Words based on repetition and rhyme (e.g. helter skelter, riff raff, etc.) possess humorous and / or ironic overtones. The same applies to rhyming slang, which originates from Cockney (e.g. "joy of my life wife"). The expressiveness of the distorted words is humorous and proper understanding of these words is based on the fixed context (e.g. "I beg your pudding"). The same holds true for unusual shortenings (e.g. "bacon and e."). Phrasal verbs are more expressive than their one-word counterparts and they are colloquial. Nouns converted from such verbs are even more colloquial (e.g. "a car was in a smash-up", "a pick-up", etc.). 6. PHONETIC EXPRESSIVE MEANS AND STYLISTIC DEVICES We distinguish between prosodic means and orchestration of sounds. Prosodic means include such elements of speech as loudness, pitch, acceleration or slowing down the tempo, pauses, stress, etc. In
(a move-away-or-I'll-kick-you attitude) In general, nonce words are very expressive, strikingly new, unexpected. · This is true for words with uncommon structure and those built according to conventional patterns (to eyebrow) · Words based on repetition and rhyme (hoity-toity, riff-raff) · Rhymy slang (wife-joy of life) · Distorted words are humorous. Proper understanding is based on fixed context (I beg your pudding) · Unusual shortenings are also humorous (bacon and e [eggs]) · Phrasal verbs being colloquial become even more expressive and colloquial when they appear as nouns (a walk-up--house with no elevator) 6. Phonetic expressive means Every work of literature is a certain sequence of sounds. Phonostylistics studies phonetic features at the speaker's or writer's disposal to emphasize words. The phonetic arrangement is inseparably linked with the meaning and message. Phonetically we
fresh, striking new. This is true for words of an uncommon structure (see above hyphenated ones) and for words built according to traditional patterns, e.g to Hamletise (don't be too philosophical), Romeo and Julietishness of their affair, to eyebrow (move eyebrow to suggest to leave). Distorted words Are quite humorous, proper understanding of these words is based on the stable-fixed context, e.g I beg your pudding (instead of pardon). Unusual shortenings, e.g to give bacon and e. (eggs), He k.n (knocked) at the door. Phrasal verbs are more expressive than their one-word counterparts and they sound colloquial, e.g to give in (colloquial), to surrender (neutral), turn-up vs to be late Nouns converted from these verbs are even more expressive and colloquial e.g a pin-up (magazine), a walk-up (six-storey houses, no elevator in these). Phonostylistics Phonostylistics studies phonetic features which are at the speaker's writer's disposal to
Words based on repetition and rhyme (e.g. helter skelter, riff raff, etc.) possess humorous and / or ironic overtones. The same applies to rhyming slang, which originates from Cockney (e.g. "joy of my life wife"). The expressiveness of the distorted words is humorous and proper understanding of these words is based on the fixed context (e.g. "I beg your pudding"). The same holds true for unusual shortenings (e.g. "bacon and e.", "He kn. at the door"). Phrasal verbs are more expressive than their one-word counterparts and they are colloquial. But in serious writing you should avoid them (e.g. give in surrender). Nouns converted from such verbs are even more colloquial (e.g. "a car was in a smash- up", "a fall-out", "a pick-up", etc.). PHONETIC EXPRESSIVE MEANS AND STYLISTIC DEVICES
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