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2016-09-18
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American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
UNO SOOMERE ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996. AN OVERVIEW With a Historical and Cultural Summary IN MEMORY OF THE GREAT ESTONIAN COMPOSERS CONTENTS ESTONIA AND THE ESTONIANS FOREWORD IN THE FOLD OF TSARIST RUSSIA. EMERGENCE AND FIRST STEPS ON THE CLASSICAL-ROMANTIC PATH. HISTORICAL INTRODUCTION I. MUSICAL LIFE IN TARTU AT THE TURN OF THE CENTURY. TRAILBLAZERS: ALEKSANDER LÄTE, RUDOLF TOBIAS, ARTUR KAPP. II. THE FIRST DECADE OF THE 20TH CENTURY. ARTUR LEMBA: THE BEGINNING OF ESTONIAN SYMPHONY AND OPERA. III. NEW DEVELOPMENTS IN CULTURAL AND MUSICAL LIFE: THE END OF THE TSARIST PERIOD. THE INDEPENDENT REPUBLIC OF ESTONIA: THE INTRODUCTION OF INNOVATIONS FROM WESTERN ART AND THE EVOLUTION OF NATIONALLY ORIENTED MUSICAL TRENDS. IV. THE TWENTIES. ARTUR KAPP: ROMANTICIST AND DRAMATIST. V. THE INFLUENCE OF NEW WESTERN MUSICAL TRENDS. HEINO ELLER: A PROGRAMME PAINTER.
The Presentations Triinu: "The Notorious Prisoners of the Tower" Built in 1078, has been used as a fortress, Royal Palace, a prison, the home for Crown Jewels. The first prisoner was Ranulf Flambard in 1100. The only woman tortured in the Tower was Anne Askew. Guy Fawkes was prisoned 5 th November 1605, hung in 1607. Walter Raleigh was knighted, married without queen´s permission. Last prisoners were in the Tower in 1952. Rita: "Alexander Fleming" Was a pharmacologist, has graduated 6 schools, studied anti-bacterial agents, found Lysozyme accidentally in 1922 and penicillin, which changed the world, in 1928. Won Nobel Prize in 1945. Has been married twice, first wife was a trained nurse. He died in 1955 at home because of a heart attack. He had 1 child. Liis: "The Phantom of the Opera" A.L. Webber is knighted, started writing musicals in 1965, owns 7 theatres and has written 13 musicals. The story is based on a book. The musical was
KUBISM Kubism on 20. sajandi kunstivool, mis hakkas kujunema Pariisis 1907. aastal Pablo Picasso ja Georges Braque'i töödes. Kubistide eelkäijaks oli Paul Cézanne. Mõiste "kubism" võttis kasutusele prantsuse kriitik Louis Vauxcelles ja see vihjab kuubist lähtuvale kujutamisele. Kriitik kirjeldas Braque'i töid 1908. aastal väljendiga bizarreries cubiques (kuubilised veidrused). Kubistide eesmärk oli vabastada teos jutustavast sisust ja kujutada asju (muusikainstrumendid, natüürmordid, maastikud jne) geomeetrilistena (kuup, silinder jne), tükeldatud pindadena või stereomeetrilistena (kujutada esemeid ühekorraga mitmest vaatevinklist). Algset kubismi, perioodi, mis algas 1909. aastal, nimetatakse analüütiliseks kubismiks. Seda perioodi iseloomustab motiivide (majad, puud ja natüürmordid) lahutamine justkui algosadeks (geomeetrilisteks kujunditeks) ning nendest uue pildi ülesehitamine. Teine, hilisem vool kubismis, kannab nime s
Introduction The great French Revolution has been regarded to as one of the most influential events in modern Western history, and therefore there are various interpretations to explain how the Revolution evolved and what it was like. It is important to focus on very different kinds of historical evidence and sources to get a clear picture of the Revolution. Therefore, one must not forget to look not only at the written sources but also at the more cultural and artistic interpretations. One of the best examples of cultural and political distribution of the Revolutionary ideas was Jacques-Louis David, who, with his paintings, perpetuated The French Revolution from the Republican point of view. His art was mostly tightly connected to the main figures, events and ideas of the French Revolution. David had more than 5 pieces of art that captured the essence of the Revolution. His paintings represented political ethics, current ideals and foundations. Furthermore, the wider public was enthra
1. The Jacobean masque Elizabethan one nation culture, now cultural polarisation between the new courtly culture and the rest of the country. Court in cultural isolation. Ben Jonson. King and courtiers were close to universally recognised ideal types (conflict with the reality). Mysticism. Emergence of perspective view, stage machinery, artificial light, revolution. The stage cast the monarch in the focal point (the lines of perspective of the stage met there. Inigo Jones. Masque an educative vehicle, towards classical antiquity and architecture. Tide towards absolute monarchy. Masque – linked poetry and moral philosophy into art. Music, dance, poetry, lavish illusionistic scenic display to express the doctrines of divine kingship. Great impact. Like gods come down to earth. 2. The Caroline masque Charles decided on subject matter, and acted and danced in masques. Now the regal divinity even more obvious. Ben Jonson. Divine minds of this incomparable pair. Arts role – to
Ameerika Kirjandus 30.01.13 Naturalism · France, Emile Zola · Put down his theory in 1879: Le Roman Experimental, attempt to explain the development of human society throuch biological laws · Outlook is deterministic, pessimistic, fatalistic (fate or biology) · Man as an animal-clever than other beasts, still explainable within the framework · Man is not a free agent, is govern by something · Unable to determine his own faith · Hereditary · Naturalists tried to apply in fiction the processes of natural sciences · Writers task is to record facts, systems of behaviour, living conditions, never revealing any natural unbiased (completely natural) · Point of view: amoral-outside the category of morality, neither good or bad · Naturalist find it absurd to blame the wicked. These criminals are doing what nature, environment, their unconscious tells them to do. Naturalists do not judge their characters, they sim
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