Taken at the
Flood “
There is a
Tide” redirects
here . “
There is a
Tide” is also
the name of a short story by Larry
Niven, set in the
Known Space universe .
Taken at the
Flood is a
work of detective
fiction by
British writer
Agatha Christie ,
first published in the US by
Dodd, Mead and
Company in
March 1948 under the title
of There is a
Tide...[1] and in the UK by the
Collins Crime Club in the
November of the
same year under Christie’s
original title.[2] The US
edition retailed at $2.50[1] and the
UK edition at
eight shillings and sixpence (8/6).[2] It features
her
famous Belgian detective,
Hercule Poirot , and
is set in 1946.
1
Plot summary
In a flashback
from
late Spring to
early Spring,
Lynn Marchmont, newly
demobilised from the
Women ’s Royal
Naval Service ,
finds difficulty settling into the
village life
of Warmsley Vale.
She is engaged to Rowley, one of
several members of the
Cloade family
living nearby. Each of
them grew
dependent on
money from
Gordon Cloade, a
bachelor who was
expected to die and leave his
fortune to them. But
instead he marries an Irishwoman, Rosaleen
Turner ,
invalidating his
previous will,
before being
killed in an
explosion at his home, which his new
wife survives. As
a
result , Rosaleen inherits Gordon’s
fortune and the
entire family now faces financial
crisis ,
augmented by the
poor state of the
economy in the aftermath
of World War II.
Rosaleen’s fortune is zealously
guarded by her
brother , David
Hunter , and
although various
family members
manage to wheedle small sums out
of Rosaleen,
David refuses to help
Frances Cloade,
whose husband Jeremy is
on the brink of ruin.
A man
calling himself Enoch Arden
arrives in the village,
and
attempts to
blackmail David by saying he knows how
to
find Rosaleen’s first husband, Robert. Their
conversation in Arden’s
hotel room is overheard by the
landlady ,
who immediately
tells Rowley Cloade.
Later , Arden’s
body is
discovered in his room with his head smashed
in. Rowley Cloade
appeals to a detective, Hercule Poirot,
to
prove the dead
man was Robert Underhay, and Poirot
produces
Major Porter , who knew Underhay in
Africa .
At the inquest,
despite Rosaleen’s protests that the dead
man was not
Robert, Porter confirms that Arden was
indeed her first
husband. The
estate will revert to the
Cloades.
Rosaleen has a
strong alibi for the time of the
murder since she was in
the London flat that
evening . David has
only a weak
alibi: down from London for the day, he met
Lynn on his
dash to catch the last
train to London leaving
at 9:20 pm, and
evidently telephoned her from the London
flat shortly
after 11 pm. Since the murder is believed
to have taken
place shortly before 9 pm, he had enough
opportunity and
motive to be arrested.
David’s alibi
improves when it is discovered that a heavily
made-up
woman in
an orange headscarf
left Arden’s
room after 10
p.m. The investigation shifts
back to the
female Cloades,
but Poirot discovers that the immediate
cause of Arden’s
death may have been smashing his head
against a
heavy marble mantelpiece. The appearance of
a murder may have
been created after some form of
accidental death.
Lynn, though
engaged to Rowley,
seems to love David.
Rowley may be
attracted to Rosaleen, who seems to
be consumed with
guilt and
fear . Major Porter apparently
commits
suicide but leaves no
note . It
comes to
light that Arden
was actually Charles Trenton, second
cousin to Frances
Cloade. She
came up with the plan
to blackmail
Rosaleen after hearing Major Porter’s anecdote
from Jeremy.
Although this explains Arden’s
identity ,
it does not
clarify who killed him or who bribed
Porter to falsely
identify the corpse.
Rosaleen
dies in
her
sleep from an overdose. Superintendent
Spence, the
investigating officer, suggests that
perhaps she was the
murderer; the
police have so
focused on
David’s alibi
that they subjected hers to
little scrutiny.
Lynn tells Rowley
that she wishes to
marry David Hunter.
Rowley is
strangling Lynn when Poirot stops him. David
arrives and
Poirot explains everything. Rowley visited
Arden, and seeing
the
physical resemblance to Frances,
reacted angrily
to the deception that was being played.
Pushed by Rowley,
Arden
fell against the mantelpiece
and died. Rowley
saw the opportunity to incriminate
David. He smashed
in Arden’s head with
fire tongs and
left David’s
lighter at the
scene . It was Rowley who persuaded
Porter to give
the
false identification, carefully
employing Poirot,
who would be sure to go to Porter on
the
basis of that
first scene at the club, which Rowley also
knew of from
Jeremy. Porter’s guilt got the better of him
and he committed
suicide, leaving a note that Rowley destroyed.
Discovering
Arden’s body, David ran for the 9:20 train
but missed it;
Lynn actually saw the
smoke from the departing
train on the
evening, but he convinced her that it
was earlier
than it was and that he had time to meet her.
1
2 6 ADAPTATIONS
He then
backtracked to The Stag, disguised himself as
a woman, and
played out the scene that
established the
later time of
death. Then he returned to the
station and
called Rosaleen,
who placed a
call to Lynn that was
delivered by the
operator but then cut off. Afterward, David
spoke to Lynn
from the station,
giving the
impression that
a
single call
from London was interrupted. He returned
to London on the
milk train the next day.
Of the three
deaths, one is accidental, one a genuine suicide.
The only true
murder was Rosaleen’s. David had
no apparent
motive to
kill his own
sister , especially when
it would
mean depriving himself of the Cloade fortune.
But the woman
posing as Rosaleen was not his sister; his
sister was killed
during the bombing of Gordon Cloade’s
estate two
years earlier. The woman posing as Rosaleen
was one of
Gordon’s housemaids, who
became David’s
lover and his
accomplice in obtaining the Cloade fortune.
Now he
could kill
this accomplice and marry Lynn,
whom he
really loved and who would
gain a portion of
the fortune
through family connections. In the end, no
one is tried
other than David. Rowley is implicated in
the deaths of
Trenton (“Enoch Arden”) and Porter, and
he is guilty of
misleading the police and assaulting Lynn.
However , Poirot
keeps silence about Rowley’s crimes, allowing
Rowley to marry
Lynn, who has loved him
without realising it.
2
Characters • Hercule
Poirot, Belgian detective
•
Superintendent Spence, investigating officer
• Sergeant
Graves , Spence’s assistant
• George,
Poirot’s valet
• Rosaleen
Cloade, formerly Mrs. Robert Underhay,
a wealthy young
widow • David Hunter,
Rosaleen’s brother
• Jeremy
Cloade, a solicitor
• Frances
Cloade, Jeremy’s wife
• Lionel
Cloade, a
doctor • Katherine
Cloade, Lionel’s wife
• Rowley
Cloade, a farmer
• Lynn
Marchmont, a demobbed Wren, fiancée to
Rowley
• Adela
Marchmont, Lynn’s mother
•
Beatrice Lippincott, pub landlady of The Stag
• Major Porter,
the club bore
• “Enoch
Arden”, a blackmailer
• Mrs.
Leadbetter, a resident of The Stag
3 Explanation of
the
novel ’s title
The title of the
book in
both the UK and US
markets is
a line from
Shakespeare's
Julius Caesar in a
speech by
Brutus in Act IV:
“There is a tide in the affairs of men,
which taken at
the flood leads on to fortune...”. The
quotation is
given in
full as the epigraph to the novel.
4 Literary
significance and
reception No review of this
book
appeared in the
Times Literary
Supplement .
For
once , Maurice
Richardson, in his review of the 21
November 1948
issue of The Observer was
slightly unimpressed:
“Agatha
Christie has, if not a
whole day off, at
least part of the
afternoon. The
killing of the blackmailing
Enoch Arden, who
puts up at the
local to
harry the
already embarrassed Cloade family, the murder that follows,
and Poirot’s
doubly twisted solution are ingenious
enough, but the
characterisation is a little
below par. The
quintessential
zest, the
sense of well-being which
goes to
make up that
Christie
feeling , is missing.”[3]
An unnamed
reviewer in the
Toronto Daily
Star of 10
April 1948 said,
“Hercule Poirot, whose eggshaped
cranium is crammed with
lively gray cells, proves himself a
bit of a mug
before he sorts out all the
details of [Enoch
Arden’s] death
and other
even more baffling mysteries.
But he does it
with all the acumen that has endeared him
to Agatha
Christie
fans . Fantastic and topping.”[4]
Robert Barnard:
“Elderly man
married to a glamorous
nitwit of dubious
social background is a common plotelement
in Christie. Here
she is
widowed (in an airraid
– this is one
of the few Christies anchored to an
actual time), and
burdened by financially insatiable relatives,
both of
blood and
in-law. But who exactly is
dead, and who
isn't? And who is what they
seem , and
who isn't?
Compulsive reworking of Tennysonian and
Christiean
themes, and
pretty high up in the range of classic
titles. "[5]
5 References to
other
works The false alibi
used by the murderer of a witness sighting
the missed train
smoke was a partial re-use of a plot
device used by Christie
in the 1925 short story The
Sign in
the Sky, later
published in the 1930 collection The Mysterious
Mr. Quin.
6 Adaptations
6.2
Radio 3
6.1
Television A television
film was produced in 2006 with David Suchet
as Poirot in the
ITV series Agatha Christie’s Poirot. The
cast included
Elliot Cowan as David Hunter, Celia Imrie
as Kathy Cloade,
Jenny Agutter as Adela Marchmont
and Tim
Pigott-Smith as Dr. Lionel Woodward.The
film made several
significant
changes to the plot:
• Like
almost all episodes of the TV series, the film is
reset in the late
1930s as opposed to the post-World
War II years: as
a result of this, the death of Gordon
Cloade was caused
not by a
German air raid, but an
apparent gas
explosion that Poirot later reveals was
a
bomb planted by
David Hunter.
• Rosaleen was
made into a morphine addict.
• Kathy becomes
Adela’s sister, whereas in the novel,
it is Lionel who
is a Cloade. The credits mistakenly
refer to Lionel
as a Cloade – however, his
surname is 'Woodward' (as
revealed by Kathy when she visits
Poirot at the
beginning of the
adaptation ).
• Kathy also
repeatedly harasses the false Rosaleen by
calling her
“
whore ”, “slut”, “
bitch ” and “bigamist”
through
anonymous phone calls, an event not
found in the novel.
• In the film,
the false Rosaleen, Eileen Corrigan,
is saved in time
(
thanks to Dr. Woodward’s morphine
addiction and his
theft of some of her morphine),
and Poirot proves
that David, knowing that
she would attempt
suicide out of
feelings of guilt for
her
actions , has
set it up so that she would use the
morphine as a
means to try to kill
herself .
• In the novel,
David had no motive for killing his sister,
especially when
it would mean depriving himself
of the Cloade
fortune. In this adaptation, however,
he is upgraded to
a mass murderer who
wanted revenge against
his sister for marrying Gordon and
excluding her
brother as her “first love”. David plotted
his revenge by
raping and impregnating her
Irish Catholic
housemaid, Elieen Corrigan, and then performing
an induced
abortion on her, breaking her
and forcing her
to
submit to his will by promising
her
heaven if she
obeyed him, and threatening eternal
damnation in “the
fires of hell" if she refused. He
then
took Eileen
to a bomb shelter in the basement
and forced her to
pose as his own sister, whom he
then slaughtered
along with the entire Cloade estate
by a surprise
attack of blowing it up with dynamite.
• In the
adaptation, after David is denounced as a mass
murderer, he
“threatens” to blow up the entire Stag
Inn as he did
with the entire Cloade estate, but he
is
talked into
sparing Poirot’s life and the
lives of
everyone in the
inn, after which David confesses that
there is no
dynamite in the inn, and that the “
threat ”
is
nothing more
than a cruel joke he has played on
everyone. This
event is not
present in the novel.
• In the end,
after David is
hanged , Lynn leaves England
for Africa
because she is
still in love with David
despite
everything. She does not marry Rowley as
implied in the
novel.
6.2 Radio
John Moffatt
played Poirot in the BBC Radio 4 adaptation
of the novel.
7 Publication
history
Dustjacket
illustration of the UK First Edition (Book was first
published in the
US)
• 1948, Dodd
Mead and Company (New
York ),
March 1948,
Hardcover, 242 pp
• 1948, Collins
Crime Club (London), November
1948, Hardcover,
192 pp
• 1949, Pocket
Books (New York), Paperback
• 1955, Dell
Books, Paperback, 224 pp
• 1961,
Fontana Books (Imprint of HarperCollins),
Paperback, 192 pp
4 9
EXTERNAL LINKS • 1965, Pan
Books, Paperback, 204 pp
•
1971 ,
Ulverscroft Large-
print Edition, Hardcover,
386 pp
ISBN 0-85456-084-X
8 References
[1] American
Tribute to Agatha Christie
[2]
Chris Peers,
Ralph Spurrier and
Jamie Sturgeon. Collins
Crime Club – A
checklist of First Editions. Dragonby Press
(Second Edition)
March 1999 (Page 15)
[3] The Observer
21 November 1948 (Page 3)
[4] Toronto Daily
Star 10 April 1948 (Page 27)
[5] Barnard,
Robert. A
Talent to Deceive – an appreciation
of Agatha
Christie – Revised edition (Page 206). Fontana
Books, 1990. ISBN
0-00-637474-3
9 External links
• Taken at the
Flood at the
official Agatha Christie
website
• Taken at the
Flood (2006) at the
Internet Movie
Database
5
10 Text and
image sources ,
contributors , and licenses
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Flood Source:
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