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2010-12-14
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Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of painting. In early-C18, Baroque was imitated (handsome settings, rich chiaroscuro, rich color and painterly execution). Paintings became gradually more elaborate. During mid-C18, the new immigrants introduced the style of Rococo (gracious, charming and pretty). Exemplary artist. John Singleton Copley (late-C18). He was self-taught and pursued truth in the characters of his sitters and their surroundings. He emphasized the hands of his sitters. After moving to England, he adopted history paintings. Subsidiary artists: Thomas Smith, the Gansevoort Limner, John Smibert, Robert Feke, John Wollaston, Joseph Blackburn, Benjamin West. Republican Period Portraiture. The Revolutionary War sparked the interest in portraits of national heroes and statesmen. Portraiture
Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of painting. In early-C18, Baroque was imitated (handsome settings, rich chiaroscuro, rich color and painterly execution). Paintings became gradually more elaborate. During mid-C18, the new immigrants introduced the style of Rococo (gracious, charming and pretty). Exemplary artist. John Singleton Copley (late-C18). He was self-taught and pursued truth in the characters of his sitters and their surroundings. He emphasized the hands of his sitters. After moving to England, he adopted history paintings. Subsidiary artists: Thomas Smith, the Gansevoort Limner, John Smibert, Robert Feke, John Wollaston, Joseph Blackburn, Benjamin West. Republican Period Portraiture. The Revolutionary War sparked the interest in portraits of national heroes and statesmen. Portraiture
Introduction The great French Revolution has been regarded to as one of the most influential events in modern Western history, and therefore there are various interpretations to explain how the Revolution evolved and what it was like. It is important to focus on very different kinds of historical evidence and sources to get a clear picture of the Revolution. Therefore, one must not forget to look not only at the written sources but also at the more cultural and artistic interpretations. One of the best examples of cultural and political distribution of the Revolutionary ideas was Jacques-Louis David, who, with his paintings, perpetuated The French Revolution from the Republican point of view. His art was mostly tightly connected to the main figures, events and ideas of the French Revolution. David had more than 5 pieces of art that captured the essence of the Revolution. His paintings represented political ethics, current ideals and foundations. Furthermore, the wider public was enthra
The PRB was formed in 1848 in London and it was an association of painters, poets, critics, sculptors. It was founded by three Royal Academy students who wanted to brake free from the academic art and return to the moral and descriptive truthfulness that they felt was gone from art. (The Royal Academy of Arts is and institution with a purpose to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate.). The founders were William Hunt, John Millais, Dante Rossetti. Because of the fact that they were all students they were also very young- the oldest one, Hunt, was 21. They were soon joined by William Rossetti(critic), James Collison(painter), Frederic Stephens (critic), Thomas Woolner(sculptor). The three youthful Pre-Raphaelites deliberately challenged the established view of art, drawing up a manifesto of their intentions and publishing them in the four issues of a periodical called "The Germ"
arts. A globe of the world, showing America, shares space with a lute, an astronomical globe, a Turkish rug used as a tablecloth, and a selection of mathematical instruments. These things speak of a widening world, in which Britain during the reign of Henry VIII was starting to play a bigger part. But something smears across the lower part of the painting, grisly and absurd: looked at from the correct angle, this distorted image reveals itself as a skull. Death haunts the age of discovery. Sir John Gilberts 1849 painting The plays of Shakespeare containgin scenes and characters from several of w.s plays-
Tallinn English College English Sergo Vainumäe 9A TALLINN Report Supervisor: Inge Välja Tallinn 2006 Order of contents: 1.Introduction 2.Toompea 3.Lower Town 4.Kadriorg and Pirita 5.Museums 1. Introduction Tallinn, the capital of Estonia, lies on the Baltic Sea. It is on almost the same latitude east St. Petersburg in Russia, Stockholm in Sweden and Stavanger in Norway, and covers 158 sq km. Tallinn was first marked on a map of the world by the Arab geographer al-Idrisi in 1154, its name then being Kolyvan (probably derived from the name Kalev). In the 13th-century Chronicle of Henricus de Lettis the town was called Lyndanise. Later came Reval (presumably after the old county of Rävala), the name used by the Germans who ruled the country for seven centuries. Russians then modified Reval to Revel. For Estonians, the town came to be c
KUBISM Kubism on 20. sajandi kunstivool, mis hakkas kujunema Pariisis 1907. aastal Pablo Picasso ja Georges Braque'i töödes. Kubistide eelkäijaks oli Paul Cézanne. Mõiste "kubism" võttis kasutusele prantsuse kriitik Louis Vauxcelles ja see vihjab kuubist lähtuvale kujutamisele. Kriitik kirjeldas Braque'i töid 1908. aastal väljendiga bizarreries cubiques (kuubilised veidrused). Kubistide eesmärk oli vabastada teos jutustavast sisust ja kujutada asju (muusikainstrumendid, natüürmordid, maastikud jne) geomeetrilistena (kuup, silinder jne), tükeldatud pindadena või stereomeetrilistena (kujutada esemeid ühekorraga mitmest vaatevinklist). Algset kubismi, perioodi, mis algas 1909. aastal, nimetatakse analüütiliseks kubismiks. Seda perioodi iseloomustab motiivide (majad, puud ja natüürmordid) lahutamine justkui algosadeks (geomeetrilisteks kujunditeks) ning nendest uue pildi ülesehitamine. Teine, hilisem vool kubismis, kannab nime s
Art Museum of Estonia Art Museum of Estonia was founded on November 17th, 1919, but it was not until 1921 that it got its first permanent building the Kadriorg Palace, built in the 18th century. In 1929 the palace was expropriated from the Art Museum in order to rebuild it as the residence of the President of Estonia. The Art Museum of Estonia was housed in several different temporary spaces, until it moved back to the palace in 1946. In September, 1991 the Kadriorg Palace was closed, because it had totally deteriorated by then. At the end of the year the Supreme Council of the Republic of Estonia decided to guarantee the construction of a new building for the Art Museum of Estonia in Kadriorg. Untill then the Knighthood House at Toompea Hill served as the temporary main building of the Art Museum of Estonia. The exhibition there was opened on April 1, 1993. Art Museum of Estonia premanently closed down the exhibitions in that building in October 2005. At the end of the 1970s, in
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