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Aadu Tamm
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Cinema is the most restricitve medium The topic of this essay is cinema as the most restrictive medium. I would like to discuss the restrictions of cinema as such – what these are, how do they affect the medium. For example time limit of the films, budget, how it affects writer and director, what kind of choices they have to make, and how the audience come into play. Personally, i don’t consider cinema as a restrictive medium. Cinema’s most restrictive feature is time. Filmmakers must fit very good shots edited into very good storyline into one and a half to three hour movie, usually. The reason being, we get uncomfortable sitting long period of time. If the movies would be longer, we would lose interest and start doing something else
Facebook is one of those things I do in those mornings when I have some extra time. So do many of us. If we could, we would spend hours on the world's most popular social network. But at many academic institutions and office networks Facebook has been blocked to guarantee the irrelevancy. We try to deny the importance of the site but without success. It has changed our culture in many ways, making it so modernized that some of us cannot handle it. I am quite positive, that before the movie, people did not really know the basic story of how Facebook was invented. But by now, we have searched the internet, watched the magnificent movie and bought books titled similarly and can tell many interesting facts about our biggest entertainer. Even if the movie were not based on a real story and would have been made up, it would be a masterpiece in any case. Of course the topic is common which makes the movie more interesting and exciting for us. The
Filmikunsti ajalugu 31.01.12 The age of pioneers: the early history of film How the horses helped to ivent the cinema. Cinema was invented by accident. 1872, west coast: leland standford, party, rich people, end of the 19 century, bored. Stanfrod talks friends about horses: problem: question is, what happens with the hooves while its moving, running. Bet, with eyes, can't settle this. Cannot ever see if the hooves touch the ground. Stanford has enough money, hires most famous photographer. Eadwerd muybridge, comes to usa. Tells him to settle this with photography. That time with photography you cannot get any informatio either. Started to install boxes, in each box, there was a camera. Does the hooves touch the ground or not? Fast shutter, can freeze the moment
marijuana, and only shows movies while she sleeps through class. She plans to quit teaching and marry her wealthy fiancé, but when he dumps her, she must resume her job as a teacher. She tries to win over substitute teacher Scott Delacorte (Justin Timberlake), who is also wealthy. Amy Squirrel (Lucy Punch), a dedicated teacher and colleague of Elizabeth, also pursues Scott while the school's gym teacher, Russell Gettis (Jason Segel), makes advances on Elizabeth which she rejects.[3] Elizabeth plans to get surgery to enlarge her breasts, believing she is being overlooked for women with larger chests. However, she cannot afford the $10,000 procedure. To make matters worse, Scott admits that he has a crush on Amy, only viewing Elizabeth as a friend. Elizabeth attempts to raise money for the surgery by participating in her 7th grade class car wash in provocative clothing and by manipulating parents to give her money for more school
THE W R I T E R ' S JOURNEY M Y T H I C STRUCTURE FOR W R I T E R S THIRD EDITION CHRISTOPHER VOGLER S C R E E N W R I T I N G / W R I T I N G Christopher Vogler explores the powerful relationship between mythology and storytelling in his clear, concise style that's made i this book required reading for movie executives, screenwriters, playwrights, fiction and non-fiction writers, scholars, and fans of pop culture all over the world. Discover a set of useful myth-inspired storytelling paradigms like "The Hero's Journey," and step-by-step guidelines to plot and • character development. Based on the work of Joseph Campbell, The
Sciuscià. i I am doing my presentation about Vittorio de Sica movie „Siuscia“in English the „Shoeshine.“ This movie was released in 1946 and is often referred to as the first masterpiece of de Sica. I chose this movie because I really enjoyed de Sicas „Ladri di biciclette“ and also, I often enjoy watching old movies. The action of this movie takes place on the streets of Rome after World War II and the characters usually speak Italian but sometimes, they bring in some English. This movie has also received an Oscar for the best foreign movie in 1947. „Sciuscia“ talks about two boys – Giuseppe Filippucci and Pasquale Maggi, who are in desperate need of getting a horse. Unfortunately, the do not have lots of money because they live off their income from shining shoes. One day the boys must go to the fortune teller to sell
into our affairs by each extension of ourselves, or by any new technology. Thus, with automation, for example, the new patterns of human association tend to eliminate jobs, it is true. That is the negative result. Positively, automation creates roles for people, which is to say depth of involvement in their work and human association that our preceding mechanical technology had destroyed. Many people would be disposed to say that it was not the machine, but what one did with the machine, that was its meaning or message. In terms of the ways in which the machine altered our relations to one another and to ourselves, it mattered not in the least whether it turned out cornflakes or Cadillacs. The restructuring of human work and association was shaped by the technique of fragmentation that is the essence of machine technology. The essence of automation technology is the opposite. It is integral and
Moulin Rouge It is a movie about two lovers who fall in love but their love is not possible. Woman, Satine is a courtesan who works in Moulin Rouge and the man, Christian is a poor writer who writes a play ,,Spectacular Spectacular" for Moulin Rougle and Harold Zidler who is the owner of Moulin Rouge. At the beginning Christian presents himself as the Duke to win Satine's favour. The reason was not that he wanted to trick her but to present his work to Satine. Satine
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