Graphical means and devices 11. Common literary and common colloquial vocabulary 12. Special literary vocabulary 13. Special colloquial vocabulary 14. Metre in English poetry. Modifications of metre ("Rhythm and Text") 15. Typically English stanzas ("Rhythm and Text") 16. Rhythm in poetry and in prose ("Rhythm and Text") Study independently 17. Varieties of language (I. Galperin "Stylistics") 18. Emotive prose (I. Galperin "Stylistics") 19. Scientific prose style (I. Galperin "Stylistics") 20. Language of the drama (I. Galperin "Stylistics") 21. Publicistic style (I. Galperin "Stylistics") 22
REFERENCING STYLE The following recommendations have been taken from The Standing Committee on Publications of the British Psychological Society, Suggestions to Contributors, Leicester: BPS, 1979. You should always follow these recommendations in your written work. The BPS journals use the author-date method of citation, that is the surname of the author and the year of publication are inserted in the text at the appropriate point, for example: Rabbitt (1970) compared reaction times... Or In a recent study of reaction times, Rabbitt (1970) found... Or In 1970, Rabbitt compared.. These methods enable the reader to locate easily the citation in the reference list given at the end of the report. If a work has two authors, cite both names in the text every time, e.g. Smith & Jones (1974). If a work has three or more authors, give names in full when the reference is first cited and then u
In present day English the word "style" is used in about a dozen of principle meanings: 1. the characteristic manner in which a writer expresses his/her ideas (e.g. style of Byron) 2. the manner of expressing ideas, characteristic of a literary movement or period 3. the use of language typical of a literary genre (e.g. the style of a comedy, drama, novel). 4. the selective use of language that depends on spheres / areas of human activity (e.g. style of fiction, scientific prose, newspapers, business correspondence, etc.). STYLISTICS Stylistics is the study of style. The very term "stylistics" came in more common use in English only some 45 years ago. Stylistics is a part of style; it studies principles of selecting and using different linguistic means (grammatical and phonetic) that serve to render shades of meaning. The Stylistics of language studies stylistic devices and expressive shades of linguistic units (words, construction of phrases).
"You" and "one" instead of "I" creates a close contact with a reader or listener. In colloquial speech, same function is performed by "a man, a chap, a fellow" (A man knows how much to pay) · The speaker or writer may use "he" or "she" meaning himself. Then the person views himself from the distance and, thus, focuses more attention on himself. · The archaic "thou" and its form "thy", "thee" may be nowadays. In poetry, they create elevated overtones; in prose, they may convey geographical or historical background. (Hemingway-Spaniard-foreign nationality) · "He" or "she" may be involved in personification (The moon smiled her faint smile) · "It" when applied to people, transfers them to a class of object, creating irony or humour or just negative evaluation. · "We"--used in the Modest plural--the speaker uses "we" out of modesty as if involving the audience as well
The reader is made active. E.g. who can stop me (nobody). Is it fair to treat him like this (no). Exclamation this a sentence used as an interjection to express a sudden emotion. E.g. she was so fantastic! How fantastic the paper looked! Graphical expressive means Punctuation marks the outward shape of the printed page is very important. The author is conscious of various types of prints and their interrelation. The division of prose into paragraphs (the capital letters, italics, and punctuation marks). Gr.means are vital in order to pass over the reader, those features that in oral speech are rendered by prosodic elements stress, tone of the voice, pauses, the length, sound, etc. Punctuation marks take up a prominent place among gr.means. It points out many elemnts emotional pauses, irony. It also senders the authors' attitude towards what he says and expresses emotional actions and reflects the
Letters Letters FORMAL, INFORMAL, TRANSACTIONAL TASK 1 Read the extracts and answer the questions. · Where are the extracts from? · What is the purpose of each letter? · How do they differ? · Which extracts are examples of formal letters? · How is the reader addressed in a formal letter? · What are the closing remarks for formal letters? · What is the salutation in a friendly letter? · How would you end extracts 1,2,3 ? · How would you begin the extracts 4 and 5? 1. Dear Mr Miller, I received your kind invitation to the reception. Unfortunately, owing to other commitments. I will be unable to attend ... 2. Dear Ralph, l just got your invitation to the company's event. l `m afraid I can't make it because I've a/ready made plans which l can "t change ... 3. Dear Sirs, I am writing to complain about the poor quality of the items which I received from your co
Louise Erdrich Love Medicine Assignment 1 (pages 142) 1. Define the following words and expressions (considering the context) and reproduce (in your own words) the situations in which they appear in the book: a beacon (2) (AmE) a fire or light set up in a high or prominent position as a warning, signal, or celebration, it appears as a metaphor to describe a white egg in her hand. Situation: June walked through the door and toward blue egg in the white hand of Andy, which she compares with a beacon in the murky air. a turtleneck (2) - Example. Definition: (AmE) a `turtleneck' is a sweater with a high part fitting closely around the neck. (BrE `polo neck') (Oxford Advanced Learner's Dictionary. 6th edition.) Situation: When Andy, the engineer that June meets in the bar, peels a pink egg for her, saying that it matches her turtleneck, she
1. the characteristic manner in which a writer expresses his ideas. Some speak about the style of Hemingway, Dickens etc. 2. the manner of expressing ideas, characteristic of a literary movement or period. Style of symbolism, romanticism 3. the use of language to pick a literary genre-comedy, novel, drama, O.D (poetic form) etc. 4. the selective use of language that depends on spheres of human activity fiction, scientific prose, newspapers, official documents, business correspondenc etc. Style bears the stamp of indivual usage, that is every writer has a unique pattern/habit and abilities that form his style. This approach is best illustrated in the well-known victum of the french poet Georges-Louis de Buffon ,,Style is the man himself." Stylistics English stylistics or the study of style has not been discussed on the same scale as french stylistics, german or russian
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