Educational-haridus Exciting-põnev Fantastic-fantastiline* Fascinating-paeluv Funny-naljakas* Hilarious-lõbus Imaginative-kujutlusvõime Interesting-huvitav* Outstanding-väljapaistev Romantic-romantiline* Scary-õudne/hirmutav* Case- tagaajamine Violently- vägivaldselt Cab-takso Slippers- sussid Test tube- katseklaas Astonished-üllatunud Whisper-sosistama Convinced-veendunud Mutter-podisema Destroy-hävitama Rather nervous-üpris närvis Watch-käekell* Rush-kiirustama Horrid-kohutav Eccentric-ekstsentrik Passing cab-mööduv takso Gentelman-härrasmees* Incredibly excited-uskumatult põnevil Anarchist-anarhist Forging-võltsima Contents of the tube-tuubi sisu Water supply-veevarustus Drops of liquid-vedeliku tilguad Remaining drops-ülejäänud (tilgad) Hairs-Karvad(juuksed)* Handsome-nägus Charming-võluv,lummav Candy vendor-kommimüüja Stage-etapp During the performance-etenduse ajal Tram fare-trammi piletihind A fair chance-õiglane võimalus
Perhaps Lady Catherine is one of the characters in the book through whom the reader gets the greatest gist of how important class was in everyday life of the 19 th century people. During a conversation with Elizabeth Bennet Mr. Collins advises her not to fret about her appearance before visiting her ladyship. "Lady Catherine will not think the worse of you for being simply dressed. She likes to have the distinction of rank preserved." However horrid for some aristocrats marriage between the wealthy and the poor appeared, middle class mothers seemed to cherish it as a life goal. Mrs. Bennet is the best [Type here] example to prove that statement. She did not seem to care about the rich candidates' personality or behaviour, all that concerned her was his fortune. When a gentleman, Mr. Bingley, is said to be moving into the neighbourhood she immediately runs to her husband,
The author cites infants' breeding as an example for improving the economical conditions, finding the proposal "a fair, cheap and easy method of making these children sound and useful members of the common-wealth" (52). He says that because many women in those times had no any material capabilities to raise children and provide for them. The proposal, in his opinion, will make the babies "beneficial to the public" and "prevent those voluntary abortions, and that horrid practice of women murdering their bastard children. Alas! Too frequent among us, sacrificing the poor innocent babies" as well (54). Children are not representing anything, but a hot commodity there. Especially my attention was struck by the fact that the author incorporates a settlement system, when he calculates the costs for rearing and profit from the sale of poor women' babies. According to Swift, "a child just dropped from its dam may be
want crops without plowing up the ground, they want rain without thunder and lightning. They want the ocean without the roar of its many waters." · "To make a contented slave it is necessary to make a thoughtless one. It is necessary to darken the moral and mental vision and, as far as possible, to annihilate the power of reason." · "I assert most unhesitatingly, that the religion of the South is a mere covering for the most horrid crimes - a justifier of the most appalling barbarity, a sanctifier of the most hateful frauds, and a dark shelter under which the darkest, foulest, grossest, and most infernal deeds of slaveholders find the strongest protection." · "Without struggle, there is no progress." · "[Lincoln was] the first great man that I talked with in the United States freely who in no single instance reminded me of the difference between himself and
Desdemona decides she will go with him and they leave to prepare for their journey. After the clearing of the stage, Iago and Roderigo once again discuss Roderigo’s failed attempts to woo Desdemona. Iago assures him that hope is not lost and repeatedly convinces him that he should follow her to Cyprus, coldly declaring that love is not as powerful as Roderigo’s broken heart claims it to be. After Roderigo leaves, Iago delivers a soliloquy on the exact nature of his horrid plans. He describes his plans to take Roderigo’s money and use him, why he hates Othello so much, including his suspicions that he slept with Iago’s wife Emilia. He lays out the entirety of his plan detailing how he will bring Othello to his death, including the ruse to fool Othello into believing Cassio and Desdemona are having an affair. Act 2 Scene 1 The second act shifts scenery to the island nation of Cyprus, inside the Venetian military
For wonders, and his words for oracles. The fellow knows his dupe, and makes the most on't, He fools him with a hundred masks of virtue, Gets money from him all the time by canting, And takes upon himself to carp at us. Even his silly coxcomb of a lackey Makes it his business to instruct us too; He comes with rolling eyes to preach at us, And throws away our ribbons, rouge, and patches. The wretch, the other day, tore up a kerchief That he had found, pressed in the /Golden Legend/, Calling it a horrid crime for us to mingle The devil's finery with holy things. [Footnote 1: Referring to the rebellion called La Fronde, during the minority of Louis XIV.] [Footnote 2: Moliere's note, inserted in the text of all the old editions. It is a curious illustration of the desire for uniformity and dignity of style in dramatic verse of the seventeenth century, that Moliere feels called on to apologize for a touch of realism like this. Indeed, these lines were even omitted when the play was given.]
Bajo el yugo su cuello dobleguen, May your countryside be watered with blood, Tus campiñas con sangre se rieguen, On blood their feet trample. Sobre sangre se estampe su pie. And may your temples, palaces and towers Y tus templos, palacios y torres crumble in horrid crash, Se derrumben con hórrido estruendo, and their ruins exist saying: Y sus ruinas existan diciendo: The fatherland was made of one thousand heroes here. De mil héroes la patria aquí fue. Fatherland, fatherland, your children swear ¡Patria! ¡patria! Tus hijos te juran to exhale their breath in your cause,
But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, And can say nothing; no, not for a king, Upon whose property and most dear life A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat,
I never in my life saw anything more elegant than their dresses. I dare say the lace upon Mrs. Hurst's gown--" Here she was interrupted again. Mr. Bennet protested against any description of finery. She was therefore obliged to seek another branch of the subject, and related, with much bitterness of spirit and some exaggeration, the shocking rudeness of Mr. Darcy. "But I can assure you," she added, "that Lizzy does not lose much by not suiting his fancy; for he is a most disagreeable, horrid man, not at all worth pleasing. So high and so conceited that there was no enduring him! He walked here, and he walked there, fancying himself so very great! Not handsome enough to dance with! I wish you had been there, my dear, to have given him one of your set-downs. I quite detest the man." Chapter 4 When Jane and Elizabeth were alone, the former, who had been cautious in her praise of Mr
Kaks kõige olulisemat kujunduspõhimõtet hiina aias olid tema arvates mitmekesisus ja kontrast (diversity and contrast). Hiina aed koosnes nagu erinevatest stseenidest või meeleoludest, mis üksteisele järgnesid. Neid oli kolme liiki (Hellström 1997): 1. Üllatav ja ootamatu (enchanted). Kummalised taimed, veevulin ja -kohin, kaja - kõik, mis võiks üllatada ja ehmatada pargis kõndijat. 2. Hirmutav (horrid). Järsud kaljud, pimedad koopad, moonutatud kujuga puud, varemed, viletsad hurtsikud, suitsevad sepikojad ja lubjaahjud jne. 3. Sõbralik ja meeldiv (pleasing). Idüll kontrastiks jubedatele stseenidele. Kaunilt kokkusobitatud värvid ja vormid. Põllumajandusmaastik, mida pole tarvis ilustada. Jõed ja järved, mille kallastele võib istutada roose ja muid põõsaid, püsililli, ehitada sildu jms. Õitsevad põõsad täis laulvaid linde, lagendikud
other bolt. The ordeal continues in this way until, finally, the power of the shocks stuns you into near-paralysis. You can no longer cry out, no longer struggle. You can only feel each terrible electric bite. Perhaps, you think, this total inactivity will cause the Teacher to stop. There can be no reason to continue this experiment, but he proceeds relentlessly, calling out the test questions, announcing the horrid shock levels (above 400 volts now), and pulling the levers. What must this man be like, you wonder in confusion. Why doesn't he help me? Why won't he stop? The Power of Authority Pressure For most of us, the previous scenario reads like a bad dream. To recognize how nightmarish it is, though, we should understand that, in most respects, it is real. There was such an experiment-actually, a whole series-run by a psychology pro-
People rewarded this story for giving them the rare chance to feel something. W e are well defended against emotion, and the movie hammers away with shocking effects and strong sentiments until even the most jaded and guarded must feel some reaction, some release of tension. Shots of panicking passengers fighting for lifeboat spaces, of Jack and Rose battling to survive, and of terrified victims falling to their horrid deaths bring the tension to an almost unbearable pitch, and 255 T H E W R I T E R ' S JOURNEY ~ T H I R D EDITION Christopher Vogler yet there must be something rewarding and satisfying about this, for people stayed in their seats and many returned for multiple viewings. T h e y couldn't get enough of the emotions released by this film
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