Jazz (0)

Lõik failist

Sarnased õppematerjalid

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Briti muusika

Britain is more famous for pop music than it is for classical composers or jazz musicians. Names such as The Beatles, the Rolling Stones, Led Zeppelin, Pink Floyd, Elton John, George Michael and The Spice Girls are known world wide but little do people know of our other musicians not in the pop world. The origins of music in Britain lie in the songs sung and dance music played by ordinary people. Passed from village to village and handed down in the unwritten form from generation to generation. Different trends

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Ella Fitzgerald´i eluloo kokkuvõte

Fitzgerald led the band for three years. During her time with Webb's band, Fitzgerald recorded with a number of other musicians, including Benny Goodman. By the time she began her solo career in the mid1940s, she was a wellrespected figure throughout the music industry. Her vibrant and energetic voice showed an exceptional range and control. Performing with "Jazz at the Philharmonic," her popularity grew beyond the music world. Throughout the 1950s and 1960s, she continued to perform as a jazz musician, but concentrated primarily on popular music. Rivaled only by Frank Sinatra, her recordings of work by Cole Porter, Ira and George Gershwin, and Rogers and Hart were incredibly successful. One of the early "scat" performers, Fitzgerald found a place among the growing jazz innovators, making recordings with such greats as Billie Holiday, Duke Ellington, and Louis Armstrong. Her

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Estonian holidays, festivals, cultural events

the whole family. Beer culture plays a basic role in Õllesummer ­ the festival has its origins in a beer festival and up to this day more than a hundred different beers from around the world can be tasted at Õllesummer.Food is offered at a number of different cuisine restaurants and cafes. Over the years many performers and starts have appeared at the festival. In 2007 more than a hundred performers appeared at more than ten stages. The selection of music varies from jazz to rock and disco. It is a great Estonian party which cannot be found anywhere else in the world. Estonian Song Festival (Laulupidu) The AllEstonian Song Festival (Laulupidu) happens in Tallinn every five years, and gives a privileged insight into Estonian music and culture. Its aim is to bring together all the traditional songs and singers from across the country, as well as guest singers from other countries. The first AllEstonian Song Festival was held in 1869 in the town of

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Jazz referaat

1930 1930. aastatel sai alguse sving – uus ajastu džässiajaloos. Sellega kaasnes ka uuenenud džässorkestri – Big Bandi – teke. Nüüd oli väga tähtsal kohal rütm ja svingi kasutati tihtipeale tantsumuusikaks. Svingiajastul said tuntuks sellised suurkujud nagu Duke Ellington, Count Basie, Glenn Miller, Ella Fitzgerald ja Frank Sinatra. Euroopa džässmuusika eestvedajaks said aga Django Reinhardt ja Stephane Grapelli. 1940 info puudb. 1950 950. aastatel sai alguse free jazz, mille lõi pianist Cecil Taylor. Free jazz vabastas džässi igasugustest piirangutest (kaasa arvatud need, mis olid džässmuusikale iseloomulikud). Nüüd polnud džässil enam taktimõõtu ning harmoonia koosnes klastritest. Kuulsaim džässmuusik 1950. aastatest oli Ornette Coleman. 1960-1970 960. aastate lõpus sai alguse jazz fusion (ingl k sulam), mis haaras endasse ka elemente rokkmuusikast, folkmuusikast, funk'ist ja reggae'st. Fusion on

Muusika

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Feminism and youth cultures in England

1. Feminism­ movement, ideology to defend women’s rights  Suffrage – right to vote  2.  Feminism  isn’t a unitary movement  because  it  represents  different  women and  different experiences for  them in different parts of the world. Different  ideologies  3. Three waves of feminism  • 1st wave – early 19th century – early 20th century (Political rights, suffrage­right to vote)  • 2nd wave – 1960s­1980s (Social inequalities, gender norms, Women's Liberation Movement)  • 3rd wave – 1990s­2000s (ideas are the same, but they wanted to get rid of things the second  wave had failed to do); feminisms, expansion, multiplicity, postcolonialism.    4.  Anne  Bradstreet­  the  first  feminist  17th  century;  the  most  prominent of early English poets  of North America and first female writer in the British North Amer

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Arkady Shilkloper

I did find some good articles, but they were nothing compared to this man. So when i started browsing through the internet I was surprised by how many popped up. Since the concert, I'd bought one of his CD's and really admired that, but I had never thought he'd be this famous. Many magazines around the Europe, and of course Russia, have written about him, so at first I had trouble finding articles in English. But in no time I found his web page and used sources from there. I have always loved jazz music, but this man is on a completely different level and I sincerely hope more people could appreciate him! http://www.jaro.de/artists/arkady-shilkloper/

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Topic - USA

inheritances. Other important influences came from other parts of Europe, especially countries from which large numbers immigrated such as Ireland, Germany, Poland, and Italy; the Native American people; Africa, especially the western part, from which came the ancestors of most African Americans; and young groups of immigrants. American culture also has shared influence on the cultures of its neighbours in the New World. Music Rock and roll, country, rhythm and blues, jazz, and hip hop are among the country's most internationally renowned genres. Since the beginning of the 20th century, popular recorded music from the United States has become increasingly known across the world, to the point where some forms of American popular music are listened almost everywhere. Folk music in the United States is varied across the country's numerous ethnic groups. The Native American tribes each play their own varieties of folk music, most of it spiritual in nature.

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ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.

VIII. THE FORTIES. TRANSFORMATION OF ESTONIAN LIFE. THE WAR-TIME SYMPHONIC OUTPUT. IX. THE PLANTING OF NEW CREATIVE PRINCIPLES DURING THE POST-WAR YEARS. X. THE SECOND HALF OF THE FIFTIES. TOWARDS A MODERN IDIOM: EINO TAMBERG AND VELJO TORMIS. XI. THE NEOCLASSICISM AND CONSTRUCTIVE THINKING OF JAAN RÄÄTS. XII. THE FIRST HALF OF THE SIXTIES. DODECAPHONY OF ARVO PÄRT. XIII. THE DRAMATIC PHILOSOPHICAL OUTPUT OF HELMUT ROSENVALD. XIV. THE ELEMENTS OF JAZZ, FOLK MUSIC AND DODECAPHONY IN THE SYMPHONISM OF ANTI MARGUSTE. XV. HEIMAR ILVES AND HIS MUSIC – DEEP IN THOUGHT AND FEELING. XVI. THE POST-WAR SYMPHONIES OF EDUARD TUBIN. DEEPENING ACCENT ON PSYCHOLOGIC-DRAMATIC EXPRESSION. XVII. THE SECOND HALF OF THE SIXTIES. THE NATIONAL AND INTERNATIONAL IN THE ESTONIAN SYMPHONIC MUSIC. JAAN KOHA. ESTER MÄGI. KULDAR SINK. XVIII. THE SEVENTIES. THE NINTH SYMPHONY OF EDUARD TUBIN. THE CREATIVE EVOLUTION OF ARVO PÄRT. XIX

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