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Ilona Jakovlev
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English literature from the Baroque to the Romanticism 1. The Jacobean Masque The development of the cultural scene in England brought about the Jacobean masque. The courtly culture became gradually more distant and isolated from the public. Ben Jonson was to become the poet who would write masques for the court. He would, in his masques, try to represent the idea of kingship as it resided in the Platonic realm, and not its reality. Jonson’s aim was also to be educative. Inigo Jones, Jonson’s collaborator, was the one to revolutionize in the field of visual perception, also adding moving machinery and a manipulation of artificial light to the scenery. Jones also viewed the masque as something to be used in educating people. This idea of art as an educative vehicle soon affected all the different areas of courtly life. Jones’s masque sets, for example, educated the audiences about classical antiquity and classical architecture. Jonson and Jones were the ones who gave the Stuart
ART 1. visuaalne(nägemise kaudu tajutav) kunst-visual arts 2. arhitektuur- architecture 3. esitus(ettekandev)kunst-performing arts 4. skulptuur-sculpture 5. skulptor-sculptor 6. tarbekunst(rakenduskunst)- applied arts 7. vitraaz-stained glass 8. pastell- pastel 9. maastikumaal-landscape 10. portree-portrait 11. portretist(portreekunstnik)- portrait 12. portreemaal-portrait painting 13. viirutamine, viirutamistehnika-streaking 14. emailimine, emailivärviga katmine-enameling ? 15. graveerimine-engraving 16. papp-cardboard 17. elevandiluu-ivory 18. papüürus-papyrus 19. miniatuurkunst, miniatuurmaal-miniature painting 20. lõuend-canvas 21. õlivärvid-oil paints, oil colours 22. meremaal-seascape, marine painting ? 23. värvigamma, koloriit-colour, coulouring ? 24. (joonistamis)süsi-charcoal 25. käsitöö-handicraft 26. keraamika ja pottsepatöö-pottery 27. tikkimine, tikkimistöö-embroidery
Gümnaasium Prague referaat Autor: Klass: Juhendaja: 2010 CONTENTS 1. Contents 2. Introduction 3. Compendium about Prague 4. Important about Czech Republic and Prague 5.-7. History 8. Independence 9. Main sights 10. the Czech Republic 11. List of famous people from Prague 12. Geography 13. Weather and climate 14. Population 15. Culture 2 INTRODUCTION The Czech Republic lies at the heart of Central Europe and at its center is the beautiful and historic city of Prague. With a population of some 1.3 million residents, the city lies on either side of the Vltava River in the middle of Bohemia that is one of the three historic Czech territories; the others being Moravia and Silesia. The city has seven "Chapter Divisions" or districts.
longer entirely accurate. There is certainly a need for up-to-date literature on the subject. The author proposes to create a database that would have a list of all the buildings in the Old Town with a short summary of the history of each building and an explanation why the building is important. 15 References 1. Mäeväli, S. 1986. Architectural and Art Monuments in Tallinn. Tallinn: Perioodika (lk 54, 103-107) 2. Raam, V. 1995. Eesti arhitektuur I. Tallinn: Valgus. (lk 97-111) 3. Tarand, K. 1998. I'd Like to Show You My Town. Tallinn: Remall (lk 48-49) 4. Viirand, T. 2009. Tallinn. Tallinn: Koolibri (lk 68-71) 5. Kivi, A. 1972. Tallinna tänavad. Tallinn: Valgus (lk 62-63) 6. Kuuskemaa, J. 2012. Legends and Tales of Old Tallinn. Tallinn: Aleksandra (lk 103) 7. Väinsalu, K. 2011. A DAY IN TALLINN on Foot and by Bus: Travel Guide. Tallinn: Greif (lk 70-71) 8. Hallas, K., Kodres, K., Kaim, M
1. The Jacobean masque Elizabethan one nation culture, now cultural polarisation between the new courtly culture and the rest of the country. Court in cultural isolation. Ben Jonson. King and courtiers were close to universally recognised ideal types (conflict with the reality). Mysticism. Emergence of perspective view, stage machinery, artificial light, revolution. The stage cast the monarch in the focal point (the lines of perspective of the stage met there. Inigo Jones. Masque an educative vehicle, towards classical antiquity and architecture. Tide towards absolute monarchy. Masque – linked poetry and moral philosophy into art. Music, dance, poetry, lavish illusionistic scenic display to express the doctrines of divine kingship. Great impact. Like gods come down to earth. 2. The Caroline masque Charles decided on subject matter, and acted and danced in masques. Now the regal divinity even more obvious. Ben Jonson. Divine minds of this incomparable pair. Arts role – to
EHITUSTOOTLUSE INSTITUUT Ehitustehnoloogia õppetool Lingikogu- Ehitustehnoloogia ajalugu Kodutöö aines EPT 0011Ehitustehnoloogia Üliõpilane: Matr. nr Juhendaja: prof. Irene Lill Töö esitatud: 27.11.2007 Töö arvestatud: Tallinn, 2007 Sisukord Sisukord................................................................................................................................2 1.Sissejuhatus....................................................................................................................... 3 2.Töö käik.............................................................................................................................3 3.Töö Tulemused..........................................................................
American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
American Art Revision Materials Colonial Period Portraiture. The first typically American paintings were illustrated maps but painting remained scarce during C17. There were 4 reasons: settlers came from backgrounds where art was unusual, Protestant attitudes was averse to imagery and painting, the English were not yet distinguished in visual arts and religious art was non-existent. The colonial period is almost entirely limited to portraiture (deemed as `useful' by settlers). These first paintings were made by limners and artisans without formal training and were based on what was popular in England during the Tudors. The paintings are technically unskilled, strongly patterned, flat and linear. Spanish painting in America was mostly religious. In C18, painting was a luxury and necessitated wealth that had by then become available. Portraitures remained at the forefront because the rich could thusly display their status and because it was less "frivolous" than other forms of pain
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