thematic one. Regan quotes some authors who maintain the view that Larkin’s stylistic effects are based upon a combination of metaphoric (literary) and metonymic (colloquial) language. He, however, can fully accept the method based upon this stylistic distinction only if it analyses poetry in the context of the society in which it was written. Similarly, Regan acknowledges the achievements of what he calls the “symbolist approach”, since it points out the link between Larkin and (both French and English) symbolism. Again, however, he sees it as problematic that this approach tends to view literary trends outside their social context. Instead of the rejected methods, his ambition in the second part of his monograph is to offer “a more responsive and responsible historicist criticism”. Regan does this by pointing out that “here is a complex and distinctive
According to Poe the universe has a mathematical beauty and precision in which one can see the hand of God. Art is man's instrument for making some order out of the chaos of existence. Opposite side of Poe's art is his aestheticism. The purpose of art is pleasure not the truth. The object of poetry is "rhythmical creation of beauty". Informational poetry, poetry of ideas, didactic was illegal according to Poe. Essay "the poetic principal". Principals are mostly symbolist. A poem is just a poem and nothing else, written only for the poem's sake, for the sake of beauty. Poe the prose writer was forced to starts writing shot stories because he was poor. It was a success. Won a competition "MS. Found in a bottle" (MS manuscript). The story is characteristic of his art in general. The opening is almost realistic, becomes weirder and weirder. Closing passages are fantastic. Poe's favourite trajectory. The theme of solitary adventure
realismen för att ge plats åt det mer expressionistiska. Detta blir än tydligare i Ett drömspel. Drömspel gjorde honom världkänd, första modern drama, förnyade dialogen. August Strindbergs lyrik Strindberg utgav under sin livstid tre diktsamlingar: Dikter på vers och prosa (1883), Sömngångarnätter på vakna dagar (1884) och Ordalek och småkonst (1905). August Strindberg porträtterad som naturalist, darwinist och symbolist. Karikatyr av OA (cirka 1900) som visar några av Strindbergs positioner i dåtidens samhällsdebatt. Med sitt genombrott Röda rummet kritiserade och förlöjligade han samhällets etablerade institutioner, med Utopier i verkligheten förespråkade han en anarkism som varken tilltalade socialister eller konservativa och 1910 utlöste han med en debattartikel den så kallade Strindbergsfejden - en hetsig kulturdebatt som varade i ett par år i skuggan av
The film Rahu tänav (Peace Street, 1991), screenplay by Toomas Kall, directed by Roman Baskin, demonstrated the occupation process of the Red Army in 1940. This is a drama about helplessness before foreign brutal forces. As a grotesque “revolutionary” comedy, Minu Leninid (All My Lenins, 1997) of director Hardi Volmer (b.1957) laughs with black humour at the falsity and fallacious ideas of past times. At the international festivals, the existentialist-symbolist drama Georgica (1998), director Sulev Keedus (b. 1957), a search for humanity and eternal values, won wide attention. The documentaries cast light on topics unthinkable during Soviet times (the lives and fate of President Konstantin Päts, statesman and Head of State Jaan Tõnisson, Estonian partisan movement against the communists etc.). Some social problems never touched upon before made an appearance: the gypsies, criminals, political terrorism,
annaabi.ee 
