The Rich Boy Francis Scott Key Fitzgerald Words 1. Queer. Meaning in Estonian: imelik, veider. Example from book: That is because we are all queer fish, queerer behind our faces and voices... 2. To conceal. Meaning in Estonian: varjama. Example from book: I feel pretty sure that he has some definite and perhaps terrible abnormality which he has agreed to conceal... 3. Misprision. Meaning in Estonian: kuriteo varjamine. Example from book: ...And his protestation of being average and honest and open is his way of reminding himself of his misprision. 4. Cynical. Meaning in Estonian: küüniline. Example from book: They are...cynical where we are thrustful. 5. Refuges. Meaning in Estonian: varjupaigad. Example from book: ...We had to
This may look like a picnic basket kept in the park. But this actually is a 7-story building which is Longaberger's Home Office located in Newark, Ohio. This monument is in-fact world’s largest basket. Its 192 ft. long by 126 ft. wide at the bottom, spreads to 208-ft. long by 142-ft. wide at the roofline. 5. Kansas City Public Library (Missouri, United States) This installation is permanent, on a much larger scale, and is designed to conceal the library’s car park. Here the public were asked to nominate books that they felt represented Kansas City. The library was founded in 1873 A.D, and is the oldest and the third largest public library in Kansas City area. 6. Ferdinand Cheval Palace a.k.a Ideal Palace (France) Cheval began the building in April 1879. He claimed that he had tripped on a stone and was inspired by its shape. He returned to the same spot the next day and started collecting stones.
Julie’s father used to make fun of her ambitions of becoming a famous athlete, however she was actually pretty talented. She held a local record for sprint and often trained in school for the athletics team. Jack described Julie having a high ridge of cheekbone beneath her eyes, which gave her the deep look of some rare wild animal. In electric light her eyes were black and big. The soft line of her mouth was just broken by two front teeth and she had to pout a little to conceal her smile. Jack obviously longed to examine his older sister. Unlike Jack, Julie takes great care of her appearance, which takes considerable preparation each evening. I think Jack was unhappy because Julie never spoke to him or acknowledged his presence at school. She even refused to walk to school together because she didn’t want to be seen with him. Her closest friends had a reputation at school and she thought that it wouldn’t be good for her reputation
an orderly (229) An attendant who does routine, nonmedical work in a hospital. Mary Martin follows Gordie into the apple trees but losts him. The whole morning they were waiting for the orderlies and the tribal police to come, they heard him cry like a drowned person. to be/stay at somebody's beck and call (230) - Ready to comply with any wish or command. Lipsha is grateful for his Grandma... a smokescreen (232) - An action or statement used to conceal actual plans or intentions.; A disguise. to hanker after/for something (239) - To want someone or something; to long for someone or something. The problem wasn't that Nector was not all there, but that what was there of him often hankered after Lamartine. to prickle (241) - slough (242) - A swamp.; The dropping off of dead tissue from living flesh. malpractice (245) - 1. Improper or negligent treatment of a patient, as by a physician, resulting in injury, damage, or loss. 2
472. разглядывать to examine разглядывать/ разглядеть 473. закурить to light up, begin to smoke закуривать/закурить 474. устать to get tired уставать/устать 475. прикрыть to cover, protect, conceal прикрывать/ прикрыть 476. замолчать to stop talking, to hush up молчать/замолчать 477. завести to bring, acquire, wind up заводить/завести 478. прибыть to arrive, come прибывать/прибыть 479
circuses. (A) apparently (B) relatively (C) exceedingly (D) sufficiently 3. The cotton gin was commonplace on many nineteenth-century farms. (A) often required (B) sorely needed (C) frequently seen (D) visibly absent 4. Under the microscope, cultivated silk fibers look coarse. (A) rough (B) rigid (C) delicate (D) immense 5. The sweet potato is chiefly grown in the southern United States. (A) exclusively (B) mostly (C) rarely (D) successfully LESSON 7 appropriate clarify conceal confirm constantly convenient core critical distort diverse prosperous purposefully reveal scarcely theoretically appropriate adj. correct or good for the purpose n. appropriateness Syn. proper adv. appropriately It is not appropriate to cheat on tests. She was dressed appropriately in a suit for the job interview. clarify v. to make more easily understood, to n
claw (n) clearing (n) click your fingers (phr) client (n) climax (n) clip (n) close-up (adj) clown (n) clue (n) cluttered (adj) code (n) coincidence (n) collapse (v) collide with (v) colonise (v) coma (n) combat (v) come forward (phr v) come up to scratch (idm) come upon (phr v) coming (adj) 5 commentator (n) commit (v) committed (to) (adj) commute (v) companion (n) compassion (n unc) compel (v) compile (v) complacent (adj) computer-generated (adj) con (n) conceal (v) concede (v) conceivably (adv) concentrate (v) concentration (n) concept (n) conceptual art (n) concerned (adj) condition (n) conduct (v) confess (v) confidence (n) congestion (n) connect with (v) connection (n) conscientious (adj) consecutive (adj) consequence (n) conservation (n unc) considerate (adj) consist of (v) consistent (adj) consistent with (phr) constitute (v) construct (v) consultant (n) consumer (n) contact (n) contain (v) contemplate (v) contented (adj) contestant (n)
The elliptical sentences convoy/render carelessness, familiarity, harshness. It makes the utterance tens and emotional or helps to stress most important elements. NT: I went to Oxford, as one goes to exile; she to London. APOSIOPESIS (Greek - silence) it is called break-in-the-narrative. APOSIOPESIS is an unfinished sentence where the speaker or writer suddenly stops in the middle, as if unable or unwilling to proceed. A indicates strong emotions, paralyzing the speaker or his desire to conceal part of information. NT: she must leave or better yet drown herself make away with herself at some way or The speaker's strong emotions therefore inability to finish. NT: And it was so unlikely that she had stolen his wallet that... well. NOMINATIVE SENTENCES NOMINATIVE SENTENCES are just a noun-sentence, containing a noun or a nominal-noun-phrase sentence. NOMINATIVE SENTENCES strengthen the dynamic nature of the narrative. NT: London. Parks. Horse rides. Noisy streets
.. I see no changes. All I see is racist faces. Misplaced hate makes disgrace for races we under. I wonder what it takes to make this one better place... let's erase the wasted. Take the evil out the people, they'll be acting right. 'Cause mo' black than white is smokin' crack tonight. And only time we chill is when we kill each other. It takes skill to be real, time to heal each other. And although it seems heaven sent, we ain't ready to see a black President, uhh. It ain't a secret don't conceal the fact... the penitentiary's packed, and it's filled with blacks. But some things will never change. Try to show another way, but they stayin' in the dope game. Now tell me what's a mother to do? Bein' real don't appeal to the brother in you. You gotta operate the easy way. "I made a G today" But you made it in a sleazy way. Sellin' crack to the kids. "I gotta get paid," Well hey, well that's the way it is. [Bridge] [Talking:] We gotta make a change...
CLXXXIV at the end of the century, where he praises its compactness. However the codex never gained much popularity in the pagan Hellenistic world, and only within the Christian community did it gain widespread use. This change happened gradually during the 3rd and 4th centuries, and the reasons for adopting the codex form of the book are several: the format is more economical, as both sides of the writing material can be used; and it is portable, searchable, and easy to conceal. The Christian authors may also have wanted to distinguish their writings from the pagan texts written on scrolls. 2/15 A Chinese bamboo book Wax tablets were the normal writing material in schools, in accounting, and for taking notes. They had the advantage of being reusable: the wax could be melted, and reformed into a blank
In nine cases out of ten a women had better show more affection than she feels. Bingley likes your sister undoubtedly; but he may never do more than like her, if she does not help him on." "But she does help him on, as much as her nature will allow. If I can perceive her regard for him, he must be a simpleton, indeed, not to discover it too." "Remember, Eliza, that he does not know Jane's disposition as you do." "But if a woman is partial to a man, and does not endeavour to conceal it, he must find it out." "Perhaps he must, if he sees enough of her. But, though Bingley and Jane meet tolerably often, it is never for many hours together; and, as they always see each other in large mixed parties, it is impossible that every moment should be employed in conversing together. Jane should therefore make the most of every half-hour in which she can command his attention. When she is secure of him, there will be more leisure for falling in love as much as she chooses."
Ellipsis in the dialogue contributes to the colloquial tone. In the author's narrative it makes the utterance tense, emotional; or helps to stress the most important elements. 2. Aposiopesis (from Gr. "silence") it is break-in-the-narrative an unfinished sentence in which the speaker suddenly breaks off in the middle as if unable or unwilling to proceed. It suggests strong emotions paralyzing the speaker or his deliberate stop to conceal the meaning. 3. Nominative sentence it is the sentence containing a noun or a noun phrase. Such sentences evoke an isolated idea of an object without any relations with other objects. Such sentences appeal to the reader's imagination, it is a kind of kaleidoscope (e.g. "London. Parks. Streets. Noisy traffic."). Such sentences strengthen the dynamic nature of the narrative. 4
facilitates understanding. A glossary may also serve as a handy reference. The definitions in this one are informal and ostensive. Exceptions are ignored and the host of minor terms are not defined—the text covers these when they come up. The plaintext is the message that will be put into secret form. Usually the plaintext is in the native tongue of the communicators. The message may be hidden in two basic ways. The methods of steganography conceal the very existence of the message. Among them are invisible inks and microdots and arrangements in which, for example, the first letter of each word in an apparently innocuous text spells out the real message. (When steganography is applied to electrical communications, such as a method that transmits a long radio message in a single short spurt, it is called transmission security.) The methods of cryptography, on the other hand, do not conceal the presence of a secret message but render it
important elements (e.g. "I went to Oxford as one goes into exhale; she to London." predicate is dropped). 2. Aposiopesis (from Gr. "silence") it is break-in-the-narrative an unfinished sentence in which the speaker suddenly breaks off in the middle as if unable or unwilling to proceed. It suggests strong emotions paralyzing the speaker or his deliberate stop to conceal the meaning (e.g. "She must leave or or, better yet may be drown herself make a way with herself in someway or or." sentence is interrupted, the final dash marks the sentence is unfinished, the speaker is too emotional; "And it was so unlikely that anyone would trouble to look there until well." the speaker is unwilling to go on, to specify.). 3
T h e character's first action is a wonderful opportunity to speak volumes about his attitude, emotional state, background, strengths, and problems. T h e first action should be a model of the hero's characteristic attitude and the future problems or solutions that will result. T h e first behavior we see should be characteristic. It should define and reveal character, unless your intent is to mislead the audience and conceal the character's true nature. Tom Sawyer makes a vivid entrance into our imaginations because Samuel Clemens has painted such a character-revealing first look at his Missouri boy hero. T h e first time we see Tom he is performing a characteristic action, turning the rotten job of whitewashing the fence into a wonderful m i n d game. T o m is a con artist, but the con is thoroughly enjoyed by his victims. Tom's character is revealed through all
pinpoint what that difference was. I examined Edward the most carefully. His skin was less pale, I decided -- flushed from the snow fight maybe -- the circles under his eyes much less noticeable. But there was something more. I pondered, staring, trying to isolate the change. "Bella, what are you staring at?" Jessica intruded, her eyes following my stare. At that precise moment, his eyes flashed over to meet mine. I dropped my head, letting my hair fall to conceal my face. I was sure, though, in the instant our eyes met, that he didn't look harsh or unfriendly as he had the last time I'd seen him. He looked merely curious again, unsatisfied in some way. "Edward Cullen is staring at you," Jessica giggled in my ear. "He doesn't look angry, does he?" I couldn't help asking. "No," she said, sounding confused by my question. "Should he be?" "I don't think he likes me," I confided. I still felt queasy. I put my head down on my arm.
AnswerKey(5eeoverprinted answers) keepaway (from)= (tr)stayawdy difficuties keepback= (tf) conceal keepout = (tr)excludesb/sth 3ame keepdown = (tr)causeto remainat a keepup (with) = (tr)stayar the same lowerlevel ievelassb/sth r ' y t h e g a m ea s
AnswerKey(5eeoverprinted answers) keepaway (from)= (tr)stayawdy difficuties keepback= (tf) conceal keepout = (tr)excludesb/sth 3ame keepdown = (tr)causeto remainat a keepup (with) = (tr)stayar the same lowerlevel ievelassb/sth r ' y t h e g a m ea s
AnswerKey(5eeoverprinted answers) keepaway (from)= (tr)stayawdy difficuties keepback= (tf) conceal keepout = (tr)excludesb/sth 3ame keepdown = (tr)causeto remainat a keepup (with) = (tr)stayar the same lowerlevel ievelassb/sth r ' y t h e g a m ea s
AnswerKey(5eeoverprinted answers) keepaway (from)= (tr)stayawdy difficuties keepback= (tf) conceal keepout = (tr)excludesb/sth 3ame keepdown = (tr)causeto remainat a keepup (with) = (tr)stayar the same lowerlevel ievelassb/sth r ' y t h e g a m ea s
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