and jazz clubs in 20s to 40s required a loud solo instrument to fill a big hall (Trumper, Saxophone) Although, we know jazzflute started to emerge in 20s. The earliest known recording of a jazzflute being used as solo instrument, was by Cuban clarnetist Alberto Socarras, recording "Shooting the Pistol" with Clarence Williams band and setting a milestone for future jazzflutist. While acknowleding the contribution to the early pioneers, jazz historians credit saxophonist Wayman Carver as being the first true jazz flutist, whilst recording extensively in the 30s. Tunes like "Loveless Love" in 1931 and "Sweet Sue, just You" in 1933 with Spike Hughes band. In the forties, multiinstrumentalist Jerome Richardson, joined Lionel Hamptons big band and recorded solos on "Kingfish" in 1949 and "There Will Never Be Another You" in 1950. From the end of the forties onward the use of improvised microphones
Michelangelo Michelangelo di Lodovico Buonarroti Simoni was an Italian painter, sculptor, poet and architect. He was of noble birth, but was not raised by his parents. His father had him brought up by a stone carver and his wife, because his own wife was too ill to take care of the child. While living with his step-parents, young Michelangelo learned the skills that would serve him throughout his life, but his father was displeased when his son told him he wanted to be an artist, and it took much convincing for Michelangelo to be permitted to further his apprenticeship. Michelangelo went on to study sculpture at Medici gardens, where Leonardo da Vinci had also been taught
Tsiteerimise eesmärgiks võis olla ka nali, iroonia või paroodia, samas võis see edastada ka irriteerivaid Fifth level ühiskondlikke sõnumeid Nt: USA kunstnik Robert Colescott (1925) asendas kuulsate teoste tegelased mustanahalistega Robert Colescott ,,Carver Crossing the Delaware'' Postmodernistlik kunst Kaasajal pole ei ühiskonnal ega kultuuril üht ainuõiget suunda Click to edit Master text styles Valitseb ideede ja püüdluste Second level pluralism Third level Erinevatel, sealhulgas seni Fourth level
tugevus. Isiksuseomadused ja stress: • Kobasa & Maddi – sitkus = seotus, kontroll ja väljakutse • Alfred & Smitg – seos neurootilisuse ja sitkuse puudumise vahel • Antonovksy – SOC sidususe tunne • Sheier & Carver – lisasid veel optimismi. Meeleolu ja haigestumine: • Evans jt -‐ 3 meeleolu kirjeldavat faktorit (õnnelik, pinge-‐depressioon ja vihane-‐depressioon) • Stone – kogus meeldivaid & ebameeldivaid sündmusi, mõõtis sekretoorseid immuunglobuliin antikehi (sIgA)
suunatud probleemi lahendamisele või stressiallika kõrvaldamisele. Seda toimetuleku viisi kasutatakse, kui nähakse mingeid konstruktiivseid käitumisviise. Tundekeskne toimetulek on suunatud emotsionaalse pingega hakkama saamisele. Seda toimetulekuviisi kasutatakse, kui ei näha reaalseid võimalusi pingeallika vältimiseks või kõrvaldamiseks. - Uurimused on aga näidanud, et eluraskuste traumade ja pingega toimetulek on märksa mitmetahulisem protsess. Carver, Scheier ja Weintraub (1989) kirjeldavad erinevatele uurimustele viidates erinevaid toimetulekustrateegiaid, viise, kuidas pingetega toime tulla. Autorite üheks põhimõisteks on stressor - normaalset elutegevust pärssiv pingeallikas, milleks võivad olla sündmused, suhted, elamused ja protsessid kõige laiemas tähenduses. - Hingetraumadega toimetulekuks võivad inimesed kasutada mõnda või mitut alljärgnevatest strateegiatest.
The terms have expanded to encompass a movement in music which features repetition and iteration, as in the compositions of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and John Adams. (See also Postminimalism). The term "minimalist" is often applied colloquially to designate anything which is spare or stripped to its essentials. It has also been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and even the automobile designs of Colin Chapman. The word was first used in English in the early 20th century to describe the Mensheviks. Minimalist design The reconstruction of Ludwig Mies van der Rohe's German Pavilion in Barcelona The term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture
Miks on autorite arvates ümberlülitumisvõisel (-oskusel) vahel ka ebasoovitavad tulemused? Loengus käsitletud teemad Iseregulatsioon (käitumise tagajärg mõjutab käitumist) Nt ekstraverdid satuvad ekstravertsete seltskonda vs eneseregulatsioon (tahtlik, teadlik, eesmärgipärane oma käitumise, tunnete või mõtete mõjutamine) "Iseregulatsiooni" näiteid: ekstravertsuse mõju sotsiaalsele käitumisele; "neurootiline kaskaad" Eneseregulatsiooni küberneetiline mudel (Carver & Scheier) Enesekohaste teadmiste ja eneseteadvuse rolli eneseregulatsioonis- ollakse teadlik oma käitumise põhjustest ja tagajärg. Üritame oma käitumist mõjutada sellele tähelepanu pöörates, midagi teisiti tehes, tulemust ümber mõtestades, muutes teiste arvamust sellest. Eesmärgid ja meta-eneseregulatsioon (sh eesmärkidest loobumine)- eesmärkidest loobumine seotud optimismiga. Eneseregulatsiooni "ressurss" (Baumeister); glükoositeooria ja selle puudused
the only original one on Toompea today. Among other functions, the church served as a burial ground for the rich and the noble. The church also features grave slabs, an oaken Baroque altar by Christian Ackermann and a number of monuments to famous people (e.g. Pontus de la Gardie. Karl Horn and Admiral Adam Johann Krusenstern). The church has also a valuable collection of Baltic- German noblemen's coats of arms, many of them were carved from wood by the famous Tallinn wood carver Christian Ackermann in the 17th century. Nowadays, the church has an Estonian Lutheran congregation and also serves as a concert hall. St. Nicholas' Church. In about 1230, quite a number of German merchants came over to Tallinn from Gotland at the invitation of the Order. They settled down outside the fortress, at the foot of the hill. They erected a chapel among their wooden houses. The church was built against the northern wall of the chapel. It was named after St. Nicholas,
The church suffered in the fire of 1684 and was largely reconstructed. A baroque tower was added in the 18th century and the dated weather-vane (1779) crowning the spire is the only original one on Toompea today. The church has a valuable collection of Baltic German noblemen's coats of arms, since it was the Baltic nobility's parish church. Many of them were carved from wood by the famous Tallinn wood carver Christian Ackermann in the 17th century. Among other functions, the church served as a burial ground for the rich and the noble. The church also features grave slabs, an oaken Baroque altar by Christian Ackermann and a number of monuments to famous people (e.g. Pontus de la Gardie, Karl Horn and Otto Uexküll, all Swedish military leaders; Admiral Samuel Greigh, a hero of Russo-Turkish sea battles; and Admiral Adam Johann Krusenstern, a Baltic German who was the first Russian citizen
• - Miks on autorite arvates ümberlülitumisvõisel (-oskusel) vahel ka ebasoovitavad tulemused? Loengus käsitletud teemad Iseregulatsioon (käitumise tagajärg mõjutab käitumist) vs eneseregulatsioon (tahtlik, teadlik, eesmärgipärane oma käitumise, tunnete või mõtete mõjutamine) “Iseregulatsiooni” näiteid: ekstravertsuse mõju sotsiaalsele käitumisele; “neurootiline kaskaad” Eneseregulatsiooni küberneetiline mudel (Carver & Scheier) Enesekohaste teadmiste ja eneseteadvuse rolli eneseregulatsioonis Eesmärgid ja meta- eneseregulatsioon (sh eesmärkidest loobumine) Eneseregulatsiooni “ressurss” (Baumeister); glükoositeooria ja selle puudused Täidesaatvad funktsioonid (vt Hofmann jt 2012) Mõtete kontroll (sh Wegneri irooniline teooria: vt ka Wegner, 2003 ja Wegner, 2010) Automaatne eneseregulatsioon – eesmärgipärase käitumise automatiseerumine (Bargh)
· ebameeldivate tunnete ja emotsioonidega toimetulekuks · depressiooni leevendamiseks · pinge ja ärevusega toimetulekuks. Inimene tegutseb, et otsida kergendust ja vältida valu ja saada seeläbi tasustatud. Inimene on motiveeritud sellist tegevust kordama (negatiivne kinnitus Toimetulekustrateegiaid võib grupeerida: probleemi lahendamine emotsioonide ja suhete regulatsioon vältimine Stressiga toimetuleku strateegiad: (Carver, Scheier & Weintraub, 1989) Aktiivne toimetulek Planeerimine Emotsionaalne/instrumentaalne sotsiaalne toetus Huumor Uimastite kasutamine Religioon Tunnete väljaelamine/ -näitamine Leppimine Tegevusetus, mittemõtlemine Eitamine Keskendumine positiivsele Uimastite kasutamise ajalugu Emotsionaalse seisundi muutmiseks on läbi aastatuhandete kasutatud looduslikke aineid.
1979 Harvard MBA candidate Daniel Bricklin and programmer Robert Frankston developed VisiCalc, the program that made a business machine of the personal computer, for the Apple II. The Motorola 68000 microprocessor exhibited a processing speed far greater than its contemporaries. In development since 1967, the Stanford Cart successfully crossed a chair-filled room without human intervention in 1979. California Institute of Technology professor Carver Mead and Xerox Corp. computer scientist Lynn Conway wrote a manual of chip design, "Introduction to VLSI Systems." January Xerox president replies to John Ellenby's proposal to market the Alto, turning down his proposal. Microsoft moves its offices from Albuquerque, New Mexico to Bellevue, Washington. Taito first shows the Space Invaders game, in Japan. May Software Arts demonstrates VisiCalc at the 4th West Coast Computer Faire. Dan Bricklin and
and sound pictures of Estonian nature. Such works may or may not have a programme and they belong here because of their genre features. It must be added that the parameters of this trend are flexible, especially in the larger form. Here we meet the works of Heino Eller, reflecting nature and humanity: Twlight, Dawn, The Calls of the Night, In Shadow and Sunshine, Singing Fields, the Suite Light Nights and others. Eller is a filigree carver and he felt most at ease using free forms. The Symphonic Dances of Tamberg also belong here, amazing with their board symphonic development, variants joined with transformations, rich discoveries in timbre with flexible metrics, individual evocative non-functional harmony, which all together transcend the genre limitations. The Three Estonian Dances by Jürisalu belong to this trend, though less developed by its contents but a refined piece of music. Other examples include: Suite on Estonian
annaabi.ee 
