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AnnaAbi
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THE PRE-RAPHAELITES The PRB was formed in 1848 in London and it was an association of painters, poets, critics, sculptors. It was founded by three Royal Academy students who wanted to brake free from the academic art and return to the moral and descriptive truthfulness that they felt was gone from art. (The Royal Academy of Arts is and institution with a purpose to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate.). The founders were William Hunt, John Millais, Dante Rossetti. Because of the fact that they were all students they were also very young- the oldest one, Hunt, was 21. They were soon joined by William Rossetti(critic), James Collison(painter), Frederic Stephens (critic), Thomas Woolner(sculptor). The three youthful Pre-Raphaelites deliberately challenged the established view of art, drawing up a manifesto of their intentions and publishing them in the four issues of a periodical called
Stephen wiltshire 1 slaid Stephen was born in London, United Kingdom to West Indian parents on 24th April, 1974. As a child he was mute, and did not relate to other people. Aged three, he was diagnosed as autistic. He had no language and lived entirely in his own world. 2.slaid At the age of five, Stephen was sent to Queensmill School in London, where it was noticed that the only pastime he enjoyed was drawing. It soon became apparent he communicated with the world through the language of drawing; first animals, then London buses, and finally buildings. The instructors at Queensmill School encouraged him to speak by temporarily taking away his art supplies so that he would be forced to ask for them. Stephen responded by making sounds and eventually uttered his first word - "paper." He learned to speak fully at the age of nine. His early illustrations depicted animals and cars; he is still extremely interested in american cars and is said to have an encyclopedic knowledge of them. W
The Renaissance Between 14th and 16th century in Europe From French word rebirth It was an age of growth in Europe. New, powerful city states emerged. A new middle class had more and more money to spend. Great artists, writers and thinkers lived during this time. During the Middle Ages many people who lived in the countryside worked on the land that they got from the noblemen. In return, they were protected by them Between the middle and the end of the 14th century, the plague, also called "Black Death" killed almost half of Europe's population. It spread most rapidly in the larger cities where many people lived. This led to economic depression. When the plague slowly decreased in the 15th century, the population in Europe began to grow. A new middle class emerged --bankers, merchants and trades people had a new market for their services. People became wealthier and had more than enough money to spend. They began to build larger houses, buy more expensive cloth
Stonehenge One of the best known ancient wonders of the world, 5000 years old Megalith monument, built by western mediterraneans during 3000-1600 BC Circular structure, large standing stones, aligned with rising sun at teh solstice Attlers and bones were sued to dig pits that hold the stones The Celts in Britain and their legacy 700-200 BC celts invade Britain Gaels or Goehls(Ireland and Scotland),Cymri(Wales) and Brythons(gave name to Brittany) Fierce fighters,superb horsemen.Most of them farmers, lived in thatched houses Good at art, craftmanship, used iron Divided into tribes, ruled by kings, only in face of danger would they choose a single leader Legacy- hill-forts, farms, churches, field system, woodland, pasture, weapons, iron objects, langugae, culture Caesar in Britain The great Roman Emperor Firts came 55 BC to gather information, celts were doing agriculturally well,so romans wanted
Introduction The great French Revolution has been regarded to as one of the most influential events in modern Western history, and therefore there are various interpretations to explain how the Revolution evolved and what it was like. It is important to focus on very different kinds of historical evidence and sources to get a clear picture of the Revolution. Therefore, one must not forget to look not only at the written sources but also at the more cultural and artistic interpretations. One of the best examples of cultural and political distribution of the Revolutionary ideas was Jacques-Louis David, who, with his paintings, perpetuated The French Revolution from the Republican point of view. His art was mostly tightly connected to the main figures, events and ideas of the French Revolution. David had more than 5 pieces of art that captured the essence of the Revolution. His paintings represented political ethics, current ideals and foundations. Furthermore, the wider public was enthra
American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
History exam *Stonehenge - is a monument located in England. It is one of the most famous prehistoric sites in the world and is composed of earthworks surrounding a circular setting of large standing stones. The surrounding circular, earth bank and ditch, have been dated to about 3100 BC. Stonehenge was produced by a culture with no written language. Many aspects of Stonehenge remain subject to debate. There is little or no direct evidence for the construction techniques used by the Stonehenge builders. *The Celts in Britain and their legacy The Cets lived in Britain in The Iron Age. They were warring tribes who were battleful amongst themselves as well as inter-tribal war. They were not centrally governed. The Celts brought iron working, iron ploughs and metal swords, horses, wheels and chariots - all these things gave them an instant superiority over the native tribes. The Celts built a number of hill forts throughout the region. The society
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