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Autor Heino Pärn Õppematerjali autor
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Essay: My Ideal Home

My Ideal Home My ideal house would be a small detached villa on a quiet tropical island, preferably with an outdoor pool. The house is made of bricks. In my case I would have as many windows as possible. Light colour in the hall, it's the first thing you see when you walk into the house. There's not much space, therefore, this is fulfilled only essential things. On the right hand, there is a low cupboard, which is next to the vase of globeflowers. On the opposite wall, there is rocking chair and a peg. The ceiling is painted white and cream colored carpet covers the parquet. The next room consists of dining and livingroom. This is the biggest and the brightest room in this house. A rich mintcream walls and hardwood floors these two are well contrasted with furniture. One wall is all glass with a nice view of the ocean, so it's left almost uncovered. Only dining table and four chairs in oak are located close to it. This way you

Inglise keel
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HOUSE AND HOME tööleht

HOMES Almost 63% of British people own their own homes. There are about 25 million homes in the UK, of which seven out of 10 are owner-occupied. Most live in terraced houses and tower blocks located mainly in town centres, semidetached houses in districts nearer to town centres, or detached houses which usually lie in expensive suburbs, closer to the countryside than the centre. Many people live in rented accommodation, including council flats and houses built and owned by the local government. Modern council housing estates may be a mixture of different buildings, providing a variety of facilities for their inhabitants, such as play areas for children, a community centre, etc. Since the 1980s, council tenants have been allowed to buy their own homes very cheap if they have lived in them for more than two years. Since the early 1990s, building new houses and flats has been very slow. But today the number of new homes b

Inglise keel
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Suuline eksam

http://www.abiks.pri.ee FREE TIME 1. Is music popular in your family? What music do you like? 2. What musical instruments have you got in your home? 3. Can you play any musical instruments? 4. Do you sing? 5. Have you sung at a song festival? 6. Has your school got a choir? 7. When do you last go to a concert? What concert was it? 8. Have you ever been to an openair concert? What was it like? 9. Do you sing at family parties? Where else Estonians like to sing? 10. Have you got a collection of cassettes, CD´s or LP´s at home? 11. Have you watched a ballet on TV? 12. Which do you prefer ­ ballet, drama or musical? 13. How often do you go to the theatre? 14. Do you prefer going to the theatre or watching TV? Why? 15. Do you prefer buying a cheap ticket and getting a seat at the back or spending more money and sitting in the front? Why? 16. Do you prefer going to the th

Inglise keel
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English Grammar Book 1

Book 1 BASIC ENGLISH BASIC ENGLISH GRAMMAR GRAMMAR BASIC ENGLISH GRAMMAR Book 1 Book 1 Younger students at beginning to intermediate levels will greatly benefit from this step-by-step approach to English grammar basics. This is the ideal supplement to your language arts program whether your students are native English speakers or beginning English language learners. Skill-specific lessons make it easy to locate and prescribe instant reinforcement or intervention. · Illustrated lessons a

Inglise keel
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Hispaania keel kirjapilt + audio allalaadimise lingid 53lk

1. Basic Phrases ¡Buenos días! ¡Buenas tardes! ¡Buenas noches! bway-nohs dee-ahs bway-nahs tard-ays bway-nahs noh-chays Hello! / Good morning! Good afternoon! Good evening! / Good night! ¡Hola! / ¡Chao! Adiós. Por favor. oh-lah / chow ah-dee-ohs por fah-bor Hi! / Bye! Good bye. Please. Hasta la vista / Hasta luego. Hasta pronto. Hasta mañana. ah-stah lah vees-tah / ah-stah ah-stah prohn-toh ah-stah mahn-yahn-ah loo-ay-go See you soon. See you tomorrow. See you / See you later. (Muchas) Gracias. De nada. Bienvenidos (moo-chahs) grah-see-ahs day nah-dah

Hispaania keel
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FAMILY tööleht

THE FAMILY Marriage changes over the centuries constantly, surprisingly and swiftly. It cannot be defined as a sacred union between a man and a woman, as marriages have not always been considered sacred. Marriage has often been seen as a union between one man and several women. And sometimes marriage has been seen as a union between one woman and several men, as in southern India, for example, one bride may be shared by several brothers. Marriage has also, at times, been recognized as a union between two men (as in ancient Rome, where marriages between aristocratic males were recognized by law), or as a union between two siblings (as in medieval Europe, when valuable property was at stake); or as a union between two children (again in Europe, when parents wanted to protect their property); or as a union between two unborn (ditto); or as a union between two people of the same social class (once more in Europe, where medieval peasan

Inglise keel
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Inglise leksikoloogia kordamisküsimuste vastused

LEXICOLOGY 1. Size of English vocabulary 1) Old English – 50,000 to 60,000 words Vocabulary of Shakespeare OE – homogeneous; 1/3 of the vocabulary has survived • 884,647 words of running text About 450 Latin loans (Amosova) • 29,000 different words (incl. work, working, Viking invasions added 2,000 worked, which are counted here as separate 2) Middle English – 100,000 – 125,000 words) English becomes heterogeneous (Norman French, • 21,000 words English, Latin), hybrid of Germanic and Romance languages Norman French influence – about 10,000 words, 75 % are still in use (Baugh) Latin influence continues 3) Early Modern English – 200,000 – 250,000 English becomes a polycentric language; polyglot, cosmopolitan language 4) Modern English �

Leksikoloogia ja leksikograafia
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Dey Bared to You RuLit Net

Sylvia Day Bared to You Sylvia Day Bared to You The first book in the Crossfire series, 2012 This one is for Dr. David Allen Goodwin. My love and gratitude are boundless. Thank you, Dave. You saved my life. Acknowledgments My deepest gratitude to my editor, Hilary Sares, who really dug into this story and made me work for it. Basically, she kicked my ass. By not pulling her punches or letting me shortchange the details, she made me work harder and because of that, this story is a much, much better book. BARED TO YOU wouldn't be what it is without you, Hilary. Thank you so much! To Martha Trachtenberg, copy editor extraordinaire. This book is an important one for me and she treated it that way. Thank you, Martha! To Victoria Colotta, for all her hard work on the i

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