kiirguse kontsentreerimiseta paigaldised .Solar panels Pluses: Sustainable; decreasing the burning of fossil fuels for energy, as well as the extraction of mineral resources and related environmental impacts no greenhouse gases; In the air is not greenhouse gases. unlimited resource; The sun is abundant, it is free and inexhaustible resources low maintenance costs; runs silently; Solar power system runs silently. Minuses: Needed during daylight; at night can be used only for the stored energy seasonality; During the winter months are the low efficiency of solar panels high price; relatively high resource costs and the high price expensive; solar panels are expensive and requires specialized labor long payback. long payback period without additional support Päikesepaneelid Plussid:
- The Diamon Necklace incident was that her husband asked jewelers to make a necklace out of diamonds to give it to woman as a thank you and respect sign, but both the woman and the husband died before the necklace was ready, so the next king offered it to Marie Antoinette, who refused, but then there was a man, who was a relative to Marie and he copied her handwriting and sent the letter to the jewelers with a saying that she wants it, but she wants to pay and get it silently so people wouldnt judge her for spending money. Last, when jewelers were tired of waiting the money and the necklace was already sent to "queen" they started to accuse queen for not paying and people didn't believe her that she never wanted it and that she had never even seen it. Although she was considered as spender, she donated lots of money in charity too and she was a great mom, who protected her children like mother lion. 4. There are many legends about Marie Antoinette. Mozart
" Bella is surprised, and annoyed, when she realizes Jacob is taking her to Charlie's house instead of to Edward's, where she'd hoped to have Carlisle look at her hand. Jacob offers to drive her to the hospital, but she refuses. Once at the Swan home, Bella tells Jacob to go home. He of course follows her inside anyway, where Charlie asks what the fuss is about. Jacob explains without reservation. Charlie responds only with pleasure over Jacob's actions. This irritates Bella. She silently gets herself some ice for her hand, and dials Edward on the phone. Bella tells Edward what happened. Edward speeds over to the Swan home at once, while Charlie worries that perhaps Jacob should leave beforehand. Jacob chooses to stay, completely at ease. When Edward arrives, his first concern is only for Bella's hand. He examines it and affirms that it is most likely broken. He attempts to confront Jacob, but Charlie steps in quickly, afraid of a fight
LEXICAL STYLISTIC DEVICES Based on: interaction of lexical and interaction of denotational interaction of primary circumlocution other cases contextual meaning and emotional meaning and secondary meaning 1. EPITHET 1. METAPHOR indicates individual 1. ZEUGMA 1. PERIPHRASIS 1. BATHOS based on similarity of 2 evaluation of sth. Logical "to join" w-d is use of longer spoiling the lofty effect. Function notions, hidden comparison at...
Kemmerich is very near death. He is saddened by the fact that he will never become a head forester, as he had hoped. Paul attends Kemmerich's death throes. He lies next to his friend to try to comfort him, assuring him that he will get well and return home. Kemmerich knows that his leg is gone, and Paul tries to cheer him with talk about the advances in the construction of artificial limbs. Kemmerich tells Paul to give his boots to Müller. Kemmerich begins to cry silently and refuses to respond to Paul's attempts at conversation. Paul goes to find the doctor, who refuses to come. When Paul returns to Kemmerich's bedside, Kemmerich is already dead. His body is immediately taken from the bed to clear room for another wounded soldier. Paul takes Kemmerich's boots to Müller. Summary A group of new recruits arrives to reinforce the decimated company, making Paul and his friends feel like grizzled veterans. More than twenty of the reinforcements for the Second
1. STYLE The term "style" is polysemantic (has many meanings): a Latin word "stilus" originally meant a writing instrument used by ancient people. Already in classical Latin the meaning was extended to denote the manner of expressing one's ideas in written or oral form. Jonathan Swift defined style as "proper words in proper places". In present day English the word "style" is used in about a dozen of principle meanings: 1. the characteristic manner in which a writer expresses his/her ideas (e.g. style of Byron) 2. the manner of expressing ideas, characteristic of a literary movement or period 3. the use of language typical of a literary genre (e.g. the style of a comedy, drama, novel). 4. the selective use of language that depends on spheres / areas of human activity (e.g. style of fiction, scientific prose, newspapers, business correspondence, etc.). STYLISTICS Stylistics is the study of s...
job. Karenin is angry with himself for forgiving them, and he calls the divorce off. Stiva, who is worried about his sister, begs Karenin to give Anna the divorce, and Karenin grudgingly agrees. Betsy goes to tell Vronsky the news. Vronsky is overjoyed that Anna is finally his. The two decide to move to Italy together. Anna refuses Karenin's offer of divorce, because it would deny her custody of Seriozha. "'Oh, why didn't I die? It would have been better!' she said, and tears flowed silently down both her cheeks; but she tried to smile so as not to hurt him." The threat of death makes Anna remorseful, Karenin forgiving and Vronsky deeply ashamed. Once Anna improves, moods begin to shift again, as Kitty is now pregnant. "In spite of death, he felt the need for life and love. He felt that love saved him from despair, and that this love, under the threat of despair, had become still stronger and purer. The one mystery of death, still
I slept dreamlessly that night, exhausted from beginning my day so early, and sleeping so poorly the night before. I woke, for the second time since arriving in Forks, to the bright yellow light of a sunny day. I skipped to the window, stunned to see that there was hardly a cloud in the sky, and those there were just fleecy little white puffs that couldn't possibly be carrying any rain. I opened the window -- surprised when it opened silently, without sticking, not having opened it in who knows how many years -- and sucked in the relatively dry air. It was nearly warm and hardly windy at all. My blood was electric in my veins. Charlie was finishing breakfast when I came downstairs, and he picked up on my mood immediately. "Nice day out," he commented. "Yes," I agreed with a grin. He smiled back, his brown eyes crinkling around the edges. When Charlie smiled, it was easier to see
g. "soft smile") and transferred elements (the quality of one thing is transferred to its nearest neighbour (e.g. "He was tossing on the sleepless pillow." actually he was sleepless and not the pillow; "He shrewd his indifferent shoulders."; "He raised an interested hand."). 2. Oxymoron is a combination of two words (attributive and adverbial), the meaning of which clash (e.g.: living corpse, calm nervous laughter, shout silently. Other patterns are less frequent: doomed to liberty). If repeated frequently, an oxymoron may lose its stylistic quality and become a colloquial phrase (e.g. awfully nice). The function of oxymoron is to stress, to bring out contradictory notions (e.g. an old young man). 3. Hyperbole is used to evoke an emotional response, irony, humor. Hyperbole is an exaggeration not to be taken literally
immediately abolish slavery. Stowe was invited to antislavery rallies, where she hid behind Victorian propriety and had her husband or her brother present comments on her behalf. Queen Victoria was eager to meet the famous author, but was urged by advisors not to receive such a controversial figure. Instead, as Stowe's sister Mary related in a letter, the Queen arranged to pass Stowe's carriage on the road, so the two women could silently nod to each other. Stowe's three European tours brought her similar acclaim. She was welcomed by expatriot American writers in Italy and forged long term friendships. The power of her celebrity and influence made other social reform groups appeal for her support. Sometimes she agreed, as when she contributed editorials to the New York newspaper, The Independent, or sent items to antislavery fundraising fairs. Other times she declined, as when she refused Elizabeth Cady Stanton and Susan B
But hes passivity can be partly explained by war time experiences. He becomes unstuck in time. Ofcourse it is the war that has injured billy and war keeps interfering in his post life. War has not ended for billy. Billy's son is taking part of vietnam war. There are tanks in the negro ghetto. Tanks, as sa symbol of war. Sirens go off all the time, symbol of war, danger. War is not over for him. Billy becomes fairly succesful businessman but he is not happy. When he is alone, he weeps silently. The same time billy contines to time travel. Vonnegut adds a fantastic element to the novel. His time travel is a symbol of billys discontent, he is not happy at all. Goes to Tralfamadore, being kidnapped by aliens, lives in a zoo. The inhabitants can observe him. He uses the planet of Tralfamadore to show the planet where the technological revolution is over, technology has won. Because once a long time ago Tralfamadore was inhabitant by humans who had their
In its best movements, the composer is uniquely individual. The First Symphony belongs to the treasury of Estonian classical symphonic music. Paying homage to Aavik, Mrs. Juta Kurman stated at the festive concert meeting in the New York Estonian House in January, 1979: Aavik’s music has its own profile, it is clear and elegiac, trying to offer a harmonious language among the restless extremes of the present time, consoling the soul but, first of all, giving aesthetic enjoyment. The silently idealistic mentality of Aavik does not need to be in originality, offering neither great drama, innovating dissonant revolution nor discovering novel idioms. The eloquence of his music is obtained from our homeland’s nature and people, from the heritage of our forefathers, from prayers and dreams. This is the musical speech of the composer called the Senior Bard.1 Another émigré in 1944 was Kaljo Raid (1921-2005), who had just graduated
"Stop it." "Don't. Please. You don't have to do that." His glare stilled my frantic movements. "Do you think I feel differently about your body than you do mine?" he asked harshly. "I want you, Eva." I licked my dry lips, so crazily turned on by his animal need that I couldn't form a single word. He growled softly and dove for the slick flesh between my legs. His tongue pushed into me, licking and parting the sensitive tissues. My hips churned restlessly, my body silently begging for more. It felt so good I could've wept. "God, Eva. I've wanted my mouth on your cunt every day since I met you." As the velvet softness of his tongue flickered over my swollen clit, my head pressed hard into the pillow. "Yes. Like that. Make me come." He did, with the gentlest of suction and a hard lick. I writhed as the orgasm jolted through me, my core tensing violently, my limbs shaking. His tongue thrust into my sex as it convulsed, rippling
surface layer of reality, less than the tip of an iceberg. Underneath the surface appearance, everything is not only connected with everything else, but also with the Source of all life out of which it came. Even a stone, and more easily a flower or a bird, could show you the way back to God, to the Source, to yourself. When you look at it or hold it and let it be without imposing a word or mental label on it, a sense of awe, of wonder, arises within you. Its essence silently communicates itself to you and reflects your own essence back to you. This is what great artists sense and succeed in conveying in their art. Van Gogh didn’t say: “That’s just an old chair.” He looked, and looked, and looked. He sensed the Beingness of the chair. Then he sat in front of the canvas and took up the brush. The chair itself would have sold for the equivalent of a few dollars. The painting of that same chair today would fetch in excess of $25 million.
Elizabeth was glad to be taken to her immediately; and Jane, who had only been withheld by the fear of giving alarm or inconvenience from expressing in her note how much she longed for such a visit, was delighted at her entrance. She was not equal, however, to much conversation, and when Miss Bingley left them together, could attempt little besides expressions of gratitude for the extraordinary kindness she was treated with. Elizabeth silently attended her. When breakfast was over they were joined by the sisters; and Elizabeth began to like them herself, when she saw how much affection and solicitude they showed for Jane. The apothecary came, and having examined his patient, said, as might be supposed, that she had caught a violent cold, and that they must endeavour to get the better of it; advised her to return to bed, and promised her some draughts. The advice was followed readily, for the
what the passengers felt by immersing you in the Titanic world for so long. In this cynical, jaded time, it takes courage to be so nakedly emotional, for both the filmmaker and the audience. Movies like Titanic, The English Patient, Braveheart, Dances with Wolves, and Glory are taking a big risk in being sentimental on a grand scale. T h e darkness of the theatre offers the audience some protection — they can cry silently and few will witness their emotional vulnerability. But the filmmakers must expose emotions in public, under the full light of a cynical society, and deserve some respect for this act of courage. IN T H E WAKE OF TITANIC W h a t will be the long-term effect of Titanic on the movie industry? Its success shows that the big gamble sometimes pays off. Big production values generally do pay off
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