Billie Holiday Üheks tuntuimaks dzässilauljaks on Billie Holiday, sünninimega Eleanora Fagan. Ta sündis 7. aprillil 1915. aastal. Täpsed andmed tema elu algusaastate kohta puuduvad, kuid on teada, et ta ema, Sarah Julia Harris, visati kodust välja, kui ta 13aastaselt rasedaks jäi ning ta kolis Philadelphiasse. Seal sündis Eleanora Fagan. Ilma vanemate toetuseta võttis Sarah ühendust oma poolõe Eva Milleriga, kes elas Baltimore's ning kelle ämmast sai järgnevaks kümneks aastaks Eleanora põhihooldaja.
kool aasta Billie Holiday nimi klass Sisukord 2 Sissejuhatus Billie Holiday oli üks kuulsamaid jazzmuusika naissoost tähti, kelle lühike elu sisaldas mitut abielu, kõrgelennulist karjääri ja muud, mis käis kuulsuse juurde, esile tõstetuna narkootikume. 3 Varajane elu Billie Holiday, sünnijärgselt Eleanora Fagan, sündis Philadelphias, Pennsylvanias USAs 7. aprillil, 1915. aastal. Tema ema oli pärast kaheteistaastaselt rasedaks jäämist kodust Baltimore'ist pagendatud ning sinna kolinud. Nad olid mustanahalised ja vaesed, kuid üks hetk, kui emake sattus hea tööots, kogus ta nii palju raha, et nad said endile 900$ eest endale maja osta ning pidid sealtmaalt `elama kui leedid'. 1926 saadeti ta The House of the Good
Autoriõigus: Tallinna Ülikool, 2008 ISSN 1736-5031 (doktoriväitekiri, online PDF) ISBN 978-9985-58-594-8 (doktoriväitekiri, online PDF) ISSN 1736-3667 (analüütiline ülevaade, online PDF) ISBN 978-9985-58-595-5 (analüütiline ülevaade, online PDF) Tallinna Ülikooli kirjastus 3 JAZZ IN ESTONIA IN 1918–1945 Abstract The present study covers an understudied part in the Estonian cultural history – how Afro-American jazz music reached our cultural space and the phenomena related to this. Such an angle is not an alien one to other nations either – here and there, since its very appearance, jazz has created contradictory opinions varying from deep admiration to total denial and ban. Thus the aim of this study has been to find out how jazz reached Estonia, its scope of penetration in Estonia, factors facilitating or hindering this and its influence on the general cultural (and musical) background.
flashed his winning smile. We'd been unpacking for days, yet he still looked amazing. Leanly built, dark-haired, and green-eyed, Cary was a man who rarely looked anything less than absolutely gorgeous on any day of his life. I might have resented that if he hadn't been the dearest person on earth to me. "I'm not talking about a bender," he insisted. "Just a glass of wine or two. We can hit a happy hour and be in by eight." "I don't know if I'll make it back in time." I gestured at my yoga pants and fitted workout tank. "After I time the walk to work, I'm going to hit the gym." "Walk fast, work out faster." Cary's perfectly executed arched brow made me laugh. I fully expected his million-dollar face to appear on billboards and fashion magazines all over the world one day. No matter his expression, he was a knockout. "How about tomorrow after work?" I offered as a substitute. "If I make it through the day,
characters and describing story situations that I hope will inform the new sections of this revised edition. Among the things I learned at Fox 2 0 0 0 was to listen to my body as a judge of a story's effectiveness. I realized that the good stories were affecting the organs of my body in various ways, and the really good ones were stimulating more than one organ. A n effective story grabs your gut, tightens your throat, makes your heart race and your lungs pump, brings tears to your eyes or an explosion of laughter to your lips. If I wasn't getting some k i n d of physiological reaction from a story, I knew it was only affecting me on an intellectual level and therefore it would probably leave audiences cold. You will find my thoughts about this in a new chapter on the wisdom of the body. W h e n my job at Fox 2 0 0 0 came to an end, as all good things must do, I wanted to write and produce some projects of my own
In a re- lated vein, the book might be seen as a way to demonstrate that, properly presented, what often seems like dry science can actually prove to be lively, useful, and relevant to all readers' personal lives. Comment on the Fifth Edition of Influence: Science and Practice It has been some time since Influence was last published. In the interim, some things have happened that deserve a place in this new edition. First, we now know more about the influence process than before. The study of persuasion, compli- ance, and change has advanced, and the pages that follow have been adapted to re- flect that progress. In addition to an overall update of the material, I have devoted special attention to updated coverage of popular culture and new technology, as well as to research on cross-cultural social influence-how the influence process works similarly or differently in various human cultures. I have also expanded a fea-
Thinkabout: If you don't look carefully,you might not evensee the home that JonathanRidley-Jonesand Shanon . typeof house. location. spectal features Ridd built at all! That's becausethe house is a . generaldescription convertedundergroundwater tank. The only thing Thehouse inpicture islocated Aisa huton stilts.lt inZimbabwe, that can be seenfrom the surfaceis a door leading got It has a thatched roofandwooden stairsupto thefrontdoor. into the hillside."We've neverwantedto live rn an It'scramped butit probablyquiteairy. ordinaryhouse,"Shanonsays."Living belowground
Thinkabout: If you don't look carefully,you might not evensee the home that JonathanRidley-Jonesand Shanon . typeof house. location. spectal features Ridd built at all! That's becausethe house is a . generaldescription convertedundergroundwater tank. The only thing Thehouse inpicture islocated Aisa huton stilts.lt inZimbabwe, that can be seenfrom the surfaceis a door leading got It has a thatched roofandwooden stairsupto thefrontdoor. into the hillside."We've neverwantedto live rn an It'scramped butit probablyquiteairy. ordinaryhouse,"Shanonsays."Living belowground
Thinkabout: If you don't look carefully,you might not evensee the home that JonathanRidley-Jonesand Shanon . typeof house. location. spectal features Ridd built at all! That's becausethe house is a . generaldescription convertedundergroundwater tank. The only thing Thehouse inpicture islocated Aisa huton stilts.lt inZimbabwe, that can be seenfrom the surfaceis a door leading got It has a thatched roofandwooden stairsupto thefrontdoor. into the hillside."We've neverwantedto live rn an It'scramped butit probablyquiteairy. ordinaryhouse,"Shanonsays."Living belowground
Thinkabout: If you don't look carefully,you might not evensee the home that JonathanRidley-Jonesand Shanon . typeof house. location. spectal features Ridd built at all! That's becausethe house is a . generaldescription convertedundergroundwater tank. The only thing Thehouse inpicture islocated Aisa huton stilts.lt inZimbabwe, that can be seenfrom the surfaceis a door leading got It has a thatched roofandwooden stairsupto thefrontdoor. into the hillside."We've neverwantedto live rn an It'scramped butit probablyquiteairy. ordinaryhouse,"Shanonsays."Living belowground
8. Room 40 9. A War of Intercepts 10. Two Americans 11. Secrecy for Sale 12. Duel in the Ether: I 13. Duel in the Ether: II 14. Censors, Scramblers, and Spies 15. The Scrutable Orientals 16. PYCCKAJI Kranrojioras 17. N.S.A. 18. Heterogeneous Impulses 19. Ciphers in the Past Tense 20. The Anatomy of Cryptology Suggestions for Further Reading Index A Note on the Abridged Version MANY PEOPLE have urged me to put out a paperback edition of The Codebreakers. Here it is. It comprises about a third of the original. This was as big as the publishers and I could make it and still keep the price within reason. In cutting the book, I retained mainly stories about how codebreaking has affected history, particularly in World War II, and major names and stages in the history of cryptology. I eliminated all source notes and most of the technical matter, as well as material peripheral to strict codebreaking such as biographies, the
Highly recommended." --Dr. Stewart D. Friedman, adviser to Jack Welch and former director of the Work/Life Integration Program at the Wharton School, University of Pennsylvania "It's about time this book was written. It is a long-overdue manifesto for the mobile lifestyle, and Tim Ferriss is the ideal ambassador. This will be huge." --Jack Can eld, cocreator of Chicken Soup for the Soul®, 100+ million copies sold "Stunning and amazing. From mini-retirements to outsourcing your life, it's all here. Whether you're a wage slave or a Fortune 500 CEO, this book will change your life!" --Phil Town, New York Times bestselling author of Rule #1 "The 4-Hour Workweek is a new way of solving a very old problem: just how can we work to live and prevent our lives from being all about work? A world of in nite options awaits those who would read this book and be inspired by it!" --Michael E. Gerber, founder and chairman of E-Myth Worldwide and the world's #1 small business guru
ISBN 0-316-16017-2 [1. Vampires -- Fiction. 2. High schools -- Fiction. 3. Schools -- Fiction. 4. Washington (State) -- Fiction.] I. Title. PZ7.M57188Tw2005 [Fic] --dc22 2004024730 Printed in the United States of America For my big sister, Emily, without whose enthusiasm this story might still be unfinished. But of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die. Genesis 2:17 PREFACE I'd never given much thought to how I would die -- though I'd had reason enough in the last few months -- but even if I had, I would not have imagined it like this. I stared without breathing across the long room, into the dark eyes of the hunter, and he looked pleasantly back at me. Surely it was a good way to die, in the place of someone else, someone I loved. Noble, even. That ought to count for something. I knew that if I'd never gone to Forks, I wouldn't be facing death now
Enne surma küsiti temalt, et mida te veel tahaksite teha, siis olevat hr. Davis vastanud, et sooviks hakata DJ'ks. Ükski muusika stiil ei ole muusikuid endid kammitsenud ega kinni hoidnud. Eksisteerinud on pigem nende barjääride lõhkumine. Bebop'I kuningas ja nõ selle looja alt-saksofonist Charlie Parker ei arvanud, et bebop on see õige sõna iseloomustamas seda, mida siis tol ajal mängiti. Tema jaoks oli see pigem lihtsalt jazz või muusika. Kui muusika on pidevas liikumises, siis see tähendab, et ta elab. Ingliskeelset ütlust kuulsa proge-rock-jazz-fusion kitarristi Frank Zappa suust, et Jazz is not dead, it just smells funny ei pea puhta tõena võtma. Jazz on elus ning lõhnab täpselt nii nagu artist või publikum seda soovib. Seda saab aga ka mitemeti mõista, nagu kõike siin ilmas. See aga võib siis jääda igaühe oma teha. 2 ARENGULUGU
Copyright ©2007 by Saddleback Educational Publishing. All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the publisher. ISBN 1-59905-201-6 Printed in the United States of America 13 12 11 10 09 08 07 9 8 7 6 5 4 3 2 1 Introduction Grammar is a very old field of study. Did you know that the sentence was first divided into subject and verb by Plato, the famed philosopher from ancient Greece? That was about 2,400 years ago! Ever since then, students all over the world have found it worthwhile to study the structure of words and sentences. Why? Because skill in speaking and writing is the hallmark of all educated people. Lesson by lesson, this book provides basic instruction in the eight parts of speech--nouns, pronouns, verbs,
VIII. THE FORTIES. TRANSFORMATION OF ESTONIAN LIFE. THE WAR-TIME SYMPHONIC OUTPUT. IX. THE PLANTING OF NEW CREATIVE PRINCIPLES DURING THE POST-WAR YEARS. X. THE SECOND HALF OF THE FIFTIES. TOWARDS A MODERN IDIOM: EINO TAMBERG AND VELJO TORMIS. XI. THE NEOCLASSICISM AND CONSTRUCTIVE THINKING OF JAAN RÄÄTS. XII. THE FIRST HALF OF THE SIXTIES. DODECAPHONY OF ARVO PÄRT. XIII. THE DRAMATIC PHILOSOPHICAL OUTPUT OF HELMUT ROSENVALD. XIV. THE ELEMENTS OF JAZZ, FOLK MUSIC AND DODECAPHONY IN THE SYMPHONISM OF ANTI MARGUSTE. XV. HEIMAR ILVES AND HIS MUSIC – DEEP IN THOUGHT AND FEELING. XVI. THE POST-WAR SYMPHONIES OF EDUARD TUBIN. DEEPENING ACCENT ON PSYCHOLOGIC-DRAMATIC EXPRESSION. XVII. THE SECOND HALF OF THE SIXTIES. THE NATIONAL AND INTERNATIONAL IN THE ESTONIAN SYMPHONIC MUSIC. JAAN KOHA. ESTER MÄGI. KULDAR SINK. XVIII. THE SEVENTIES. THE NINTH SYMPHONY OF EDUARD TUBIN. THE CREATIVE EVOLUTION OF ARVO PÄRT. XIX
(Readers who wish to press on into metaphysics or philosophy of mind should consult, respectively, Michael J. Loux's Metaphysics and John Heil's Philosophy of Mind, both in the Routledge Contemporary Introductions series.) Many of my chapters and sections will take the form of presenting data pertinent to a linguistic phenomenon, expounding someone's theory of that phenomenon, and then listing and assessing objections to that theory. I emphasize here, because I will not always have the space to do so in the text, that in each case what I will summarize for the reader will be only the opening moves made by the various theorists and their opponents and objectors. In particular, I doubt that any of the objections to any of the theories is fatal; champions of theories are remarkably good at avoiding or refuting objec- tions. The real theorizing begins where this book leaves off. x Preface
Change Your Thinking, Change Your Life shows you how to dis- cover your extraordinary inner resources and tap your incredible powers.You will learn how to attract into your life all the people and resources you need to achieve any goal you can set for yourself. You will absolutely amaze yourself as you start to achieve new and better results by employing these concepts and ideas in every- thing you do. These are the same concepts used by all big-time win- ners, self-made millionaires, and leaders in every field. In this book, you will learn a step-by-step process to great suc- cess that you will eventually implement, easily and effortlessly. This strategy for success is so logical, so inviting, and ultimately so fulfill- ing and omni-beneficial that it is virtually a breakthrough in per- sonal performance.
7 ___________________________________________________________________________________________ They usually go to bed at about midnight. 2 Macmillan Publishers Limited 2001. This sheet may be photocopied for use in class. 8 ____________________________________________________________________________________________ Yes, we own a BMW. 9 ____________________________________________________________________________________________ I don't know what the word means. Look it up in a dictionary. 10 ____________________________________________________________________________________________ No, I don't like the Spice Girls. Marks: /10 Words, words, words 4 Complete these sentences using the correct form of the words below. There is one extra word which you do not need to use.
female (imported from Denmark) and a classic red tabby and white male. The result was 1 silver tabbies and 2 silver tabbies with white. At just over 3 months old, this silver and white tabby male developed a large patch of bright red hair on his back which continued to spread. Eventually the whole fur will become amber. The effect of amber during the colour-change stage depends on the original colour - solid black or blue, bicolour or tabby. The cat pictured is not a typical amber as it has the silver gene so the amber effect is overlaid on silver. A non-agouti amber Norwegian forest Cat resembles a silver tabby, but has a distinctive black nose and black paw-pads instead of the pink/reddish nose with black outlining found on conventional silver tabbies. The photo below shows a non-agouti amber. According to Rui Pacheco, although this cat is clearly non-agouti because of the black nose, he has the
Kuressaare Gümnaasium "Ajastu muutub, kas ka inimene?" Luuleprojekt Laulusõnad esitajalt Tupac Shakur Dear mama When I was young me and my mama had beef Seventeen years old kicked out on the streets Though back at the time, I never thought I'd see her face Ain't a woman alive that could take my mama's place Suspended from school; and scared to go home, I was a fool with the big boys, breakin all the rules I shed tears with my baby sister Over the years we was poorer than the other little kids And even though we had different daddy's, the same drama When things went wrong we'd blame mama I reminice on the stress I caused, it was hell Huggin on my mama from a jail cell And who'd think in elementary? Heeey
development of human society throuch biological laws · Outlook is deterministic, pessimistic, fatalistic (fate or biology) · Man as an animal-clever than other beasts, still explainable within the framework · Man is not a free agent, is govern by something · Unable to determine his own faith · Hereditary · Naturalists tried to apply in fiction the processes of natural sciences · Writers task is to record facts, systems of behaviour, living conditions, never revealing any natural unbiased (completely natural) · Point of view: amoral-outside the category of morality, neither good or bad · Naturalist find it absurd to blame the wicked. These criminals are doing what nature, environment, their unconscious tells them to do. Naturalists do not judge their characters, they simply report. Try to describe facts like they are. Naturalists depict the lower, coarser forms of life. · Drab, squallid set of scene
14 didn't want 4 She had planned a route to the students aren't wearing uniform. It 15 insisted looks as if one of them is asleep. summit. It's clear that the girl in the front Challenge! 5 She hadn't got to know the other desk isn't interested in the lesson Students' own answers climbers in the group. or perhaps she doesn't understand 6 She had spent a week at high
What is your name? (formal) What is your name? (informal) My name is... Mucho gusto. / Encantado. Señor / Señora / Señorita Igualmente. moo-choh goo-stoh / en-cahn- sayn-yor / sayn-yor-ah / ee-guahl-mehn-tay tah-doh sayn-yor-ee-tah Same here. / Same to you. Nice to meet you. Mister / Mrs. / Miss ¿De dónde eres? ¿De dónde es usted? Yo soy de... day dohn-day eh-rehs day dohn-day ehs oo-sted yoh soy day Where are you from? Where are you from? (formal) I'm from..
again to keep the noise down. between Paul and Joe. 1D Sporting origins page 67 2 She recognised him at once. 2 Phobias can be genetically 3 He's working at his father's shop inherited. 1 1 staunchly / resolutely for the time being. 3 When it comes to politics, 2 By and large 4 They'll be here any moment now. Edward and his dad have a lot in 3 swiftly 5 Everybody makes mistakes once common. 4 loosely in a while. 4 Luke is the spitting image of Matt 5 categorically 6 My brother was still a baby at the Damon. 6 widely time
E. King 1986. aastal, Cinderella 1990. aastal, The Butthole Surfers 1992. aastal ja Peter Gabriel 1992. aastal. John Paul Jones on teinud muusikalise kujunduse filmile Scream For Help(1985. aastal). Ta liitus Jimmy ja Robertiga LiveAid'i kontserdiks 15. juulil 1985. aastal ja 14. mail 1988. aastal Atlantic Records'i 40 aastapäeva peoks. 1993. aasta septembril oli ta bassimees Lenny Kravitzile MTV muusikauhindade jagamisel, esitades laulu Are You Gonna Go My Way. 1994. aasta liitus ta ansambliga Heart, et aidata neil salvestada albumit 1998. aastal alustas ta tööd oma esimese sooloalbumi ,,Zooma" väljastamiseks. 1999-2000 tiirtas ta mööda Euroopat ja Ameerikat, et oma albumit esitleda. 2001. aastal alustas ta oma teise sooloalbumi ,,The Thunderthief" loomist. John Paul Jones töötab siiamaani professionaalse muusiku ja sooloartistina, esitades kontserte üle maailma. http://en.wikipedia.org/wiki/John_Paul_Jones_(musician) (14.07.2009) http://www.johnpauljones.com/bio.html (14.07.2009)
Act I SCENE I. Elsinore. A platform before the castle. FRANCISCO at his post. Enter to him BERNARDO BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself. BERNARDO Long live the king! FRANCISCO Bernardo? BERNARDO He. FRANCISCO You come most carefully upon your hour. BERNARDO 'Tis now struck twelve; get thee to bed, Francisco. FRANCISCO For this relief much thanks: 'tis bitter cold, And I am sick at heart. BERNARDO 4 Have you had quiet guard? FRANCISCO Not a mouse stirring. BERNARDO Well, good night. If you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste. FRANCISCO I think I hear them. Stand, ho! Who's there? Enter HORATIO and MARCELLUS HORATIO Friends to this ground. MARCELLUS And liegemen to the Dane. FRANCISCO Give you good night. MARCELLUS O, farewell, honest soldier: Who hath relieved you
must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered the rightful property of some one or other of their daughters. "My dear Mr. Bennet," said his lady to him one day, "have you heard that Netherfield Park is let at last?" Mr. Bennet replied that he had not. "But it is," returned she; "for Mrs. Long has just been here, and she told me all about it." Mr. Bennet made no answer. "Do you not want to know who has taken it?" cried his wife impatiently. "You want to tell me, and I have no objection to hearing it." This was invitation enough. "Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it, that he agreed with Mr. Morris
or any other ethic group they have allowed to take over their neighbours, a frequently recurring phenomena. Africans blame the International Monetary Fund, the World Bank, the Group of 7, the former colonial masters for the abject poverty in our respective countries. We blame the wars ravaging several African sectors on the interference of our former colonial masters on “our internal affairs.” Ha! – some kind of independence! In the 32 years I have been in America, I have never had a discussion with any of my brothers or sisters without it resorting to the African (Black)/Caucasian (white) relationship. When we decide to buy a house in a Caucasian neighbourhood, we blame the people for refusing to sell to us because of their 1 belief that we spend more time and money on visible luxurious and ultimately worthless items, than in
five, for example, it is more convenient and less expensive to sit comfortably at home than to go out to find entertainment in other places. They don't have to pay for expensive seats at the theatre or cinema. They turn on the TV-set and can watch interesting films, concerts, football matches. But some people think that it's bad to watch TV. Those who watch TV need do nothing. We are passive when we watch TV. Television shows us many interesting programmes. But again there is a disadvantage here: we watch TV every evening, and it begins to dominate our lives. My friend told me that when his TV-set broke down, he and his family found that they had more time to do things and to talk to each other. There are other arguments for and against television. Very often the programmes are bad. Sometimes they show too much violence in films and news programmes. There is also too much pop music and ads. Ads on the whole are convenient for grown-ups
80. Elu on kibe tablett, mida mitte ükski meist ei suuda magustamata alla neelata 81. Elu on teater, ainult ilma proovideta 82. Elu on lill, lõhnab ja pakub silmailu, kuid kasvab igasuguse sita peal 83. Elu kõrgeimaks vormiks on olend, kes juhib ise oma tegusid 84. Elu on justkui raha. Sa võid seda kulutada nii nagu tahad, kuid sa saad seda kulutada ainult ühe korra 85. Sometimes I wanna go to sleep and NEVER wake up again 86. Elu on nagu golfipallsee saab pidevalt lööke ja lõpetab augus. 87. Kõik, mis ei tapa teeb väga tugevaks 88. Elu on hea õpetaja, kuid kahjuks ta tapab kõik oma õpilased 89. Elus on nagu väikese lapse särklihtne ja sitane 90. Elu on veider naliüks lausutud sõna altari ees ja juba oledki abielus, üks unes kogemata pillatud lause ja juba oledki lahutatud 91. When life gives you a thousand reasons to cry, show life that you have a million reasons to smile 92
.......................................................................................... 5 # The Happiest Days of our Lives........................................................................................... 6 # Another Brick in the Wall part 2........................................................................................... 7 # Mother.................................................................................................................................. 8 # Goodbye Blue Sky.............................................................................................................. 10 Pink Floyd- What Shall We Do Now?.................................................................................... 12 # Young Lust......................................................................................................................... 13 # One of my Turns............................................................................................................
Just as July becomes August, the seaside town of Haapsalu will host a grand spectacle of rural Estonian entertainment. The White Lady Days is a summer celebration filled with amusement for all the family. Held in and around the remains of the Teutonic-knights-era castles, the fair combines enchanting medieval legends with modern countryside charm to create a comprehensive experience of Estonia beyond the big cities. But the legend of the White Lady of Haapsalu, which is at the heart of the festival, is perhaps the most famous tall tale of the many that are so abundant in Estonia's folklore. It is the story of a poor girl who falls in love with the son of the village elder, and disguises herself as a choirboy in order to sneak into the castle. But, alas, the lord of the manor's son discovers the deception. He is overcome by jealous rage and orders his men to seal the girl inside the thick stone walls while still alive. Turned into an incarnation