A Farewell to Arms certainly supports such a reading: it is easy to see how Catherine's blissful submission to domesticity, especially at the novel's end, might rankle contemporary readers for whom lines such as "I'm having a child and that makes me contented not to do anything" suggest a bygone era in which a woman's work centered around maintaining a home and filling it with children. Still, even though Catherine's excessive desire to live a lovely life may, at times, make her more archetypal than real, it is unfair to deny her the nuances of her character. Although Catherine alludes to her initial days with Henry as a period when she was slightly "crazy," she seems perfectly aware of the fact that she and Henry are, at first, playing an elaborate game of seduction. Rather than being swept off her feet by Henry's declarations of love, she capably draws the line, telling him when she has had enough for the night or reminding him that their budding love is a lie
refers to young, upper class or upper-midsloane ranger ahndbookdle-class fashion-conscious but conventional young people, living in the more expensive parts of West London. The term was popularised by The Official Sloane Ranger Handbook (1982) written by Peter York and Ann Barr. Sloanes are widely derided and, regardless of whatever educational standing they may have achieved, are generally regarded as dim-witted socialites. Princess Diana, particularly prior to her marriage, was considered the archetypal Sloane. 73. MiddleEnglanders- a characterization of a predominantly middle-class, middle- income section of British society living mainlyin suburban and rural England 74. Direct/ indirect discrimination- • Direct discrimination = someone is treated less favourably on the grounds of their age, sex, race, etc – advertising specifically for a man or for a woman – ‘mature and experienced candidate’ • Indirect discrimination = a rule, requirement or
[15] Other projects under consideration were What a Way to Go! (in which Shirley MacLaine replaced her), Kiss Me, Stupid, a comedy starring Dean Martin and Kim Novak, and a musical version of A Tree Grows In Brooklyn. [15] Before the shooting of Something's Got to Give resumed, Monroe was found dead in her Los Angeles home on the morning of August 5, 1962[36]. She remains one of the 20th century's legendary public figures and archetypal Hollywood movie stars. Marriages and relationships James Dougherty Monroe married James Dougherty on June 19, 1942. In The Secret Happiness of Marilyn Monroe and To Norma Jeane with Love, Jimmie, he claimed they were in love, but dreams of stardom lured her away. In 1953 he wrote a piece called "Marilyn Monroe Was My Wife" for Photoplay, in which he claimed that he left her. In the 2004 documentary Marilyn's Man, Dougherty made three new claims:
pindstruktuur e Saussure lingvistikas kõne vaste), uurib struktuure (langue), kirjanduse `grammatikat kuidas kirjandus toimib kui süsteem, keskendub süsteemi põhielementidele ja nende kombineerimisvõimalustele. Strukturalismi ei huvita, mida tekst tähendab, vaid kuidas tähendus luuakse. Järgnevalt mõnede strukturalistlike kirjandusteooriate tutvustus. Zanrite uurimine > Northrop Frye müüditeooria (archetypal criticism) > zanriteooria, mis seletab Lääne kirjandustraditsiooni struktureerivaid printsiipe, kirjandus kui müüdi teisalduse või nihke vorm. Arhetüüp > korduv kujund, tegelaste tüüp, süzee- või tegevusliin. Frye põhitermin > müüt (Mythoi), selle põhjal neli narratiivimustrit, mis müüte reguleerivad: komöödia, romanss, tragöödia, iroonia/satiir. Narratiivse kujutlusvõime projektsioon a) ideaalse maailma representeerimine b) tegeliku maailma representeerimine
pindstruktuur e Saussure lingvistikas kõne vaste), uurib struktuure (langue), kirjanduse ‘grammatikat kuidas kirjandus toimib kui süsteem, keskendub süsteemi põhielementidele ja nende kombineerimisvõimalustele. Strukturalismi ei huvita, mida tekst tähendab, vaid kuidas tähendus luuakse. Järgnevalt mõnede strukturalistlike kirjandusteooriate tutvustus. Žanrite uurimine > Northrop Frye müüditeooria (archetypal criticism) > žanriteooria, mis seletab Lääne kirjandustraditsiooni struktureerivaid printsiipe, kirjandus kui müüdi teisalduse või nihke vorm. Arhetüüp > korduv kujund, tegelaste tüüp, süzee- või tegevusliin. Frye põhitermin > müüt (Mythoi), selle põhjal neli narratiivimustrit, mis müüte reguleerivad: komöödia, romanss, tragöödia, iroonia/satiir. Narratiivse kujutlusvõime projektsioon a) ideaalse maailma representeerimine b) tegeliku maailma representeerimine
Struktuur > korra loomine maailmas, kirjandusel oluline roll maailma seletamisel Uurib kirjanduse toimimist süsteemina Strukturalismi ei huvita, a) mida tekst tähendab, b) milline on selle väärtus vaid c) kuidas tähendus luuakse. 48.Strukturalistlikke kirjandusteooriaid (narratoloogia, G.Genette, J.Culleri strukturalistlik retseptsiooniteooria) Narratoloogia Zanrite uurimine > Northrop Frye müüditeooria (archetypal criticism) Zanriteooria seletab Lääne kirjandustraditsiooni struktureerivaid printsiipe kirjandus kui müüdi teisalduse või nihke vorm. Arhetüüp > korduv kujund, tegelaste tüüp, süzee- või tegevusliin. Neli narratiivimustrit, mis müüte reguleerivad: komöödia, romanss, tragöödia, iroonia/satiir. Narratiivse kujutlusvõime projektsioon a) ideaalse maailma representeerimine b) tegeliku maailma representeerimine J. Greimas: narratiivi struktuur
and who, like M a d M a x , avoids accepting responsibility for anyone but himself. German culture seems ambivalent about the term "hero." T h e hero has a long tradition of veneration in Germany, but two W o r l d Wars and the legacy of Hitler and the N a z i s have tainted the concept. N a z i s m and German militarism manipulated and distorted the powerful symbols of the hero myth, invoking its passions to en slave, dehumanize, and destroy. Like any archetypal system, like any philosophy or creed, the heroic form can be warped and used with great effect for ill intention. In the p o s t - H i t l e r period the idea of hero has been given a rest as the cul ture re-evaluates itself. Dispassionate, cold-blooded anti-heroes are more in keeping with the current German spirit. A tone of unsentimental realism is more popular at present, although there will always be a strain of romanticism and love of fantasy.
Humanity is destined to go beyond suffering, but not in the way the ego thinks. One of the ego's many erroneous assumptions, one of its many deluded thoughts is “I should not have to suffer.” Sometimes the thought gets transferred to someone close to you: “My child should not have to suffer.” That thought itself lies at the root of suffering. Suffering has a noble purpose: the evolution of consciousness and the burning up of the ego. the man on the Cross is an archetypal image. He is every man and every woman. As long as you resist suffering, it is a slow process because the resistance creates more ego to burn up. When you accept suffering, however, there is an acceleration of that process which is brought about by the fact that you suffer consciously. You can accept suffering for yourself, or you can accept it for someone else, such as your child or parent. In the midst of conscious suffering, there is already the transmutation. The fire of suffering becomes
" The comedy of errors and neglect that constitutes so much of the historiography of cryptology reached a climax of irony when it came to the inventor of the first really acceptable autokey system. It ignored this important contribution and instead named a regressive and elementary cipher for him though he had nothing to do with it. And so strong is the grip of tradition that, despite modern scholarship, the name of Blaise de Vigenere remains firmly attached to what has become the archetypal system of polyalphabetic substitution and probably the most famous cipher system of all time. Vigenere was born in the village of Saint-Pourcain, about halfway between Paris and Marseilles, on April 5, 1523. At 24, he entered the service of the Duke of Nevers, to whose house he remained attached the rest of his life, except for periods at court and as a diplomat. In 1549, at 26, he went to Rome on a two-year diplomatic mission.
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