of heaven to blow too roughly on her face. Hamlet doesn't want to remember it, so he closes his ears. He remembers how much his mother loved his father but still not even month passed before she got married again. He just can't think about him and says that women are so inconsistent. Only one month passed that wasn't long even long enough to get her shows old with what she followed her husband. He just can't believe it. He says that even an animal without reason would mourn longer than his mother had but her mother got married to his uncle. He could be his father's brother but he was no more like his father than he was like Hercules. Hamlet believes that her mother got married already before her eyes were swollen because of the salt of her hypocritical tears. Her calls his mother wicked as she rushed into that marriage that enthusiastically. Hamlet believes that it won't end happily but he has to break his heart if he wants to hold his tongue.
white, Nor that full star that ushers in the even, But no such roses see I in her cheeks; Doth half that glory to the sober west, And in some perfumes is there more delight As those two mourning eyes become thy Than in the breath that from my mistress face: reeks. O! let it then as well beseem thy heart I love to hear her speak, yet well I know To mourn for me since mourning doth thee That music hath a far more pleasing sound: grace, I grant I never saw a goddess go, And suit thy pity like in every part. My mistress, when she walks, treads on the Then will I swear beauty herself is black, ground: And all they foul that thy complexion lack. And yet by heaven, I think my love as rare, As any she belied with false compare. Sonnet number 130 http://www
But what’s the result of all this? We end up leading anxious and unhappy lives. No one can define what’s meaningful for us. Culture doesn’t get to dictate if it’s working outside the home, raising children, lawyering, teaching, or painting. Like our gifts and talents, meaning is unique to each one of us. Throughout human history, we’ve relied on laughter, song, and dance to express ourselves, to communicate our stories and emotions, to celebrate and mourn, and to nurture community. While most people would tell you that a life without laughter, music, and dance would be unbearable, it’s easy to take these experiences for granted. Marge Veskemaa This book show us another way. These research participants highlight the need for us to embrace our own uniqueness, our own little imperfections and quirks – the things that make us who we are.
Juliet is at first suspicious of the potion, thinking the Friar may be trying to kill her, but eventually takes it and falls 'asleep'. The messenger of Friar Lawrence does not reach Romeo, due to a quarantine. Instead, Romeo learns of Juliet's supposed "death" from his manservant Balthasar. Grief- stricken, he buys strong poison from an Apothecary, returns to Verona in secret, and goes to the crypt, determined to join Juliet in death. There he encounters Paris, who has also come to mourn privately for his lost love. Paris assumes that Romeo has come to defile the Capulets' crypt and challenges him to a duel. Romeo kills Paris, and then after seeing Juliet one last time. At this point Juliet awakes and, seeing the dead, seeks answers. Friar Lawrence arrives, and tries to convince Juliet to come with him, but she refuses. He is frightened by a noise, and leaves Juliet alone in the crypt. The pain and shock of Romeo's death is too much for Juliet,
two and a half million Armenians. Many Armenians ran away to survive and the others were eliminated from their historic homeland. Those who survived were forced into exile and have never been able to return. An entire people, and their history, were virtually erased within years. Because of the genocide the Armenian population decreased largely. (Dearborn, 1999) (UHRC, 2011) (Goldberg, 1998) It takes away the very existence of the victims, thereby making it impossible to mourn their loss and causing serious psychological consequences. (Hovannisan, 1999) 2.2. Cultural loss The arranged destruction Armenian cultural objects, religious, historical and communal heritage was another purpose of both the genocide itself and the post-genocidal campaign of denial. Armenian churches and monasteries were destroyed or changed into mosques, Armenian cemeteries flattened, and in several cities (e.g. Van), Armenian quarters were destroyed
jandal thongs, flip-flops tramping hiking jersey sweater tomato sauce ketchup Maori Language New Zealand: Original people, Aotearoa "Land of the Long Tangata Whenua people belonging to White Cloud" the land Aroha Love, compassion Tangi Funeral, mourn E noho ra Goodbye (from Taonga Treasured possession, person leaving) anything precious Goodbye (from Sacred, not to be E haere ra Tapu person staying) touched Haere mai Welcome! Tena koe Formal greeting to one
NT: Nobody thinks, nobody gives a damn, nobody bothers nowadays. ANTITHESIS ANTITHESIS means the opposition or the clash of two strongly contrasted ideas combined with syntactic parallels. Contrast is often created by antonyms. NT: A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; a time to kill, and a time to heal; a time to break down, and a time to build up; a time to weep, and a time to laugh; a time to mourn, and a time to dance; NT: I am the poet of the body and the poet of the sole. NT: I was his family's devoted friend, and she was my family's secret enemy. CHIASMUS 3 4
a couple bottles of Gin incase I don't get in tell all my people i'm a Ridah nobody cries when we die we outlaws let me ride until I get free I live my life in tha fast lane got police chasen me to my niggas from old blocks from old crews niggas that guided me through back in tha old school pour out some liquor have a toast for tha homies see we both gotta die but ya chose to go before me and brothas miss ya while your gone you left your nigga on his own how long we mourn life goes on... Chorus *repeats to end* (sung overtop repeating chorus) Life goes on homie gone on, cause they passed away Niggas doin' life Niggas doin' 50 and 60 years and shit I feel ya nigga, trust me I feel ya You know what I mean last year we poured out liquor for ya this year nigga, life goes on we're gonna clock now get money evade bitches evade tricks give players plenty space and basicaly just represent for you baby next time you see your niggas your gonna be on top nigga
sound combinations. Identity of sounds results in full rhymes, comprising the repetition of the last stressed vowel and the following consonant(s): blushes thrushes, tide-side, gold- cold, miss-kiss. 16 Incomplete rhymes Derive from modifications of full rhymes. Incomplete vowel rhymes require identical vowels, while consonants are different: world- serve, bulb-skull, pen-best, storm-mourn, balm-path. Consonant rhymes The reverse principle is observed here, consisting of identical consonants and dissimilar vowels, as in: blood-blade, love-live, felt-fault, burn-born, crisp-grasp. Compund rhymes Are made up of two or more words, united by a single stress, that reproduce the sound form of a related word: clamorous- enamour us, women two men, adorer-before her, Verona- known a ..., feter-beset her, grammar-d-n her, bottom-forgot ´em (examples are taken from Byron's ,,Beppo")
despairing soldier who now narrates the novel. Paul is a compassionate and sensitive young man; before the war, he loved his family and wrote poetry. Because of the horror of the war and the anxiety it induces, Paul, like other soldiers, learns to disconnect his mind from his feelings, keeping his emotions at bay in order to preserve his sanity and survive. As a result, the compassionate young man becomes unable to mourn his dead comrades, unable to feel at home among his family, unable to express his feelings about the war or even talk about his experiences, unable to remember the past fully, and unable to conceive of a future without war. He also becomes a "human animal," capable of relying on animal instinct to kill and survive in battle. But because Paul is extremely sensitive, he is somewhat less able than many of the other soldiers to detach himself completely from his feelings, and there are
Identity of sounds results in full rhymes, comprising the repetition of the last stressed vowel and the following consonant (or consonant): blushes - thrushes, tide - side, mellow - yellow, gold - cold, land - hand, grasp - clasp, miss - kiss. Incomplete rhymes derive from certain modifications of full rhymes. Thus, incomplete Vowel rhymes require identical vowels, whereas consonants are different, as in: world - serve, bulb - skull, pen - best, storm - mourn, balm - path. The reserve principle is observed in Consonant rhymes consisting of identical consonants and dissimilar vowels, as in: blood - blade, love - live, felt - fault, burn - born, crisp grasp. These rhymes are sometimes referred to as partial rhymes or pararhymes. As a rule, incomplete rhymes are made use of occasionally to FGI 1081 Stylistics (I. Ladusseva) 12
That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on: and yet, within a month— Let me not think on't—Frailty, thy name is woman!— A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears:—why she, even she— O, God! a beast, that wants discourse of reason, Would have mourn'd longer—married with my uncle, My father's brother, but no more like my father Than I to Hercules: within a month: Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married. O, most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good: But break, my heart; for I must hold my tongue. Enter HORATIO, MARCELLUS, and BERNARDO HORATIO Hail to your lordship! HAMLET I am glad to see you well:
die. Even in earlier times the hunters knew that the movements of the animals and the fruiting of the trees follow the celestial calendar. T h e dramatic meat of these seasonal turning point festivals was the staging of an elaborate adventure, in which the king or the statues of the gods "disappeared," supposedly having been kidnapped, stolen away, or killed and dismembered by dark forces of chaos. T h e whole society pretended to mourn them, giving up the pleasures of life for a period of time in sympathy with the kidnapped or dead gods or king. In some versions of seasonal festivals in ancient Babylon, the statues of the gods were actually removed from the temples and buried in the desert or destroyed. Later in the festival they would be returned to their rightful positions or replaced with new ones, triggering great relief and celebration by the people.
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