Juriy Sillart, Lembit Ulfsack and others) worked on a stage of Russian theatre. The theatre puts about 8-10 premieres per year. A building of theatre is located in the center of Tallinn. F.Skuinsh constructed it in 1926 first as the cinema. And up to now it keeps magnificent glamour of an interior. In one of theatre halls takes place the art gallery, which carries exhibitions of Russian and Estonian artist. Performances of famous collectives from Russia and other countries often took place in building of theater. The auditorium (an orchestra and a balcony) is designed for 661 places. The mirror foyer is also used as a hall for creative meetings, presentations (about 70 places). In Pink foyer on the second floor the cozy theatrical bar is located. During performances it serves spectators. 5
" The impetus for the group home or collective they hope to form is less about finances -- though it is true that pooling resources yields better real estate -- and more about community building. Indeed, Ms. Berger and others seem to share the ideals of the old- fashioned communes of yore, except that their groups are tiny, urban-centric and linked to outside interests like fixing bikes or, here in New York City, membership in the Park Slope food co-op. And like communes, many collectives give themselves names: The House of Tiny Egos (a name that's decidedly more evocative than, say, Findhorn, that of the hoary Scottish commune) is a five-person collective in a century-old brick bungalow 1 in Bed-Stuy. Not only do they aim to remain of the world, they hope for a convenient location, one that's near all the major subway stops. Are their numbers surging
la Division des politiques linguistiques vis-à-vis des chercheurs, cf. mon « Blog-Notes » en date du 21 juin 2012. En ligne : http://www.christianpuren.com/2012/06/21/enfin-un-vrai-débat-sur-les-orientations-de-la- division-des-politiques-linguistiques-du-conseil-de-l-europe/. 4 J'ajouterai dans ma conclusion le domaine éducationnel ; concrètement, pour ce qui nous intéresse ici, il s'agit des cours de langue-culture étrangère, qui constituent de véritables entreprises collectives où l'enjeu, de même, n'est pas seulement de mieux se connaître et se respecter les uns les autres, ni même de vivre harmonieusement, mais de travailler efficacement ensemble, professeur et apprenants. 5 La méthodologie audiovisuelle n'apparaît pas dans ce tableau parce qu'elle n'a pas développé de composante spécifique de la compétence culturelle. Les premières propositions concernant « l'enseignement
hard they work, how many sacrifices they make. They appear to have gone beyond ego. The question is: Have they truly become free, or has the ego simply shifted from the personal to the collective? A collective ego manifests the same characteristics as the personal ego, such as the need for conflict and enemies, the need for more, the need to be right against others who are wrong, and so on. Sooner or later, the collective will come into conflict with other collectives, because it unconsciously seeks conflict and it needs opposition to define its boundary and thus its identity. Its members will then experience the suffering that inevitably comes in the wake of any ego-motivated action. At that point, they may wake up and realize that their collective has a strong element of insanity. It can be painful at first to suddenly wake up and realize that the collective you had identified with and worked for is actually insane. Some
asju ning tõlgendusi vastavalt sellele ideaalile. Kontseptsioon ,,asi iseeneses" on muidugi hästi tuttav ka Kanti kaudu ning samalaadseid mõtteid võib leida Rudolf Ottolt. Sõna ,,arhetüüp" ise on Jungi sõnul pärit Augustinuselt. Jung kinnitab, et idee ise ei ole temapoolne originaallooming. ,,Ma andsin vaid empiirilise aluspõhja teooriale, mida varem nimetati ürgseteks või elementaarideedeks, ,,kategooriateks" või ,,habitudes directrices de la conscience", ,,representations collectives" jne, kirjutades lahti ning uurides teatud detaile." (JUNG 1977:51) Jung tuletas oma järeldused uurides psühhiaatria patsientide nägemustes esinevaid kujundeid ja tegelasi ning võrreldes neid müütidest, saagadest, religiooniloost ja unenägudest pärineva materjaliga. ,,Isegi unenäod koosnevad väga suurel määral kollektiivsest materjalist, samuti kui erinevate rahvaste mütoloogias ja folklooris korduvad teatud motiivid peaaegu identses vormis. Ma olen
annaabi.ee 
