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American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
Introduction The great French Revolution has been regarded to as one of the most influential events in modern Western history, and therefore there are various interpretations to explain how the Revolution evolved and what it was like. It is important to focus on very different kinds of historical evidence and sources to get a clear picture of the Revolution. Therefore, one must not forget to look not only at the written sources but also at the more cultural and artistic interpretations. One of the best examples of cultural and political distribution of the Revolutionary ideas was Jacques-Louis David, who, with his paintings, perpetuated The French Revolution from the Republican point of view. His art was mostly tightly connected to the main figures, events and ideas of the French Revolution. David had more than 5 pieces of art that captured the essence of the Revolution. His paintings represented political ethics, current ideals and foundations. Furthermore, the wider public was enthra
English literature from the Baroque to the Romanticism 1. The Jacobean Masque The development of the cultural scene in England brought about the Jacobean masque. The courtly culture became gradually more distant and isolated from the public. Ben Jonson was to become the poet who would write masques for the court. He would, in his masques, try to represent the idea of kingship as it resided in the Platonic realm, and not its reality. Jonson’s aim was also to be educative. Inigo Jones, Jonson’s collaborator, was the one to revolutionize in the field of visual perception, also adding moving machinery and a manipulation of artificial light to the scenery. Jones also viewed the masque as something to be used in educating people. This idea of art as an educative vehicle soon affected all the different areas of courtly life. Jones’s masque sets, for example, educated the audiences about classical antiquity and classical architecture. Jonson and Jones were the ones who gave the Stuart
Tallinna Mustamäe College The Most Important Buildings in Lai Street in Tallinn Report Supervisor: Ingrid Teigar Tallinn 2014 Table of Contents Introduction.............................................................................. 3 Lai Street in general.................................................................. 4 The origin of the name "Lai"...................................................... 4 1 Lai Street / 4 Nunne Street...................................................... 5 17 Lai Street............................................................................. 6 23 Lai Street............................................................................. 6 27 Lai Street...................................................
from 79km races to 5km sprints mingling elite and beginners skiers to create an atmosphere of camaraderie and festivity. Tallinn Old Town Days Merchants and performers from neighbouring countries and beyond bring along their treats to Tallinn's Old Town for the Tallinn Old Town Days. The theme in 2008 is "Meeting Point of Cultures", emphasising the city's openness and development over the centuries. Lasting seven days and seven nights, this year's street market focuses on baby performers. Am attempt to re create the city's medieval atmosphere, with jousting, minstrels, traditional Estonian music, and open air markets. Taking place each June in the heart of this historic city, Old Town Days is a great medieval festival which sees the streets filled with participants dressed in the traditional clothes of that period. Events include a traditional street market, authentic
UNO SOOMERE ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996. AN OVERVIEW With a Historical and Cultural Summary IN MEMORY OF THE GREAT ESTONIAN COMPOSERS CONTENTS ESTONIA AND THE ESTONIANS FOREWORD IN THE FOLD OF TSARIST RUSSIA. EMERGENCE AND FIRST STEPS ON THE CLASSICAL-ROMANTIC PATH. HISTORICAL INTRODUCTION I. MUSICAL LIFE IN TARTU AT THE TURN OF THE CENTURY. TRAILBLAZERS: ALEKSANDER LÄTE, RUDOLF TOBIAS, ARTUR KAPP. II. THE FIRST DECADE OF THE 20TH CENTURY. ARTUR LEMBA: THE BEGINNING OF ESTONIAN SYMPHONY AND OPERA. III. NEW DEVELOPMENTS IN CULTURAL AND MUSICAL LIFE: THE END OF THE TSARIST PERIOD. THE INDEPENDENT REPUBLIC OF ESTONIA: THE INTRODUCTION OF INNOVATIONS FROM WESTERN ART AND THE EVOLUTION OF NATIONALLY ORIENTED MUSICAL TRENDS. IV. THE TWENTIES. ARTUR KAPP: ROMANTICIST AND DRAMATIST. V. THE INFLUENCE OF NEW WESTERN MUSICAL TRENDS. HEINO ELLER: A PROGRAMME PAINTER.
Tallinn suffered heavily. The bombing of the city by the Soviet air force on 9 March 1944 left over 20,000 people homeless. During the Russian occupation which followed attempts were made to Russify the local people. Estonia re-established its independence on 20 August 1991. Toompea Toompea is the oldest and the most respectable part of the city. For centuries there was only one means of access to Toompea Pikk Jalg Street. In the middle of the 15th century the Lower Town fenced itself off with these walls from the Upper Town because of the permanent contradictions between the noblemen of Toompea and the citizens of Down Town. At the end of the street there used to be a wooden gate, in place of this a gate-tower was built at the end of the 14th century. At present Pikk Jalg Street is only for pedestrians. There still exists another gate to Toompea Short Leg. It was laid in the 15th century.
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![Street Art, 2014 [https://www.widewalls.ch/the-history-of-street-art/] 20.12.17)](./mpic/173321/Backup-5_1.jpg)
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