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"sorrowful" - 6 õppematerjali

Tess of the d urbervilles
1
docx

Tess of the d'urbervilles

D'Urbervilles, because she has to manage to deal with an intrusive young man and because of her lack of experience she ends up being pregnant and alone. This kind of situation was not approved at her time and the villagers turned against her. When the baby was born and after a while died, Tess felt no emotions or feelings. There was nothing to keep her home and so she left in hope to find a place where no one knew of her sorrowful life. When she meets Angel Clare she tries to ignore her love for him, because she feels that this won't end well, but she fails. In the evening of their marriage ceremony Tess tells Angel of her past and after that she is forced to leave and go even further away from her home town. After some time she meets D'Urberville. At first she ignores him, but then has a thought that when living with him Tess could restore her dignity. But in a moment of fury she kills him

Kirjandus → Inglise kirjandus
7 allalaadimist
Inglise keele stilistika
17
doc

Inglise keele stilistika

threat, warning may be expressed by it. A loud voice may indicate various states: familiarity, good-heartedness, a fear to be misunderstood, excitement, etc. Logical stress singles out words primary in the given context: I didn't mean you, I meant everybody. Diapason (pitch) 12 Depends on the state of excitement. It is high when a person is angry or excited and low when one is disappointed, sorrowful, desperate. Tempo The tempo of speech is usually slow when depression, sadness ought to be expressed. Anger, fear, joy and other momentary feelings accelerate it. Stress ( logical, emphatic) Stress which is meant to single out certain words as emotionally important, to point out their hidden or specific meaning is called emphatic or emphasis : I told you he is ´un ´well. (=drunk) Emphatic stress may be signalled graphically by italics, exclamation marks, dots, dashes. It is

Kultuur-Kunst → Stilistika (inglise)
22 allalaadimist
Stilistika materjalid
19
doc

Stilistika materjalid

Phonetically we distinguish between prosodic means and orchestration of sounds. Prosodic means include such phenomena of speech as loudness, pitch, acceleration or slowing down the tempo, pausation, stress and intonation. In this respect, the written text is far from perfect. Much of it can be pronounced differently and so understood differently. The pitch depends on the state of excitement. It is high when one is angry and low when one is disappointed, sorrowful or desperate. The tempo is slow when we feel sadness and it's fast when we feel anger, fear, joy and other momentary feelings. Loudness depends on many factors. Diminished loudness expresses intimacy, shyness, mildness but also threat and warning. A loud voice shows familiarity, a fear to be misunderstood, etc. Stress: · Logical stress--singles out words that are primary in the given context (I didn't mean you, I meant everybody)

Kultuur-Kunst → Stilistika (inglise)
27 allalaadimist
Exami kysimused-vastused
13
doc

Exami kysimused-vastused

In this respect the written text is far from perfect. Much of it can be pronounced differently and therefore understood differently. LOUDNESS: Depends on many factors. Diminished loudness expresses intimacy, mildness, shyness, but also threat and warning. A loud voice may express familiarity, good heartedness, excitement, etc. PITCH: Depends on a state of excitement. It is high when a person is angry/excited; low when disappointed, desperate, sorrowful. TEMPO: The tempo of speech is normally slow with depression or sadness, but anger, fear, joy and other momentary feelings accelerate it. PAUSES: Pauses are chief means of making one's speech emotional. Logical pauses divide the sentence into meaningful parts, which correspond to sense groups and are often marked in text by punctuation. Emotional pauses are introduced to draw attention to the word or phrase that follows and thus emphasize this word or phrase

Kultuur-Kunst → Stilistika (inglise)
44 allalaadimist
ESTONIAN SYMPHONIC MUSIC-THE FIRST CENTURY 1896-1996
278
doc

ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.

Example 34. Solo instruments emphasise the mysterious and dark Sorcerer. The theme of Linda, mother of the hero, follows: it is wistful, crisp and affectionate. It is regrettable that the composer has ignored this beautiful image in the development. The theme of Kalevipoeg appears as a subsidiary subject of exposition, characterised by a romantic aura and softness: Example 35. The hero is portrayed as a sorrowful mild young man. 2 The following short fight between good and evil has no essential dimension. There is neither a brave hero nor an exhibition of any of his vigorous deeds. On the contrary, the Sorcerer does not lose any of his power and capacity for conjuring, until he sinks into the darkness. The tone poem concludes with Kalevipoeg’s death, his forgotten magic sword cuts his legs off, and a funeral march follows. The idea for the overture served as preparation for the ballet 1

Keeled → Inglise keel
11 allalaadimist
Stilistika loeng
31
doc

Stilistika loeng

LOUDNESS: FGI 1081 Stylistics (I. Ladusseva) 10 Depends on many factors. Diminished loudness expresses intimacy, mildness, shyness, but also threat and warning. A loud voice may express familiarity, good heartedness, excitement, etc. PITCH: Depends on a state of excitement. It is high when a person is angry or excited; or low when he is disappointed, desperate, sorrowful. TEMPO: The tempo of speech is normally slow with depression or sadness, but anger, fear, joy and other momentary feelings accelerate it. PAUSES: Pauses are chief means of making one's speech emotional. Logical pauses divide the sentence into meaningful parts, which correspond to sense groups and are often marked in text by punctuation. Emotional pauses are introduced to draw attention to the word or phrase that

Kultuur-Kunst → Stilistika (inglise)
37 allalaadimist


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