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FOLKLORE (0)

1 Hindamata
Punktid
l kl o re
Fo
di t i on
r al tra
O
Folk
lo
elem re can
ents c
the , it e ontain r
s e
ever ometim qually c ligious
y e o o
prac day life s mund ncerns r mythi
n
t . a it c
narr ical an Folklore ne tra self wit
io
a d t freq d h
conf tive pa he
es
uent itions o
la c ly tie f
Relig vers ted w kage. It oteric s t he
a it i
any , becaus h myth has of nto on
e it h olog te n e
pert figurati as b y , a b een
ain ve e e n n d
to t
time
is he d story t assume vice
dom no o ha d
inan t of the minant t does that
calle t b
d " beliefs. same st eliefs o not
relig myth Thus a f th
ions " , Ro tus as e
"folk . In by man thos
lo th to relig e
for a re" ha at way day's ion i
l ve b , d s
corre l figurat ecom both "m ominan
s ive n e ca yth" t
struc pond a t a
ture with rrative ch-a
ll
nd
. th e s w term
dom hich do s
inan n
t b ot
elief
Sometimes "folklore" is religious in nature, like
the tales of the Welsh Mabinogion or those found
in Icelandic skaldic poetry. Many of the tales in
the Golden Legend of Jacob de Voragine also
embody folklore elements in a Christian
context, as well as the tales of Old Mr. Brennan.
Examples of such Christian mythology are the
themes woven round Saint George or Saint
Christopher. In this case, the term "folklore" is
being used in a pejorative sense. That is, while
the tales of Odin the Wanderer have a religious
value to the Norse who composed the stories,
because it does not fit into a Christian
configuration it is not considered "religious" by
Christians who may instead refer to it as
"folklore."
Folk
lo
desc re can
r
has ibe a fi be use
g
c
no s d to
the acre urative
Jung d or narr accura
Basi
met a t
hod ian view religiou tive, w ely
pert s hi
ain of anal , which content ch
patt t ys . In
erns o uncon is, it m is but
mind , ins scio ay one
. Th t incts u s ps i nste
com is o r arch y c holo ad
pone may
The
mag nts o etyp gica
ic o r may e s of l
pers , eth f the fa t h
onifi erea ntas not ha e
Thes ca l b t
e f tion of eing ic (such ve
eme o s as
rge lktales inan
i m ate
or
neve from may the
rthe a relig or o b jects
psyc less io m ).
holo u s trad a y
gica s ition not
l issu peak , bu
es. to t
deep
The familiar folktale, "Hansel and
Gretel", is an example of this fine line.
The manifest purpose of the tale may
primarily be one of mundane
instruction regarding forest safety or
secondarily a cautionary tale about
the dangers of famine to large
families, but its latent meaning may
evoke a strong emotional response
due to the widely understood themes
and motifs such as "The Terrible
Mother", "Death," and "Atonement
with the Father."
Ther
e c
psyc a
holo n be
e
well gica b
l sc oth a
depe as ope
to t moral
renc
ndin e nte he w an
telle g u
r, th pon rtainme ork, d
of t e sty the nt as
he l e of th n atur v alue
over audi e e ,
a e n t
Folk ll conte ce me elling, t of the
lo x m h
inter rists g t of th bers, a e ages
Diffe
p e e p n
whe retation nerally erfo d the
re s o resis rma
vers ver poss f t univ ce.
n
ions narr ersa
cont o ible, ative l
e f anal s and
whic xts, rat tellin
gs yz e ,
h of her o
the t i
write en show than p n spe ral
t
rin ci
Sligh
r or
edito the wo t sour fic
r. rk o c
r bia es,
s of
Vlad
imir
of th P
e Fol ropp's
rese k cl
arch tale (192 assic st
text into 8) b udy
s. the e cam Morp
struc Prop e holog
ture p d struct the
b y
has i is c u re as i
been n Russi over
e d
of f
o
s of
Polis a a u lklore
h an translat n fairy t nifor
tran d ot ed in ales m
slati h e r to E . H is
som o la n
e 30 n was i nguage glish, It book
the ss s a
origi years a ued in . The En lian,
revie n ft USA glish
ws a al. It w er the in 1
rese p
arch nd signi as met ublicati 958,
struc o fic b on
tura n folklor antly in y appro of
was l e fl v
base semant and, m uenced ing
gave d on ics. ore later
t he s y T h o g e n e
struc
ture scop ntagma ugh his rally,
disc of e t tic s work
over o t ru ctur
ed th folktal unde
irty e s , r s tand e, it
one o
func f whic t he
tions h h
. e
i n g
l i st en
u fo r
k yo
Than
Vasakule Paremale
FOLKLORE #1 FOLKLORE #2 FOLKLORE #3 FOLKLORE #4 FOLKLORE #5 FOLKLORE #6 FOLKLORE #7 FOLKLORE #8 FOLKLORE #9 FOLKLORE #10 FOLKLORE #11 FOLKLORE #12 FOLKLORE #13
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