Nikolause ja püha Viktori elust. Altar valmis Tallinna Suurgildija Mustpeade vennaskonna tellimusel mõlema gildi vapid on kujutatud kaupmeeste ja meremeeste kaitsepühaku püha Nikolause poolt päästetud laeval. · Maarja altar (nn. Mustpeade altar). Umbes 1495 (Püha Lucia legendi meister ) · Niguliste kiriku peaaltar. 14781481 (Hermen Rode ja Johannes Stenrat) · Passiooni altar (nn. Antoniuse altar). 1510. aastad (Adriaen Isenbrandt, Michel Sittow) · Püha Anna altar. Umbes 1460 (Clawes van der Sittow) · Püha hõimkonna altar. Umbes 1490 (Tundmatu Brüsseli meister) Muud märkimisväärset: · Bernt Notke "Surmatants". 15. sajandi lõpp · Kolgata grupp. Umbes 13601380 · Tallinna Rootsi-Mihkli kiriku ristimiskamber. Umbes 1680 (Christian Ackermann ) · Maarja lühter, nn. seitsmeharuline põrandalühter. Umbes 1519 · Hõbedakamber Kasutatud allikad: http://et.wikipedia
Pärast IIMS toodi siia. Brüsseli püha hõimkonna altar ~1490. - Kappaltar - Valminud Jan Bormani nikerd-altarite töökojas Brüsselis - Keskel Kolgata grupp. Algselt kujutatud püha hõimkonda. Alles vaid 3 originaalinimest. - I Emerantia unenägu - II Püha Anna sünd - III Anna ja Joakini lugu - IV vaestele abi andmas Püha Antoniuse altar koorist vasakul Püha Antoniuse altar ehk Kannatusaltar, 16. sajandi algul Brügge. Adrian Isenbrandt Umbes aastal 1520 teostas Michael Sittow altari tiibade ülemaalingu. Altar asub Niguliste kirikus alates 1525 aastast. Kolmeosaline retaabel kujutab Kristuse kannatuslugu ehk stseene passioonitsüklist vasema tiiva sisekülg - Ristikandmise stseen Parema tiiva sisekülg Kristuse taganutmise stseen kesktahvel ristilöödud Kristus, Maarja, apostel Johannes, Maarja Magdaleena Jeruusalemma vaate taustal. 2 donaatorit esiplaanil hiljem juurde maalitud.
of Herman Rode, master from Lübeck. Paintings on the outer flanks of this double-winged altar depict the life of Saint Nicholas, the central part and the unfolded wings expose over thirty wooden sculptures forming the so-called gallery of saints. The exposition contains also the Altar of St. Mary from 1500; the Altar of the Holy Kin from about 1490, made at Jan Borman's workshop in Brussels; The Altar of Christ's Passion was made at the beginning of the 16th century by the Brugge master Adrian Isenbrandt at the order of the powerful Brotherhood of the Blackheads Guild. The High Altar References: · P o r g a s s a a r, Kristina; A l j a s, Eva-Grete; K u u s k e m a a, Jüri. Tallinn: Medieval capital. Tallinn: PhotoTour · S t. N i c h o l a s' C h u r c h. http://en.wikipedia.org/wiki/St._Nicholas%27_Church,_Tallinn · R e i d l a, Jana. 2006. Tallinn in legends. Tallinn: PhotoTour · T ä h e p õ l d, Kadri. 2005
Only the initial fragment, remained of the original painting with up to 50 figures representing all the medieval social positions, can be seen in the St Nicholas' Church. It is most likely the painter's renewal of an analogous painting in Lübeck dating from 1461, accomplished at the end of the 15th century. The altar of St Anthony or the Altar of Christ's Passion was made at the beginning of the 16th century in the Netherlands by the Brugge master Adrian Isenbrandt and later complemented by Michel Sittow, a Tallinn artist of all-European renown. Also the altar of Mary, made in 1495 by an artist known as the author of the "Lucia Legend", as well as the altar of the Holy Kin (the so-called Brussels altar) from about 1490, made in Jan Borman's workshop of carved altars in Brussels, are displayed in the church. Since the end of year 2002 unique 350 years old decorative screen of Bogislaus Rosen's
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