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Ülo Sooster life and time (0)

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Ülo Sooster life and time #1
Punktid 50 punkti Autor soovib selle materjali allalaadimise eest saada 50 punkti.
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Aeg2013-05-28 Kuupäev, millal dokument üles laeti
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Autor Ebbe-Diisa Põld Õppematerjali autor
Lisa ülo sooster slaid esitlusele.

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Ülo Ilmar Sooster

Ülo Ilmar Sooster Ülo Sooster life and time Born on 17. October 1924 Died on 25. October 1970 Schools: homevillage school in Ühtri, Kärdla school. Franch Lycee and Tartu art school. 1949 Ülo Sooster were arested. He was in a prison camp, in Karanganda. In 1956 the returned to Estonia together. 1957 he went back to Moscow. Tennopent Sooster 28. December 1957 Treasured member of Moscow's alternative art crowd. His works weren't missing from practically a single exhibition in Moscow. International artist. His art. Three periods: pallaslik, modernistic and surrelistic. Pallaslik art: time when he was learning at Pallas Art School, 19431949 Modernistic and surrelistic art were parallel. Junipers, fishes and eggs. Main tools: pencil, oil, Indian ink, felt marker. Personal exhibitions

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Konrad Mägi in English

was expelled due to his participation in revolutionary activities. Then he spent the summer on the islands of Åland in Finland and after that moved on to Paris. There Mägi practised drawing at free academies. After that, he lived in Norway, where he actually executed his first masterpieces ­ a series of Norwegian landscapes. In 1912 Konrad Mägi returned to Estonia where Tartu became his main place of residence, and where he began to teach drawing. At the end of his life he was no longer able to carry on his work due to serious lung disease. He also destroyed one part of his invaluable works during hysteric attacks. He died at the age of forty-six in Tartu neural clinic. At the time "Valgjärv" (1916-1917) was painted, the artist painted mostly in South Estonia and in connection with that there occurred a change in his choice of motifs. The former intimate views of a small part of the scenery were replaced by wide panoramas

Kunstiajalugu
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American Art Revision Materials

History. History painters had to create a demand for their paintings. History paintings encapsulated the patriotic duty to memorialize the country's struggle for independence and human rights. Allston was America's first truly Romantic artist and expressed the themes of mystery, terror and poetic daydreaming. Artists: John Trumbull, John Vanderlyn, Washington Allston. Landscape, Genre and Still Life. In late-C18, these were almost entirely neglected. Guy painted city life, Birch painted the seascape. The "Peale formula" was adhered to: objects along tableware against a dark background. Also, trompe-l'oeil persisted via Charles Willson's Peale's sons. Artists: Ralph Earl, Francis Guy, Thomas Birch, James Peale, Raphaelle Peale. Mid-C19 Landscape. In C19, landscape painting became dominant and provided many unexplored subjects. The tradition of landscape art emerged in the 1820s through the work of the so-called Hudson River School. The school of "luminism"

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US-ART - American Art Revision Materials, I

History. History painters had to create a demand for their paintings. History paintings encapsulated the patriotic duty to memorialize the country's struggle for independence and human rights. Allston was America's first truly Romantic artist and expressed the themes of mystery, terror and poetic daydreaming. Artists: John Trumbull, John Vanderlyn, Washington Allston. Landscape, Genre and Still Life. In late-C18, these were almost entirely neglected. Guy painted city life, Birch painted the seascape. The "Peale formula" was adhered to: objects along tableware against a dark background. Also, trompe-l'oeil persisted via Charles Willson's Peale's sons. Artists: Ralph Earl, Francis Guy, Thomas Birch, James Peale, Raphaelle Peale. Mid-C19 Landscape. In C19, landscape painting became dominant and provided many unexplored subjects. The tradition of landscape art emerged in the 1820s through the work of the so-called Hudson River School. The school of "luminism"

Inglise keel
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Kubism

His key influence related to bold use of colour, and a clear love of experimentation of both depth and tone. While he was a child, Delaunay's parents divorced, and he was raised by his uncle, in La Ronchère (near Bourges). He took up painting at an early age and, by 1903, he was producing mature imagery in a confident, impressionistic style. In 1908, after a term in the military working as a regimental librarian, he met Sonia Terk, who he later married, though at the time she was married to a German art dealer who she would soon divorce. In 1909, Delaunay began to paint a series of studies of the city of Paris and the Eiffel Tower. The following year, he married Terk, and the couple settled in a studio apartment in Paris, where they later had a son. At the invitation of Wassily Kandinsky, Delaunay joined The Blue Rider (Der Blaue Reiter), a Munich-based group of abstract artists, in 1911, and his art took a turn for the abstract.

Kunstiajalugu
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ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.

UNO SOOMERE ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996. AN OVERVIEW With a Historical and Cultural Summary IN MEMORY OF THE GREAT ESTONIAN COMPOSERS CONTENTS ESTONIA AND THE ESTONIANS FOREWORD IN THE FOLD OF TSARIST RUSSIA. EMERGENCE AND FIRST STEPS ON THE CLASSICAL-ROMANTIC PATH. HISTORICAL INTRODUCTION I. MUSICAL LIFE IN TARTU AT THE TURN OF THE CENTURY. TRAILBLAZERS: ALEKSANDER LÄTE, RUDOLF TOBIAS, ARTUR KAPP. II. THE FIRST DECADE OF THE 20TH CENTURY. ARTUR LEMBA: THE BEGINNING OF ESTONIAN SYMPHONY AND OPERA. III. NEW DEVELOPMENTS IN CULTURAL AND MUSICAL LIFE: THE END OF THE TSARIST PERIOD. THE INDEPENDENT REPUBLIC OF ESTONIA: THE INTRODUCTION OF INNOVATIONS FROM WESTERN ART AND THE EVOLUTION OF NATIONALLY ORIENTED MUSICAL TRENDS. IV. THE TWENTIES. ARTUR KAPP: ROMANTICIST AND DRAMATIST

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Topics, step 8, kokkuvõtted mõnedest peatükkidest

Altamira and Lascaux, North American Indian rock art is surrounded by an atmosphere of mystery. Although examples of rock art exist at some 15000 sites in canyons, deserts, caves and river gorges. Nowadays, however, primitive rock art in the United States has become a new field of scientific study. Klaus F Wellmann wrote two books about rock art. He is a professor of medicine. Rock art represents the history of aboriginal Americans. In the most cases the art is an expression of ideas and way of life, ritual ceremonies, hunting, fighting. The pictures of people and animals are often strikingly lifelike and artistic. Many of these ancient relics have been destroyed by the ravages of nature and of man. Wind and water have worn away and continue to wear away, unprotected sites. And the paintings and carvings are increaslibly falling victim to vandalism: they have been painted over, spoilt with knives, even used for target practice. The American

Inglise keel
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Briti kirjanduse portfoolio

( 9 June1870) Oliver Twist (1837-39), Nicholas Nickleby (1838-39), The Old Curiosity Shop and, Barnaby Rudge: A Tale of the Riots of 'Eighty as part of the Master Humphrey's Clock series (1840- 41), A Christmas Carol written in 1843. Hard Times- For These Times. is a novel by Charles Dickens, first published in 1854. The book is a state-of-the-nation novel, which aimed to highlight the social and economic pressures that some people were experiencing. Unlike other such writings at the time, the novel is unusual in that it is not set in London. A Christmas Carol in Prose, Being a Ghost Story of Christmas (commonly known as A Christmas Carol) is a novella by Charles Dickens first published on December 19, 1843 with illustrations by John Leech. The story was an instant success, selling over six thousand copies in one week, and the tale has become one of the most popular and enduring Christmas stories of all time. William Makepeace Thackeray

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