be a very special kind of expression. Advocates of the expressive theory: By showing us how he sees and feels something, the writer may pluck the blinders from our eyes and melt the ice around our heart. An awareness of how other people feel is, after all, a way of expanding and enriching one's own personality. THE AFFECTIVE THEORY A work of art ought to arouse a particular emotion, or affect in the perceiver. An artist expresses his emotion, embodying it in a work of art, and this work evokes in the perceiver a similar or identical emotion. THE AFFECTIVE THEORY Art is a human activity consisting in this, that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are infected by these feelings , and also experience them. (Tolstoi, What is art?) THE AFFECTIVE THEORY Let me for once presume to instruct the times,
Ginsburg: Colen: II Contested reproduction · The idea of the body as a machine firmly established the male body as the prototype of this machine (Martin, 1987, Davis-Floyd: 1990, 1994). · This is seen as a significant departure from the ideas propounded in medical texts from the ancient Greeks up until the eighteenth century that described male and female bodies as fundamentally similar. · Though women had hitherto been conceptualised as embodying the same genitals as men inside their bodies, thus relegating women to `a lesser version of the male body' . · Any deviations from the male prototype became valid grounds for viewing female biology as `abnormal', defective and as untenable as nature itself, thus in need of manipulation by man. · The demise of the midwife and the rise of male-attended mechanically manipulated birth followed close on the heels of the wide cultural acceptance of the female body as a defective machine.
In the US, the growing presence of Spanish-speaking Bilingualism is official in Canada. people makes it an increasingly visible public issue. Mosaic associations with the windows of medieval Melting pot evoking images of steel plants. Dynamic catherdrals. Points to the past, to the beauty and stability and future oriented. Suggesting the value of the process of tradition. While not exactly embodying hierarchy, and what is yet to come, rather than stasis and what has certainly suggests the importance of boundaries. been. In America, the role of government is seen as enabling/not getting in the way of: "Life, Liberty and the Pursuit of Happiness". In Canada, the role is often described as: "Peace, Order and Good Government". This doesn't always happen, in either nation, but that is the mentality
while being educated in institutions that often invest their financial weight in the most irresponsible things. The lessons being taught are those of hypocrisy and ultimately despair. Students learn, without anyone ever saying it, that they are helpless to overcome the frightening gap between ideals and reality. What is desperately needed are faculty and administrators who provide role models of integrity, care, thoughtfulness, and institutions that are capable of embodying ideals wholly and completely in all of their operations. Finally, I would like to propose that the way learning occurs is as important as the content of particular courses. Process is important for learning. Courses taught as lecture courses tend to induce passivity. Indoor classes create the illusion that learning only occurs inside four walls isolated from what students call without apparent irony the "real world." Dissecting frogs in biology classes teaches
setting ○ The people, in Estonian case ○ Partly captured in legislation ● There are many ways to think of the function ○ Business process analysis, use case analysis etc. Form of a country What is a country? Three main categories of form ● Peopleware ○ How are the people embodying the country organised? ○ Administrative setup, business processes ○ Organisational entities and their roles ● Software ○ The obvious bureaucracy automation ○ But also email servers, sensor networks etc. ● Hardware ○ The physical artefacts supporting the first two
matter, in which case you gave all you got including your life. And it is this that brings me to the next Capitalist Nigger edict. A Capitalist Nigger must develop the “Warrior” mentality. You must become the predator because for too long we have put ourselves out there as the victim. We cannot continue to allow others to prey on us. As I have said several times, there is no higher calling than developing and embodying the same “killer-instinct” and “devil-may-care” conviction of the average Caucasian – it definitely makes risk taking a lot easier. You see, the pendant of the African (Black) race to risk-aversion is legendary. We prefer the status-quo. The race is the most hospitable that has ever lived in this whole world. At the drop of a hat, we are liable to give up our goals. We are the most loyal; we are loyal to our friends, especially if they happen to
Using Seal Point Siamese and Sable Burmese and cross- breeding their offspring, he produced chocolate brown cats with darker points and claimed to have bred pure "Golden Siamese" for 5 generations. Having proven his point, he stopped breeding, though his cats were popular with pet buyers. In the 1960s and 1970s, the Tonkinese was revived in Canada and the USA by crossing Siamese with Burmese in spite of opposition from breeders of both Siamese and Burmese who viewed them as embodying everything they were trying to breed out of those two breeds. In the mid 1960s, Jane Barletta of New Jersey switched from the increasingly extreme Siamese to breeding the more moderate Tonkinese. At about the same time, Margaret Conroy in Canada bred a female Burmese to a Seal point Siamese as she was unable to find a suitable Burmese stud in her locality. Her tan-bodies cats bred true for 5 generations and were dubbed Tonkanese (with an "a")
collective consciousness of humanity? Millions of people, particularly in medieval times, would not have related to it as deeply as they did if something within themselves had not resonated with it, if they had not unconsciously recognized it as an outer representation of their own inner reality – the pain-body. They were not yet conscious enough to recognize it directly within themselves, but it was the beginning of their becoming aware of it. Christ can be seen as the archetypal human, embodying both the pain and the possibility of transcendence. HOW THE PAIN-BODY RENEWS ITSELF The pain-body is a semi-autonomous energy form that lives within most human beings, an entity made up of emotion. It has its own primitive intelligence, not unlike a cunning animal, and its intelligence is directed primarily at survival. Like all life-forms, it periodically needs to feed – to take in new energy – and the food it requires to replenish itself consists of
pilgrimages deep into the belly of the earth, and must have performed some rituals in which they played the parts of the animals they hunted or the forces of nature that they perceived around them. T h r o u g h these rituals, the beginnings of storytelling and drama, they must have tried to master or appease these powers. Joseph Campbell recognized one figure from the cave paintings with his antlered costume as a shaman, a go-between, embodying the spirit of the animals his people depended on for life. A physical catharsis or emotional reaction is hard to avoid when going into a deep cave, even today. If you go as they went, long ago, with only fitful candles to light your way down the narrow tunnels, you can't help but feel the weight of the earth and imagine the forces and beings that might be lurking there in the endless darkness just outside the glow of your flame. There is still a sense of wonder when
annaabi.ee 
