill Kobrin, then Fox's east coast correspondent,
told the June 26, 2006
Palm Springs Desert Sun that it was Billy
Wilder's
idea to turn it into a media
circus : "... every time
her dress came up and the crowd started to get excited, DiMaggio just
blew up." The couple later had a "yelling
battle " in
the theater lobby.[38] She filed for divorce on
grounds of
mental cruelty 274 days after the
wedding .
Years later, she turned to him for help. In February 1961, her
psychiatrist arranged for her to be admitted to the
Payne Whitney
Psychiatric Clinic, where, according to Donald Spoto, she was placed
in the ward for the most seriously disturbed. Unable to
check herself
out, she called DiMaggio, who secured her release. She later joined
him in
Florida . Their "just
good friends " claim did not
stop rumors of remarriage. Archive footage shows Bob
Hope jokingly
dedicating Best Song nominee The Second Time Around to
them at the
1960 Academy Awards telecast.
According to Maury Allen, on August 1, 1962, DiMaggio – alarmed by
how his ex-wife had fallen in with people such as Frank Sinatra and
his "Rat
Pack " – quit his job with a PX supplier to ask
her to remarry him.
After her death, he claimed her
body and arranged her funeral,
barring Hollywood's elite. For
twenty years, he had a dozen red
roses delivered to her crypt three times a week. Unlike her other two
husbands, he never
talked about her publicly, wrote a tell-all, or
remarried[39].
Arthur Miller
Miller and Monroe at a press conference after their weddingOn June
29, 1956, Monroe married playwright Arthur Miller, whom she first met
in 1951, in a civil ceremony in White Plains, New York. City
Court Judge Seymour Robinowitz presided over the hushed ceremony in the law
office of Sam Slavitt (the wedding had been
kept secret from both the
press and the public). In reflecting on his courtship of Monroe,
Miller wrote, "She was a whirling
light to me then, all paradox
and enticing
mystery ,
street -tough one moment, then lifted by a
lyrical and poetic
sensitivity that few
retain past early
adolescence".[40] Nominally raised as a
Christian , she converted
to
Judaism before marrying Miller. After she finished shooting The
Prince and the Showgirl with Laurence Olivier, the couple returned to
the United States from England and
discovered she was
pregnant .
However, she suffered from endometriosis, and the pregnancy was found
to be ectopic. A subsequent pregnancy
ended in miscarriage.
Miller's screenplay for The Misfits, a story about a despairing
divorcée, was meant to be a Valentine
gift for his wife, but by the
time filming started in 1960 their marriage was
beyond repair . A
Mexican divorce was
granted on January 24, 1961. On February 17,
1962, Miller married Inge Morath, one of the
Magnum photographers
recording the
making of The Misfits.
In January 1964, Miller's play After The
Fall opened, featuring a
beautiful and devouring shrew
named Maggie. The similarities
between Maggie and Monroe did not go unnoticed by audiences and critics
(including
Helen Hayes).[
citation needed]
Simone Signoret noted in
her autobiography the morbidity of Miller and
Elia Kazan resuming
their professional
association "over a casket". In
interviews and in his autobiography, Miller insisted that Maggie was
not
based on Monroe. However, he never pretended that his last
Broadway-
bound work,
Finishing the Picture, was not based on the
making of The Misfits. He appeared in the documentary The Century of
the Self lamenting the psychological work being done on her before
her death.
from the
television feed of John F.
Kennedy 's birthday gala where
Monroe sang Happy Birthday, Mr. President
The Kennedys
May 19, 1962, she made her last significant public appearance,
singing "Happy Birthday, Mr. President" at a televised
birthday
party for President John F. Kennedy at Madison
Square Garden. The dress she wore to that event
sold for 1.26 million
dollars in 1999, establishing a new world record for the most
expensive piece of clothing ever sold at
auction .
It has been claimed that Monroe was involved with both Robert
Kennedy, and John F. Kennedy.[34]
Jeanne Carmen, who claimed to have
been a friend of Monroe's, also claimed she dated both.[34] Joe
DiMaggio told both his son and
attorney that "the Kennedys
killed her."[41]
Death and aftermath
Main article: Death of Marilyn Monroe
LAPD police sergeant Jack Clemmons received a call at 4:25AM on
August 5, 1962 from Dr. Hyman Engelberg proclaiming that Marilyn
Monroe was dead at her home in Brentwood, Los Angeles, California.
Sergeant Clemmons was the first Police officer to arrive at the death
scene.[42] Many questions
remain unanswered about the circumstances
of her death and the timeline from when Monroe's body was found.
The
official cause of her death was classified, by Dr.
Thomas Noguchi
of the Los Angeles County Coroners office, as a
case of "acute
barbiturate poisoning".
Eight milligrams of chloral hydrate and
4.5 milligrams of Nembutal were found in her system after the
autopsy.[43] Her death was classified as "probable suicide",[6]
but because of a
lack of
evidence they could not classify her death
as suicide or
homicide . Also, some conspiracy theories involve John
and Robert Kennedy with her death, while other theories suggest CIA
or
mafia complicity. As a side note, toxicology
tests revealed that
Monroe also had a slight iron deficiency in her
blood .[44]
On August 8, 1962, Monroe was interred in a crypt at Corridor of
Memories, #24, at the
Westwood Village
Memorial Park Cemetery in Los
Angeles, California. Lee Strasberg delivered the eulogy.
Administration of estate
In her will, Monroe left Lee Strasberg 75 percent of the residuary of
the estate. She expressed her
desire that Strasberg, or, if he
predeceased her, her executor, "distribute [her personal
effects ]
among my friends, colleagues and those to whom I am
devoted."[45]
Strasberg willed his portion to his widow, Anna. She declared she
would never sell Monroe's personal
items after successfully suing
Odyssey Auctions in 1994 to
prevent the
sale of items which were
withheld by Monroe's
former business
manager , Inez Melson. However,
in October 1999
Christie 's auctioned the
bulk of the items Monroe
willed to Strasberg, netting US $13,405,785.
Anna Strasberg is currently in litigation against the children of
four photographers to determine
rights of publicity, which permits
the licensing of images of deceased personages for commercial
purposes. The decision as to whether Monroe was a
resident of
California, where she died, or New York, where her will was probated,
is worth
millions .[46]
On May 4, 2007, a federal judge in New York ruled that Monroe's
rights of publicity ended upon her death, thus allowing the family of
photographer Sam
Shaw to sell photos of Monroe.[47]
On
March 17, 2008, a federal judge issued a decision in
favor of two
photo archives in the tangled, long-
running legal battle over who
controls the likeness of Marilyn Monroe. A judge found that CMG and
Marilyn Monroe LLC had been inconsistent in their arguments that
Monroe was domiciled in California when she died. U.S. District judge
Margaret M. Morrow applied a
concept called
judicial estoppel, which
is
designed to prevent parties from changing
positions when it suits
their legal advantage. The Greene and Kelley archives say they will
now license photographs of Monroe and other celebrities for
commercial use
through a new company called
Legends Licensing,LLC
with a division called Marilyn Monroe Licensing Group.
The Monroe lawsuit has
seemed resolved
several times before, only to
flare back up with new legal maneuvering. Marilyn Monroe LLC
successfully lobbied for a change in the right of publicity law in
California last year. A similar law failed to pass in New York State.
If such a law were to pass in New York, it could give CMG new grounds
to continue fighting its case for
control over Monroe's likeness.[48]
In
effect , the ruling tossed ownership rights to the public, said
Jonathan Polak, who leads the intellectual property group at Sommer
Barnard. “Marilyn Monroe is one of the heavyweight celebrities in
the licensing business and she has generated significant licensing
revenues, but the court has essentially unleashed the right of
publicity for Marilyn to the public domain,” Polak said.[49]
Trivia
[edit] Pornographic film claims
It has long been rumored or claimed that Marilyn Monroe appeared in
some pornographic film, although
none has ever been confirmed to
exist . The October 1980 issue of Penthouse publicized a 1948 stag
film which features a woman who
looks similar to Marilyn but was
later identified as a lookalike.[50]
On April
14th , 2008, a story published in the New York Post and
Reuters, reporting that a dealer had claimed to have sold for $1.5m a
15-
minute black and white 16mm film of Monroe performing oral sex on
an unidentified man, got widespread mainstream media
coverage.[51][52] The dealer is not reported as having identified the
seller or the
buyer , or as having presented any evidence for the film
or the sale.[53]
FBI
documents indicate a "French type" film of Monroe was
confiscated from an
informant in the 1950s.[54]
Quotes
Wikiquote has a
collection of quotations related to:
Marilyn Monroe“ Hollywood is a place where they’ll pay you a
thousand dollars for a kiss, and fifty cents for your soul. ”
“ I think that when you are famous every weakness is exaggerated.
(...)
Goethe said, "Talent is
developed in
privacy ," you
know? And it's
really true. (...) Creativity has got to start with
humanity and when you're a human being, you feel, you suffer. You're
gay, you're sick, you're nervous or whatever.[55]
”
“ Say goodbye to Pat, say goodbye to the president, and say goodbye
to yourself, because you're a
nice guy.[...]I'll see, I'll see.[56] ”
“ I don't know who invented high heels, but all
women owe him a
lot.[24] ”
“ I believe that everything happens for a
reason . People change so
that you can learn to let go, things go wrong so that you appreciate
them when they go right, you believe lies so you eventually learn to
trust no one but yourself, and sometimes good things fall apart, so
that better things can fall together. ”
“ I don't mind
living in a man's world as long as I can be a woman
in it. ”
Quotes about Monroe
“Marilyn Monroe was late for everything – but much too early for
death.” (Army Archerd)
"Everything Marilyn does is
different from any other woman,
strange and
exciting , from the way she talks to the way she uses that
magnificent torso."[57]
"She can make any move, any gesture, almost unsufferably
suggestive."[58]
"She wasn't disciplined, and she was often late but there was a
sort of magic about her which we all recognized at once."[59]
"
Nobody discovered her, she earned her own way to stardom."[60]
"If it hadn't been for her friends she might still be
alive ."[61]
"I usually go to bed
thinking about something I've learned in my
day.
Today I learned to never give up, and to always be confident, it
helps you to
grow stronger and with more and more beauty. But most of
all, never sell yourself out because all it shows is a lack in
confidence , strength and
dignity ."[citation needed]
Filmography
1947: The Shocking Miss
Pilgrim ; D: George Seaton
1947: Dangerous Years; D: Arthur Pierson
1948: You Were Meant for Me; D: Lloyd Bacon
1948: Scudda Hoo! Scudda Hay!; D: F. Hugh
Herbert 1948: Green
Grass of Wyoming; D: Louis King
1948: Ladies of the Chorus; D: Phil Karfson
1949: Love Happy; D: David Miller
1950: A Ticket to Tomahawk; D:
Richard Sale
1950: The Asphalt Jungle; D: John Huston
1950: The
Fireball ; D: Tay Garnett
1950: All About Eve; D: Joseph L. Mankiewicz
1950: Right
Cross ; D: John Sturges
1951: Home Town Story; D: Arthur Pierson
1951: As Young as You Feel; D: Harman
Jones 1951: Love Nest; D: Joseph Newman
1951: Let's Make It Legal; D: Richard Sale
1952: Clash by Night; D: Fritz Lang
1952: We're Not Married; D: Edmund Goulding
1952: Don't Bother to Knock; D: Roy Baker
1952: Monkey Business; D: Howard Hawks
1952: O.
Henry 's Full House; D: Henry Koster
1953: Niagara; D: Henry Hathaway
1953: Gentlemen Prefer Blondes; D: Howard Hawks
1953: How to Marry a Millionaire; D: Jean Negulesco
1954: River of No Return; D: Otto Preminger
1954: There's No Business Like Show Business; D: Walter Lang
1955: The Seven Year Itch; D: Billy Wilder
1956: Bus Stop; D: Joshua Logan
1957: The Prince and the Showgirl; D: Laurence Olivier
1959: Some Like It Hot; D: Billy Wilder
1960: Let's Make Love; D: George Cukor
1961: The Misfits; D: John Huston
1962: Something's Got to Give; (unfinished). D: George Cukor
Awards and nominations
in The Seven Year Itch (1955)1952 Photoplay Award: Special Award
1953 Golden Globe Henrietta Award: World Film Favorite Female.
1953 Photoplay Award: Most Popular Female Star
1956 BAFTA Film Award nomination: Best
Foreign Actress for The Seven
Year Itch
1956 Golden Globe nomination: Best Motion Picture Actress in Comedy
or Musical for Bus Stop
1958 BAFTA Film Award nomination: Best Foreign Actress for The Prince
and the Showgirl
1958 David di Donatello Award (Italian): Best Foreign Actress for The
Prince and the Showgirl
1959 Crystal Star Award (French): Best Foreign Actress for The Prince
and the Showgirl
1960 Golden Globe, Best Motion Picture Actress in Comedy or Musical
for Some Like It Hot
1962 Golden Globe, World Film Favorite: Female
Star on the Hollywood
Walk of Fame 6104 Hollywood Blvd.
1999 she was ranked as the sixth greatest female star of all time by
the American Film Institute in their list AFI's 100 Years... 100
Stars.
2008 Woman of the Week, Boomer and
Carton Radio
Program , WFAN 660 NY
Radio.
Awards
Preceded by
Rosalind Russell
for Auntie Mame Golden Globe Award for Best Actress - Motion Picture
Musical or Comedy
for Some Like It Hot
1960 Succeeded by
Shirley MacLaine
for The
Apartment
Kõik kommentaarid