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"hues" - 7 õppematerjali

American Art Revision Materials
15
docx

American Art Revision Materials

His style was influenced by Cubist structures, Expressionist handling and Surrealist automatism. The foreground and background are constantly interchanged. Subsidiary artists: Franz Kline, Hans Hoffman. Color-Field. Simply composed paintings became prevalent. Paintings appeared as unified optical textures and increased in scale. Various shapes were united into dominant islands, zones and boundless fields of intense and homogenous color. Expanses of bright hues produced unbroken "color fields" and did not stress sequential linear detail and formal diversity. The mood is one of mystic quietude. The transition period from action painting to color-field has been termed "post-painterly abstraction". Chromatic expression reduced to monochromes and rigid geometrics. Exemplary artist. Mark Rothko (mid-C20). He combined Surrealist automatism with human, animal and plant forms into inventive biomorphs. His compositions are soft, luminous and rectangular

Keeled → Inglise keel
1 allalaadimist
US-ART - American Art Revision Materials-I
15
docx

US-ART - American Art Revision Materials, I

His style was influenced by Cubist structures, Expressionist handling and Surrealist automatism. The foreground and background are constantly interchanged. Subsidiary artists: Franz Kline, Hans Hoffman. Color-Field. Simply composed paintings became prevalent. Paintings appeared as unified optical textures and increased in scale. Various shapes were united into dominant islands, zones and boundless fields of intense and homogenous color. Expanses of bright hues produced unbroken "color fields" and did not stress sequential linear detail and formal diversity. The mood is one of mystic quietude. The transition period from action painting to color-field has been termed "post-painterly abstraction". Chromatic expression reduced to monochromes and rigid geometrics. Exemplary artist. Mark Rothko (mid-C20). He combined Surrealist automatism with human, animal and plant forms into inventive biomorphs. His compositions are soft, luminous and rectangular

Keeled → Inglise keel
1 allalaadimist
EXAM - English literature 2
24
doc

EXAM - English literature 2

The reader and poet have to understand how much personal emotion a poem can bear without disturbing the desired balance. Sense of timelessness (relationship between the experience of past and this day). Balance presentation of different emotional states. Both parties are to exercise their judgement. In 17th C retreat to Nature meant retirement from practical business to ideal contemplation. In 18th C turning from ambotion to usefulness. Emphasis on the varied hues of nature. British countryside attuned to the ideals of a new urban bourgeoisie, patriotic, pastoral, classical and sentimental. Winchilsea: A Nocturnal Reverie James Thomson: The Seasons – appreciate colour in the universe, it is scientific and descriptive. To The Memory of Sir Isaac Newton John Denham: Cooper’s Hill – established the exact standard of good writing, obedience to decorum and

Keeled → British literature
23 allalaadimist
Cats
356
docx

Cats

as rich as possible. Green tints and flecks also appear in some hazel brown eyes. The Chinchilla Longhair (Chinchilla Persian) and its shorthaired equivalents are notable for their black-rimmed sea-green eyes. Aqua (blue-green) is found in the Tonkinese which is intermediate in type and colour/pattern between Siamese and Burmese cats. The Siamese has blue eyes while the Burmese has orange eyes. YELLOW, ORANGE/AMBER AND BROWN Yellow varies from a pale lemon to more vivid hues. There is overlap between the yellows and browns (pale hazel or tan) and also between yellows and greens. While the boundary between yellow and green may be fuzzy, there is no mistaking an orange- eyed cat. The colour is often described as coppery. Many of the breeds developed by early cat fanciers in the UK called for orange eyes as the pale greens and yellows were considered undistinguished, while bright orange complemented the coat colour.

Keeled → Inglise keel
6 allalaadimist
Tiit Lauk humanitaar
414
pdf

Tiit Lauk humanitaar

“Polkast rokini 2” 1989), mis vastab täiesti oma pealkirjale, käsitledes lühidalt kõiki tuntu- maid 1980. aastatel tegutsenud leviansambleid. Paaril leheküljel on ka väga üldist teavet seoses meie tolle aja džässmuusikutega, kordustrüki sissejuhatuses käsitletakse lühidalt ja väga pealiskaudselt sõjaeelset aega. Siin esineb mitmeid ebatäpsusi nimede kirjutamisel. 1999. aastal ilmus eesti keeles Joosep Sanga tõlkes Joachim E. Berendti ja Günther Hues- manni “Jazziraamat” – üks Euroopas tunnustatumaid džässi ajaloolisi käsitlusi, mis paistab silma oma erapooletusega protsesside jälgimisel vastupidi enamiku USA uurimuste ameerika- kesksusele. Eesti keeles on ilmunud veel V. Ojakääru eesti levimuusika ajalugu käsitlevad kroonikalaadsed “Vaibunud viiside kaja” (2000) ja “Omad viisid võõras väes” (2003). Need raamatud on ulatusliku kogumistöö tulemus, sisaldades suurel hulgal süstematiseeritud fakti-

Muusika → Muusika ajalugu
13 allalaadimist
ESTONIAN SYMPHONIC MUSIC-THE FIRST CENTURY 1896-1996
278
doc

ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.

In the light of their experimentations and searches, this weighty, fully individual work remained in the shadow. While attention of the young was on what it means to express oneself, Ilves emphasised the importance of what to express. The whole of the First Symphony consists of one movement in Sonata Allegro form. The composer calls it a novel in sounds. The main and subsidiary themes do not seem to be very contrasting, but they are coloured with different hues. The improvisational main theme is like a sad song, in free form: Example 122. Although melodic curves of Estonian folk music can be recognised, the composer does not introduce them deliberately. He treats the themes, form and harmony freely. The bridge sounds improvisational, the tonality is precarious and variable, light and shadows are created by chromatics. Example 123. This is the only theme in a major key, bright and shining at the beginning but

Keeled → Inglise keel
11 allalaadimist
TheCodeBreakers
946
pdf

TheCodeBreakers

Extracting an intelligible message from ciphertext seemed to be exactly the same thing as obtaining knowledge by examining the flight of birds, the location of stars and planets, the length and intersections of lines in the hand, the entrails of sheep, the position of dregs in a teacup. In all of these, the wizard-like operator draws sense from grotesque, unfamiliar, and apparently meaningless signs. He makes known the unknown. All this stained cryptology so deeply with the dark hues of esoterism that some of them still persist, noticeably coloring the public image of cryptology. People still think cryptanalysis mysterious. Book dealers still list cryptology under "occult." And in 1940 the United States conferred upon its Japanese diplomatic cryptanalyses the codename MAGIC. In none of the secret writing thus far was there any sustained cryptanalysis. Occasional cases, yes. But of any science of cryptanalysis, there was nothing. Only cryptography existed

Informaatika → krüptograafia
15 allalaadimist


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