1. Kingapael-shoelace(My shoelace came undone) 2. Keeris-whirlpool 3. Kube(me piirkond)-groin(How painful is it when a guy gets hit in the groin?) 4. Puhkemine-onset 5. Kruus-gravel(Gravel considered a small stone pieces) 6. Hape-acid(H2SO4 is a strong acid) 7. Uudsus, uudisesse-novelty 8. Põlgus,solvumine-contempt 9. Kõõlus-sinew(The sinew conects muscle to bone) 10. Kannatus,mure-distress 11. Habeme tüügas-stubble 12. Elavus,joovastus-exhilaration 13. Katuseta istekohad publikule-bleachers 14. Kaastunne-compassion 15. Ventima(aega)-stall 16. Kildukas purunema-shatter(The glass shattered into a thousend pieces) 17. Läbi imbuma-pervade 18. Juhmistama, oimetuks lööma-stun 19. Mässama, vastu hakkama-mutiny 20. Nõutuks tegema-baffle 21
oks branch välja kasvama branches out uued harud poes/äris nwe branches of a shop or business idu bud ta on lootustandev noor tantsija - she's a budding young dancer probleem oli juba lahendatud the problem was nipped in the bud tuhnima dug up kahanema fading varakult lõpu tegema nipped in the bud kasu lõikama reaping the reward langetama - shed hävitav pilk - withering mitte kindlustatud unfettered väsitav wearisome kuulsus novelty tõkestamata untrammeled koormatud - burdened vaev - vexation tempo pace kosuma recuperate murest murtud careworn soodustav conducive karastav bracing tugev sturdy sünnist kohane apt ekstreemused extremes liigne excessive imerohi panacea talumatus crudeness mõju avaldama exert liikuma stir toonust tõstma to tone globaliseerumine globalization vaesus poverty liigtarbimine overconsuption laps tööjõud child labour
1. search-engine otsingumootor 2. flop läbikukkumine 3. scene stseen 4. consent nõusolek 5. inconvenience ebamugavus 6. stack up kestma 7. perennially aastaringselt 8. concise kokkuvõtlik 9. simultaneously üheaegselt 10. depreciate alahindama 11. restrict piirama 12. interface liides 13. refinement täpsustus 14. overlay ülekate 15. bullying kiusamine 16. nurture hoolitsus 17. novelty uudsus 18. clutter korralagedus 19. monetize raha ringlusse laskma 20. thriving product edukas toode 21. flank tiib 22. slick õlilaik 23. hassle nägelus 24. skew viltune 25. devote pühendama 26. sheen sädelus, heledus 27. instantaneous hetkeline 28. augmented suurendatud 29. Opaque läbipaistmatu 30. Trackball juhtkuul 31. Arbitrage arbitraaz 32
something teenagers got a kick out of. That's not to say the film is entirely If I was being bitchy I'd say that (the empty. Wright imbues his characters admittedly flawed) Whip It is a better with a charming sincerity and openness, movie purely because it's a teen movie with Scott and his friends willing to about escaping suburban boredom and embrace novelty and accept difference. clearly loved the subculture it portrayed They're smart, too. "Don't let the past rather than just being Singles seen ruin the future", someone says in a rare through a WiiLaedoscope. quiet moment, sound advice whatever the age bracket. "In Spaced we had a lot of fantasy sequences and dream sequences," Wright said. "Scott
There is still a large block of granite on Toompea which recalls the days when people barricaded Lossiplats (Castle Square) to prevent Soviet tanks gaining access. Modern Tallinn and places to visit. Since independence, improving air and sea transport links with Western Europe and Estonia's accession to the European Union have made Tallinn easily accessible to tourists. The picturesque old town, a UNESCO World Heritage Site, and the current novelty of the destination attract many tourists and facilities (hotels, restaurants) have developed to meet their needs. English is widely spoken within the tourist areas. Note that Estonia has made rapid economic progress since independence and that this is reflected in local prices. Although not extortionate, neither are prices as cheap as in other former Eastern Bloc countries. The local tourist office sells the "Tallinn Card" which gives the holder free
stealing in, filching security from beneath our noses. As surely as a dog will bark at a brass band, so will the essential Soames in human nature ever rise up uneasily against the dissolution which hovers round the folds of ownership. "Let the dead Past bury its dead" would be a better saying if the Past ever died. The persistence of the Past is one of those tragi-comic blessings which each new age denies, coming cocksure on to the stage to mouth its claim to a perfect novelty. But no Age is so new as that! Human Nature, under its changing pretensions and clothes, is and ever will be very much of a Forsyte, and might, after all, be a much worse animal. Looking back on the Victorian era, whose ripeness, decline, and `fall-of' is in some sort pictured in "The Forsyte Saga," we see now that we have but jumped out of a frying-pan into a fire. It would be difficult to substantiate a claim that the case of England was better in 1913 than it was in 1886,
· tegutsemine uudse ülesandega ja uudses olukorras uudne ülesanne: arusaamise mõttes, lahendamise mõttes · tegutsemine tuttava ülesandega ja tuttavas olukorras automatiseeritud operatsioonid: lokaalne, paralleelne, teadvustamata ülesanne, situatsioon, resurss, tähelepanu, struktuur, oskus automatiseerida infotöötlust insight'i ülesanded ja IQ +.60 "..that behavior is intelligent when it involves either or both of two sets of skills: adaptation to novelty and automatization of performance". Howard Gardner (1943- ) Gardner, H. (1983). Frames of mind: The theory of multiple intelligences. New York: Basic Books. Lingvistiline intelligentsus (Linguistic) Operatsioonid: tundlikkus helidele, rütmile, sõnade tähendusele, keele funktsioonidele. Väljendus: lugemine, kirjutamine, sõnadest arusaamine. (kirjanik, ajakirjanik) Loogilis-matemaatiline intelligentsus (Logico-
· tegutsemine uudse ülesandega ja uudses olukorras uudne ülesanne: arusaamise mõttes, lahendamise mõttes · tegutsemine tuttava ülesandega ja tuttavas olukorras automatiseeritud operatsioonid: lokaalne, paralleelne, teadvustamata ülesanne, situatsioon, resurss, tähelepanu, struktuur, oskus automatiseerida infotöötlust insight'i ülesanded ja IQ +.60 "..that behavior is intelligent when it involves either or both of two sets of skills: adaptation to novelty and automatization of performance". Howard Gardner (1943- ) Gardner, H. (1983). Frames of mind: The theory of multiple intelligences. New York: Basic Books. Lingvistiline intelligentsus (Linguistic) Operatsioonid: tundlikkus helidele, rütmile, sõnade tähendusele, keele funktsioonidele. Väljendus: lugemine, kirjutamine, sõnadest arusaamine. (kirjanik, ajakirjanik) Loogilis-matemaatiline intelligentsus (Logico-
mouth-watering (adj) moving (adj) mug (v) multiply (v) mumble (v) murmur (v) 18 mussel (n) mutual (adj) naked (adj) nanny (n) napkin (n) narrow-minded (adj) nationwide (adj) native people (n) natural habitat (n) nerve-racking (adj) network (n) neuroticism (n unc) news bulletin (n) next to worthless (phr) nickname (n) no mean achievement (phr) no trace of (idm) nocturnal (adj) nod off (phr v) nomadic (adj) notably (adv) notion (n) nourishing (adj) novel (adj) novelty (n) nursery rhyme (n) object (v) obsession (n) occur (v) occur (v) odd (adj) odour (n) odyssey (n) offend (v) offended (adj) official (n) olive (n) on all fours (phr) on balance (phr) on duty (phr) on the cards (idm) on the contrary (phr) on the spur of the moment (idm) on top of the world (phr) ongoing (adj) onlooker (n) open-minded (adj) open-plan (adj) 19 opponent (n) oppose (v) optimistic (adj) option (n) originality (n) ornament (n) orphanage (n)
"Happenings" (improvised semi-dramatic visual spectacles with audience participation) contributed to the Pop culture of the 1960s. The art form is based on the anonymous, mechanized and mass-produced images of advertisements, billboards, comic books and TV. Mass culture is the source of inspiration but it is neither critical nor sympathetic. Similarly to Regionalism, it stressed that which was generically American but concentrated on urban culture. By the late-1960s, Pop had lost its novelty but had turned artists from abstraction back towards recognizable imagery. Exemplary artists. Robert Rauschenberg (late-C20). He loaded his paintings with rags and tatters of cloth, reproductions, fragments of comic strips and other collage elements of discarded materials. He worked similarly to Action painters. His paintings produce the effect of confusion of sights, sounds, debris and movements. His work bridges the gap between Action Painting and Pop Art.
"Happenings" (improvised semi-dramatic visual spectacles with audience participation) contributed to the Pop culture of the 1960s. The art form is based on the anonymous, mechanized and mass-produced images of advertisements, billboards, comic books and TV. Mass culture is the source of inspiration but it is neither critical nor sympathetic. Similarly to Regionalism, it stressed that which was generically American but concentrated on urban culture. By the late-1960s, Pop had lost its novelty but had turned artists from abstraction back towards recognizable imagery. Exemplary artists. Robert Rauschenberg (late-C20). He loaded his paintings with rags and tatters of cloth, reproductions, fragments of comic strips and other collage elements of discarded materials. He worked similarly to Action painters. His paintings produce the effect of confusion of sights, sounds, debris and movements. His work bridges the gap between Action Painting and Pop Art.
(Inglismaal tegeleti gootikaga juba 18. sajandil, kui pitoreskse varemetevaimustuse raames uuriti oma, pikkade traditsioonidega inglise gootikat ja loodi ka võltsvaremeid oma juurte rõhutamiseks.) Tõeline picturesque ehk "nagu pildis" maastik. Kasutati maastiku iseloomustamiseks. Maalilisus. Edmund Burke - Ülevuse ja ilu kategooriad subliimse ehk üleva kui esteetilise mõiste väljakujunemine. Ülevus ei pea olema ilus, vaid ka suur/kolossaalne/hirmus. Joseph Addison Tõi esile novelty/uudsuse mõiste, Picturesque Tourism. Variantide rohkus. Ta oli Prantsuse stiilis regulaarparkide vastu, samas kui vabakujunduslik park meeldis talle. Tema arvates peaksid vahelduma salud ja avatud vaated. Sõnastab Capability Browni loodud maastikke. Uvedale Price - Esmakordselt loetleb üles, mis peab maastikul alles olema varemed, hurtsikud/onnid, vana lagunev küün/talu/laut, vana vesiveski, vesi jne. William Gilpin
2. Kaasasündinud keeruline instinktiivne käitumine (üleval) ii. Väliskeskkonna ärritajad 1. Orienteerumisrefleks – s.o aktivatsiooni tooniline vorm, valmisolek muutusele. RF alaosa – üldine; RF ülaosa – lokaalne ja faasiline. *Toomela karjus – intensiivne auditoorne stiimul. 2. Uudsusreaktsioon (novelty, novizna) – nucleus caudatus, hippocampus, nägemisküngastik. *Toomela võttis jalatsi ära – konteksti väline – püüab tähelepanu. 6 iii. Kavatsuste, programmide, plaanide, aktiveeriv mõju. See realiseerub ajukoore RF aktiveeriva mõju vahendusel. II
snapshots of moments in time and the curve of forgetting is far less affected by time than in the case of other types of memories. Flashbulb memories are most likely to occur for distinctive events that evoke strong emotional reactions and that are repeatedly recalled in conversations with others. Because flashbulb memories seem vivid and are easily recalled, we often feel confident in their accuracy. FB memories start with the appraisal of novelty of the event. The degree of novelty determines the level of surprise and the personal importance of the event determines the emotional arousal, which gives the person a need to rehearse the event by talking or thinking about it constantly. Rehearsal might affect memory in two ways, first, improving by reinforcement of existing memory traces or second, by modifying the content. People start constructing stories and might change them in order to understand and make sense of the situation that personally fits their ideas and values
face. · Väärtustatud osalemine - inquiry into the Meaningful Life, or "life of affiliation", questions how individuals derive a positive sense of well-being, belonging, meaning, and purpose from being part of and contributing back to something larger and more permanent than themselves (e.g. nature, social groups, organizations, movements, traditions, belief systems) Kuidas olla positiivne: · Hooliv avatus - mindfulness, defined as actively searching for novelty, is also characterized as non- judging, non-striving, accepting, patient, trusting, open, letting go, gentle, generous, empathetic, grateful, and kind. Its benefits include reduction of stress, anxiety, depression, and chronic pain · Kulgemine - flow or a state of absorption in one's work, is characterized by intense concentration, loss of self-awareness, a feeling of control, and a sense that "time is flying." Flow is an intrinsically
The need to be concise and comprehensive has directed the choice of music. I have attempted to elicit the most essential without analysing all of the details. However, the reverse may happen and some of the essential may get lost. Nevertheless, it is impossible to handle all the challenges of one specific musical field in a single book. Several questions connected with creativity, both of the musician (inducements, scope of ideas, intentions) and the listener-auditor (traditionalism, novelty, subjective wishes), can be answered most effectively by the music itself. Thus many unanswered questions remain. Therefore, this book should be considered as an attempt to convey a general picture. Moreover, I had to set limits in the treatment of the historical-cultural status forming an integral part of the whole. A book on this subject may be conceived in two different ways: 1) Laying the main emphasis on symphonism as the creative method and
tegutsemine uudse ülesandega ja uudses olukorras uudne ülesanne: arusaamise mõttes, lahendamise mõttes tegutsemine tuttava ülesandega ja tuttavas olukorras automatiseeritud operatsioonid: lokaalne, paralleelne, teadvustamata ülesanne, situatsioon, resurss, tähelepanu, struktuur, oskus automatiseerida infotöötlust insight’i ülesanded ja IQ +.60 “..that behavior is intelligent when it involves either or both of two sets of skills: adaptation to novelty and automatization of performance”. HOWARD GARDNER (1943- ) Gardner, H. (1983). Frames of mind: The theory of multiple intelligences. New York: Basic Books. Lingvistiline intelligentsus (Linguistic) Operatsioonid: tundlikkus helidele, rütmile, sõnade tähendusele, keele funktsioonidele. Väljendus: lugemine, kirjutamine, sõnadest arusaamine. (kirjanik, ajakirjanik) Loogilis-matemaatiline intelligentsus (Logico-mathematical)
• Väärtustatud osalemine - inquiry into the Meaningful Life, or "life of affiliation", questions how individuals derive a positive sense of well-being, belonging, meaning, and purpose from being part of and contributing back to something larger and more permanent than themselves (e.g. nature, social groups, organizations, movements, traditions, belief systems) Kuidas olla positiivne? • Hooliv avatus - mindfulness, defined as actively searching for novelty, is also characterized as non-judging, non-striving, accepting, patient, trusting, open, letting go, gentle, generous, empathetic, grateful, and kind. Its benefits include reduction of stress, anxiety, depression, and chronic pain • Kulgemine - flow or a state of absorption in one's work, is characterized by intense concentration, loss of self-awareness, a feeling of control, and a sense that "time is flying
can never be quit of the one, till we part with the other. Scripture or reason I am sure do not any where say so, notwithstanding the noise of divine right, as if divine authority hath subjected us to the unlimited will of another. An admirable state of mankind, and that which they have not had wit enough to find out till this latter age. For, however Sir Robert Filmer seems to condemn the novelty of the contrary opinion, yet I believe it will be hard for him to find any other age, or country of the world, but this, which has asserted monarchy to be jure divino. He confesses that Heyward, Blackwood, Barclay, and others, that have bravely vindicated the right of kings in most points, never thought of this, but with one consent admitted the natural liberty and equality of mankind. By whom this doctrine came at first to be broached,
was still inflexibly studious. In the desperation of her feelings, she resolved on one effort more, and, turning to Elizabeth, said: "Miss Eliza Bennet, let me persuade you to follow my example, and take a turn about the room. I assure you it is very refreshing after sitting so long in one attitude." Elizabeth was surprised, but agreed to it immediately. Miss Bingley succeeded no less in the real object of her civility; Mr. Darcy looked up. He was as much awake to the novelty of attention in that quarter as Elizabeth herself could be, and unconsciously closed his book. He was directly invited to join their party, but he declined it, observing that he could imagine but two motives for their choosing to walk up and down the room together, with either of which motives his joining them would interfere. "What could he mean? She was dying to know what could be his meaning?"--and asked Elizabeth whether she could at all understand him?
many and yet that's exactly what I'd been from the moment we entered the hotel. How hard would it have been to stop by the front desk and secure a room that was ours alone? I started walking with no direction or destination in mind. It was dark out now, the city taking on a whole new life and energy from what it had during the business day. Steaming food carts dotted the sidewalks, along with a vendor selling framed artwork, another hawking novelty T-shirts, and yet another who had two folding tables covered in movie and television episode scripts. With every step I took, the adrenaline from my flight burned away. The maliciously gleeful thoughts of Gideon coming out of the bathroom to find an empty room and paraphernalia-strewn bed ran their course. I began to calm down...and seriously think about what had just happened. Was it a coincidence that Gideon invited me to a gym that just so happened to be conveniently
vaid ajend nende mõtete väljaütlemiseks. Üks kolmandik kirjast ongi sellele pühendatud, ehk nagu ta ise kirjutab: “Püüan lühidalt alljärgnevalt võtta kokku enese veendeid aastatepikkuse studeerimise tulemusena jazz’ist üldse, käesoleval juhul aga ainult klaveristiilidest, et seega tutvustada minu kriitika aluseid, millest lähtun.” Ambel jaotab džässpianismi kahte suurde alaliiki: salongi stiil ehk “novelty grupp” ja “originaal-jazz’i põhialustel rajanevad stiilid”. Esimesse jaotusse paigutab ta sellised tol ajal populaarsed pianistid nagu Billy Mayerl ja Charlie Kunz, kommenteerides nende mängu järgmiselt: “/.../ see pole siiski jazzklaverdamine originaalses mõttes. See on vaid rütmiline muusika – jazz laiemas mõistes”. Teise jaotusse ehk “originaal-jazz’i põhialustel rajanevate stiilide” alla on tal paigutatud Earl Hines, Teddy
Clearly, today was going to be nightmarish. Driving to school, I distracted myself from my fear of falling and my unwanted speculations about Edward Cullen by thinking about Mike and Eric, and the obvious difference in how teenage boys responded to me here. I was sure I looked exactly the same as I had in Phoenix. Maybe it was just that the boys back home had watched me pass slowly through all the awkward phases of adolescence and still thought of me that way. Perhaps it was because I was a novelty here, where novelties were few and far between. Possibly my crippling clumsiness was seen as endearing rather than pathetic, casting me as a damsel in distress. Whatever the reason, Mike's puppy dog behavior and Eric's apparent rivalry with him were disconcerting. I wasn't sure if I didn't prefer being ignored. My truck seemed to have no problem with the black ice that covered the roads. I drove very slowly, though, not wanting to carve a path of destruction through Main Street.
for a shorter time. In addition, we travel more and faster; we relocate more fre- quently to new residences, which are built and torn down more quickly; we contact more people and have shorter relationships with them; in the supermarket, car showroom, and shopping mall, we are faced with an array of choices among styles and products that were unheard of last year and may well be obsolete or forgotten by next year. Novelty, transience, diversity, and acceleration are acknowledged as prime descriptors of civilized existence. This avalanche of information and choices is made possible by burgeoning technological progress. Leading the way are developments in our ability to collect, store, retrieve, and communicate information. At first, the fruits of such advances were limited to large organizations-government agencies or powerful corpora- tions
T h e nightclub where Vincent and M i a dance is a perfect postmodern microcosm. Contemporary characters find themselves in an environment peopled by icons of former eras — M a r i l y n M o n r o e , James Dean, Elvis Presley, Jayne Mansfield, Ed Sullivan, Buddy Holly, Dean M a r t i n , and Jerry Lewis. M o s t of these people are dead, but they eerily live on through their i m m o r t a l images. Vincent and M i a per form novelty dances from the 1 9 6 0 s to music that hasn't been heard in movies for thirty years. Pulp Fiction is part of the pop-culture jet stream, flowing easily out of the current collective unconscious, charged with images and sounds from previous eras. RELATIVITY A N D W O R L D CULTURE Pulp Fiction is postmodern also in its sense of cultural relativity. Although the film is set in America, it is shot through with a sense of worldwide culture and a global viewpoint
Generalized, the situation is x + y = 9. Mathematicians call this an equation in two unknowns, and a single such equation has no unique solution. Two equations with the same two unknowns are required. The one-time system prevents the cryptanalyst from ever bringing two or more such equations together. The utter absence of any pattern whatsoever within its key precludes him from finding two occurrences of a given key character by reconstructing a pattern. And the tape's exhaustless novelty makes it impossible for him to locate these occurrences in any key repetitions. The cryptanalyst is thus denied any chance of getting additional information to delimit one of the unknowns; he is left with all 32 possibilities for the key character, and consequently all 32 for the plaintext. True it is that in the cryptanalytic case of an equation in two unknowns, some solutions are more probable than others. Thus, there is a 12 per cent chance that the plaintext unknown is e, an 8 per cent
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