lowest point. Earlier portions of the story appear later as flashbacks. 4. Catalogs and geneaologies are given. These long lists of objects, places, and people place the finite action of the epic within a broader, universal context. Oftentimes, the poet is also paying homage to the ancestors of audience members. 5. Main characters give extended formal speeches. 6. Use of the epic simile. A standard simile is a comparison using "like" or "as." An epic or Homeric simile is a more involved, ornate comparison, extended in great detail. 7. Heavy use of repetition and stock phrases. The poet repeats passages that consist of several lines in various sections of the epic and uses homeric epithets, short, recurrent phrases used to describe people, places, or things. Both made the poem easier to memorize.
2 Motif - a dominant or recurring idea in an artistic work. Symbol - a thing that represents or stands for something else, especially a material object representing something abstract. Allusion - an expression designed to call something to mind without mentioning it explicitly; an indirect or passing reference. Simile - a figure of speech involving the comparison of one thing with another thing of a different kind, used to make a description more emphatic or vivid (e.g. as brave as a lion ). Metaphor - a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable. Graphon - Intentional violation of the graphical shape of a word (or word combination) used to reflect its pronunciation
image) sustained (developed). semantically classified: better half" = wife) 2. ALLUSION 2. METONYMY metaphorical ("soft smile") 2. PUN 2. SIMILE reference to sth. known to reader; no source indicated. Function & transferred ("sleepless play on w-s
1-priim 2-sekund 3-terts 4-kvart 5-kvint 6-sekst 7-septim 8-oktav 9-noon 10-deetsim(terts üle oktavi) 11-undeetsim(kvart üle oktavi) 12-duodeetsim(kvint üle oktavi) 13-tertsdeetsim(sekst üle oktavi)jne HELI Heliteos ehk HELIND, looja on komponist, kes esmalt loob helindi MÕTTELISEL e MENTAALSEL TASANDIL ja seejärel, et seda kaasinimestele edasi kanda, teeb seda AINELISELE e FÜÜSILISELE tasandile(kehastab) Heli kehastused · Kuuldavad helikujundid · Helikujundite salvestus helikandjal(vinüülplaat) · Nähtavad helitähised(noodid) · Elektrooniliselt kodeeritud signaalid(MP salvestus) Komponist kõlastab oma helikujutlust muusikainstrumendi võnkumisvõimelise elastse keha vahendusel ja salvestada see helikandjale ja fikseerib selle nähtavate helitähistena ehk NOOTIDENA ehk kokkuleppeliste graafiliste tingmärkidena. Nootide esitaja INTERPREET Helilooja muusikalised ideed jõuavad kuulajateni kuues protsessis: 1. helilooja...
genuine novelist. Ezra Pound, an American poet and critic, believes that one hears far too much about Dante's Hell, and far too little about the Purgatorio, and Paradiso. Pound wrote an essay called "Dante" in his book, The Spirit of Romance written in 1952. He explains how Hell is the state of man who has lost the good of his intelligence, a state of man dominated by his passions. (129) Pound believes that Dante's Inferno should be approached with a "sense of irony." His use of simile is carried throughout the Inferno and enhances the effect and meaning of his experience in Hell. While it is natural for man to think of Hell as a place, Pound understands it as a condition of man's mental state in life, continued after death. The tendency to see objects and qualities only in one dimension limiting and drawing the reader away from the true meaning of Dante's journey. Pound sees the Inferno as a satire on man's aimless turmoil and restlessness
Questions 171 Further reading 171 Part IV: The dark side 173 14 Metaphor 175 Overview 175 A philosophical bias 175 The issues, and two simple theories 176 Davidson's causal theory 177 The Naive Simile Theory 179 The Figurative Simile Theory 180 The Pragmatic Theory 183 Metaphor as analogical 187 Summary 189 Questions 190 Further reading 190 Notes 191 Glossary 201
plain one (the fair sex--women) In original periphrasis, the writer expresses his subjective attitude in a new unexpected way (since the day I didn't have any front teeth yet) A periphrasis was an important feature of the Bible and Latin poetry to create elevated style. Simile--a figure of speech that draws comparison between 2 different things in 1 or more aspects. If two similar things are compared, it is not a simile (The moon is like a woman rising from a tomb). Similes have following elements: · like, as, as if (traditional) · negative forms (you are not so unkind as man's ingratitude) · degrees of comparison (he has no more idea of money than a cow) · an adverbial phrase containing prepositional phrase, answering question how (with the quickness of a cat she climbed up) · Certain verbs that imply comparison (he reminded me of a lonely cat, he
sequenced version that autumn. The US version featured a slightly different track listing, adding the aforementioned Bowie version of "Without You I'm Nothing" and the band's cover of Depeche Mode's "I Feel You". The recording spawned additional UK hits such as "Taste in Men" and "Slave to the Wage".[ Placebo encountered resistance from the British music industry upon release of the single "Special K" due to its reference of a ketamine high as a simile for love. The song was released in Australia as a single before eventually being made available in the UK as an EP featuring the B-sides and remixes that would have filled out a conventional two-disc single release. At the time the band claimed this was due to dissatisfaction with the two-disc single format, a claim somewhat undermined by their subsequent single releases all being made available in two-CD formats accompanied by a 7" vinyl.
name objects). Traditional periphrasis are not specific (e.g. "one's better half" = wife). In original periphrasis the author expresses his ideas in a new unexpected way. Periphrasis was an important part of the Bible, also of Latin poetry (16 th century) to create elevated style. The excessive use of periphrasis should not be favoured. 2. Simile (Lat. "like") is a figure of speech that draws comparison between 2 different things (e.g. "strange the moon seems: like a woman rising from a tomb." pale and quiet). When objects belonging to the same class are compared then we have comparison, not simile. Similes appear in the following forms (apart from "like / as / as if"): - in negative forms (e.g. "You are not so unkind as man's ingratitude.") - degrees of comparison (e.g
STYLISTIC TERMS: Understatement (nonce-words) Style Zeugma Common Coll. Voc. Stylistics Semantically false chain Special Coll. Voc.: The styl. of lg. Pun Slang The styl. of speech Periphrasis Jargon Denotation Simile Cant Connotation Euphemism Vulgarisms Inherent Personification Professional w. Adherent Bathos Dialectal w. Phonestheme Allusion Rhythm Expressive means Quotation Foot
Inflectional endings retained o Addendum, albumen, apex, area, bacterium/bacteria, cactus, calix, camera, cancer, circus, colossus, complex, data, discus, equilibrium, fauna, flora, formula, fungus, genius, genus, homunculus, honorarium, inertia, interim, latex, locus, medium/media, memorandum, momentum, onus, opera, ovum, pauper, pendulum, peninsula, propaganda, radium, referendum, series, simile, simplex, status, stimulus, terminus, vertigo, victor. Fixed phrases o ad hoc, a posteriori, de facto, de jure, extempore, (ex) post facto, post mortem, quid pro quo, sine die 5. Greek borrowings Christianity – The New Testament, Catholic Church o Abbot, angel, apostle, bishop Everyday words 2
1. OBJECT-ORIENTED PARADIGM The Model •The model defines an abstract view to the problem. This implies that the model focuses only on problem related stuff and that you try to define properties of the problem. These properties include: 1 •the data which are affected and 2 •the operations which are identified by the problem. Object-oriented Paradigm •Everything is an object •A program is a bunch of objects telling each other what to do by sending messages •Each object has its own memory made up of other objects •Every object has a type •All objects of a particular type can receive the same messages Domain Model •A domain model does not represent the entire domain as it is in the real world. It includes only the concepts that are needed to support the application. Object •Is a partitioned area of memory where object code is stored •The area of memory is protected •This code can function relatively independently of othe...
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