I heard her play in Milan. WATCH OUT! In passive sentences make, hear, help are followed by an infinitive with to. He was made to report to the police. Let can not be used in the passive form. Instead, allowed must be used. My parents let me stay out late. I am allowed to stay out late by my parents. After modal verbs You must leave now. After would rather/had better You would better come in now. Verbs followed by a gerund or to-infinitive with a difference in meaning · Can`t bear/ stand, hate, like, love, prefer When these verbs are used with the infinitive, they refer to more specific situations. When they are used with the gerund, they refer to more general situations. The difference in meaning is very slight. I prefer to work on a computer than to write by hand. I can not bear listening to her complaining all the time. · Remember, forget, regret, stop, try
watch, feel, notice, help...) In passive sentences make, hear, help are followed by an infinitive with to! Let > allowed in passive sentence My parents let me stay out late. I am allowed to stay out late by my parents. 2) After modal verbs (can, could, may, must, shall, should, will, would) 3) After would rather/had better (You'd better come in now.) 1) Can't bear/stand, like, hate, love, prefere Used with infinitive more specifical situation with gerund more general situation 2) Remember, forget + ing an action that happened before the moment of remembering/forgetting + infinitive an action after the moment of remembering/forgetting 3) Regret + ing means be sorry about the action in the past + infinitive means be sorry about the present action 4) Stop + ing to stop something you do + infinitive with to means stop in order to do something 5) Try
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;P ulJbijlg lsBN 978-1-8432s-569-7 Illllll]ililil]t llll ||||rl 9 x781843x255697x Conlenls UNI T1 househol d & appl i ances; dw el l i ngs ln Searchof the Perfect My Home is my chores;colours& rooms;home H ome(mul ti pl choi e ce) Castle(pp. 5-19) safety TheCharmingPast:Blarney Castle- Du
;P ulJbijlg lsBN 978-1-8432s-569-7 Illllll]ililil]t llll ||||rl 9 x781843x255697x Conlenls UNI T1 househol d & appl i ances; dw el l i ngs ln Searchof the Perfect My Home is my chores;colours& rooms;home H ome(mul ti pl choi e ce) Castle(pp. 5-19) safety TheCharmingPast:Blarney Castle- Du
;P ulJbijlg lsBN 978-1-8432s-569-7 Illllll]ililil]t llll ||||rl 9 x781843x255697x Conlenls UNI T1 househol d & appl i ances; dw el l i ngs ln Searchof the Perfect My Home is my chores;colours& rooms;home H ome(mul ti pl choi e ce) Castle(pp. 5-19) safety TheCharmingPast:Blarney Castle- Du
THE W R I T E R ' S JOURNEY M Y T H I C STRUCTURE FOR W R I T E R S THIRD EDITION CHRISTOPHER VOGLER S C R E E N W R I T I N G / W R I T I N G Christopher Vogler explores the powerful relationship between mythology and storytelling in his clear, concise style that's made i this book required reading for movie executives, screenwriters, playwrights, fiction and non-fiction writers, scholars, and fans of pop culture all over the world. Discover a set of useful myth-inspired storytelling paradigms like "The Hero's Journey," and step-by-step guidelines to plot and • character development. Based on the work of Joseph Campbell, The Writers Journey is a must for all writers interested
1. Basic Phrases ¡Buenos días! ¡Buenas tardes! ¡Buenas noches! bway-nohs dee-ahs bway-nahs tard-ays bway-nahs noh-chays Hello! / Good morning! Good afternoon! Good evening! / Good night! ¡Hola! / ¡Chao! Adiós. Por favor. oh-lah / chow ah-dee-ohs por fah-bor Hi! / Bye! Good bye. Please. Hasta la vista / Hasta luego. Hasta pronto. Hasta mañana. ah-stah lah vees-tah / ah-stah ah-stah prohn-toh ah-stah mahn-yahn-ah loo-ay-go See you soon. See you tomorrow. See you / See you later. (Muchas) Gracias. De nada. Bienvenidos (moo-chahs) grah-see-ahs day nah-dah
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