--Robert Heinlein I love fools' experiments. I'm always making them. --Charles Darwin MOUNTAIN VIEW, CALIFORNIA, 10 P.M., FRIDAY horeline Amphitheater was rocking. S More than 20,000 people had turned out at northern California's largest music venue to hear Nine Inch Nails, loud and in charge, on what was expected to be their last tour. Backstage, there was more unusual entertainment. "Dude, I go into the stall to take care of business, and I look over and see the top of Tim's head popping above the divider. He was doing f*cking air squats in the men's room in complete silence." Glenn, a videographer and friend, burst out laughing as he reenacted my technique. To be honest, he needed to get his thighs closer to parallel.
stories we live. It is the most influential work I have yet encountered on the art, nature, and the very purpose of storytelling." — Bruce Joel Rubin, Screenwriter, Ghost, Jacob's Ladder " T h i s book should come w i t h a warning: You're going to learn about more than just writing movies—you're going to learn about life! The Writer's Journey is the perfect m a n u a l for developing, pitching and writing stories with universal human themes that will forever captivate a global audience. It's the secret weapon I hope every writer finds out about." — Jeff Arch, Screenwriter, Sleepless in Seattle "Vogler was the genius behind The Writer's Journey, which should be on the shelf o f every screenwriter. Studies classical m y t h o l o g y and its use in moviemaking for stories."
ccc_tracy_fm_i-xviii.qxd 7/7/03 3:22 PM Page iii CHANGE YOUR THINKING, CHANGE YOUR LIFE How to Unlock Your Full Potential for Success and Achievement B R I A N T R AC Y JOHN WILEY & SONS, INC. ccc_tracy_fm_i-xviii.qxd 7/7/03 3:22 PM Page i CHANGE YOUR THINKING, CHANGE YOUR LIFE ccc_tracy_fm_i-xviii.qxd 7/7/03 3:22 PM Page ii ccc_tracy_fm_i-xviii.qxd 7/7/03 3:22 PM Page iii CHANGE YOUR THINKING, CHANGE YOUR LIFE How to Unlock Your Full Potential for Success and Achievement B R I A N T R AC Y JOHN WILEY & SONS, INC. ccc_tracy_fm_i-xviii.qxd 7/7/03 3:22 PM Page iv Copyright © 2003 by Brian Tracy. All rights
a s o n t h a t p r o g r a m m el t ' sa c i a p b o a rbdu i l d i n gw i t h a p i t c h e dr o o fa n d g chimney answersaroundthe class,than ask some Ss to B: Y e st,h a t ' st h e o n e A n d t h e r e , a s n o t h ewr e i r dh o u s ei n B r i t a i n
reached the bustle and flow of traffic on Broadway. One day soon, I hoped to blend right in, but for now I still felt like a fraudulent New Yorker. I had the address and the job, but I was still wary of the subway and had trouble hailing cabs. I tried not to walk around wide-eyed and distracted, but it was hard. There was just so much to see and experience. The sensory input was astonishing-the smell of vehicle exhaust mixed with food from vendor carts, the shouts of hawkers blended with music from street entertainers, the awe-inspiring range of faces and styles and accents, the gorgeous architectural wonders...And the cars. Jesus Christ. The frenetic flow of tightly packed cars was unlike anything I'd ever seen anywhere. There was always an ambulance, patrol car, or fire engine trying to part the flood of yellow taxis with the electronic wail of ear-splitting sirens. I was in awe of the lumbering garbage trucks
a s o n t h a t p r o g r a m m el t ' sa c i a p b o a rbdu i l d i n gw i t h a p i t c h e dr o o fa n d g chimney answersaroundthe class,than ask some Ss to B: Y e st,h a t ' st h e o n e A n d t h e r e , a s n o t h ewr e i r dh o u s ei n B r i t a i n
a s o n t h a t p r o g r a m m el t ' sa c i a p b o a rbdu i l d i n gw i t h a p i t c h e dr o o fa n d g chimney answersaroundthe class,than ask some Ss to B: Y e st,h a t ' st h e o n e A n d t h e r e , a s n o t h ewr e i r dh o u s ei n B r i t a i n
a s o n t h a t p r o g r a m m el t ' sa c i a p b o a rbdu i l d i n gw i t h a p i t c h e dr o o fa n d g chimney answersaroundthe class,than ask some Ss to B: Y e st,h a t ' st h e o n e A n d t h e r e , a s n o t h ewr e i r dh o u s ei n B r i t a i n
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