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Michelangelo (0)

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His birth name was Michelangelo di Lodovico Buonarroti Simoni, but commonly known as Michelangelo.
He was born on March 6th 1475 Caprese near Arezzo, Republic of Florence . Today , Caprese is known as Caprese Michelangelo.
A young boy Michelangelo was sent to Florence to school. The young artist showed no interest in his schooling, preferring to copy paintings from churches and seek the company of painters. He was fantastically gifted.
He died on February 18th 1564 in Rome, Papal States when he was 88 year -old.
Michelangelo
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Wordis kirjutatud jutt powerpointile juurde. Michelangelo ja Michelangelo's David, tema teos. Inglise keeles!!

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Michelangelo

wife and family in the town of Settignano where his father owned a marble quarry and a small farm. Michelangelo once said to the biographer of artists Giorgio Vasari, "What little good I have within me came from the pure air of your native Arezzo and the chisels and hammers." Michelangelo's desire to become an artist was initially opposed by his father. After a period of grammatics studies with the humanist Francesco da Urbino, Michelangelo continued his apprenticeship in painting with Domenico Ghirlandaio and in sculpture with Bertoldo di Giovanni. Michelangelo's father managed to persuade Ghirlandaio to pay the young artist, which was unheard of at the time. In fact, most apprentices paid their masters for the education. Impressed, Domenico recommended him to the ruler of the city, Lorenzo de' Medici, and Michelangelo left his workshop in 1489. From 1490 to 1492, Michelangelo attended Lorenzo's school and was influenced by many

Inglise keel
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Michelangelo

Michelangelo Michelangelo di Lodovico Buonarroti Simoni was an Italian painter, sculptor, poet and architect. He was of noble birth, but was not raised by his parents. His father had him brought up by a stone carver and his wife, because his own wife was too ill to take care of the child. While living with his step-parents, young Michelangelo learned the skills that would serve him throughout his life, but his father was displeased when his son told him he wanted to be an artist, and it took much convincing for Michelangelo to be permitted to further his apprenticeship. Michelangelo went on to study sculpture at Medici gardens, where Leonardo da Vinci had also been taught. Following his sojourn at Medici gardens, Michelangelo went to Bologna, then to Rome, where he saw the impressive marble statues, which

Kunstiajalugu
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Michelangelo Buanarroti

Michelangelo Buanarroti Katrin Jermoskin Mustvee Gymnasium Form 11 2010 Michelangelo di Lodovico Buonarroti Simoni 6 March 1475 18 February 1564 Italian Renaissance painter, sculptor, architect, poet, and engineer The second of 5 brothers Mother was Francesca Neri she died young Father was Ludovico di Leonardo di Buonarotti Simoni Childhood in Florence 1488 he got inspiration by painter Domenico Ghirlandaio 1489 he began to study sculpture under the protection of the Lorenzo Magnifico At this time(he was 16) he sculpted the reliefs Madonna of the Steps (1490­1492) and Battle of the Centaurs (14911492) 14931494 he studied human anatomy In 1496 (21 years old) he went to Rome, and did one of his famous works, the Pietà Pietà and David were tw

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The Pre-Raphaelites

Other two soon replaced the biblical inspiration with the medieval world- the plays of Shakespeare. Their paintings were very realistic which drew a lot of negative attention on them from various critics, for example Charles Dickens. The critics didn't appreciate the honesty that showed Christ`s father as a working man with dirty fingernails and the Virgin as an ordinary young girl. They were accused to be setting themselves better than anyone else (for example Raphael, Michelangelo, da Vinci- traditional trinity of great masters of that period). They had their supporters among middle classes of the Midlands and North of England. Even thou the brotherhood lasted only about five years its impact to art lasted up to the 20 th century. At first the realistic movement predominated but later the mystical medievalism of Rossetti became more influential. Pre-Raphaelitism hung on in British art until after World war I, but it no longer represented

Inglise keel
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The Renaissance

between; although the more famous elements came during the Elizabethan period (1558 - 1603). Arguably, however, there was no Renaissance in England as it differed considerably to everywhere else. The dominant art forms of the English Renaissance were literature and music. Visual arts in the English Renaissance were much less significant than in the Italian version and had no real tie with the artistic achievements and aims of the northern Italian artists (Leonardo, Michelangelo, Donatello) who are closely identified with the Renaissance; and these art forms never went away during the medieval period and needed to be "reborn", they just took a step back during the Hundred Years War and the dynastic conflict of the Wars of the Roses. Music Music was an essential part of civic, religious, and courtly life in the Renaissance. The rich interchange of ideas in Europe, as well as political, economic, and religious events in the

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American Art Revision Materials

American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain

Inglise keel
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US-ART - American Art Revision Materials, I

American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain

Inglise keel
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English literatutre - Authors, history

THE ANGLO-SAXON PERIOD ­English literature came when the Angles, the Saxons, the Jutes and the Frisians invaded Britain. During this time English was called Anglo- Saxon or Old English. In the chronicles of Roman history (composed in Latin) is said that Britain makes its first appearance in written language when Romans invade the England. BEOWULF ­ most important poem, surviving in a 10th-cent manuscript. The historical period of the poem's events can be dated in the 6th to 8th century. Much of the material of the poem is legendary and paralleled in other Germanic historical-mythological literature in Norse, Old English, and German. GEOFFREY CHAUCER (1340-1400) ­ Politician and writer, fought in France during the 100 years war. He visited Genoa and Florence where he became acquainted with Italian literature and in particular with the works of Dante, Petrarch and Boccaccio. The French period (up to 1370). ­ early works were based mostly on French models. The Italian perio

British literature




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