The beginning of Aghata It all begun on winterday,when she was sick.Mother didn,t allow her to get out of bed and sugested that she could try writing as her sister Madge does.madge was 11 years older than Aghata and she wrote short stories to newspapers.Sister,s mother was convinced that Aghata can write very good too....even though her stories were rejected from many newspapers.After many rejections,mother sugested to show her writings to one writer,who lived nearby.Aghata got good letters of recommendations,but nothing good happened to her writer career then.She was dissopointed and sad,but many other things happened in her life too. After Aghata,s father,s death,she started to travel a lot with her mother.One very special trip was to Egypt,where she got many friends.She met one army officer Reggie.One special day Reggie made a marriage proposal to Aghata and she agreed
· Eristatakse sensoorset tundlikkust ja vastamiskallet (e. vastamishälvet (response bias). (vastamiskalle ingl k `bias'- tähendab teatud vastuste eelistamist, kuigi stiimuleid pole muudetud) · Avastamiskatses esitatakse osal juhtudel (nt pooltel) stiimuleid, osal aga mitte. Lähtudes statistiliste otsustuste teooriast tekib 2 tüüpi õigeid vastuseid: > tabamused (hits) & >õiged hülgamised (correct rejections); ning 2 tüüpi vigu: >möödalasud (misses) & >valehäired (false alarms) vt joonis! 7. Kuidas antakse edasi aistingu kvaliteeti ning kvantiteeti? Tooge näiteid erinevatest tajumodaalsustest. 8. Kirjeldage välis-, kesk- ja sisekõrva ehitust ja helilainete ülekandemehhanisme. Kuidas toimub helikõrguste eristamine sisekõrvas? Mis mehhanismid aitavad heliallika asukohta tuvastada? Kuidas seletada nähtust, kui lennukis või kõrgel mägedes lähevad kõrvad
signaalide avastamise teooria (100 aastat hiljem) ·Eristatakse sensoorset tundlikkust ja vastamiskallet (e. vastamishälvet (response bias). (vastamiskalle ingl k `bias'- tähendab teatud vastuste eelistamist, kuigi stiimuleid pole muudetud) ·Avastamiskatses esitatakse osal juhtudel (nt pooltel) stiimuleid, osal aga mitte. Lähtudes statistiliste otsustuste teooriast tekib 2 tüüpi õigeid vastuseid: vt joonis! >Tabamused (hits) & >Õiged hülgamised (correct rejections); ning 2 tüüpi vigu: >Möödalasud (misses) & >Valehäired (false alarms) 5. Arvutage õigete eiramiste määr (correct rejection) (%) ja möödalaskude määr (misses) (%) õpilasel A, kui on teada, et õpilane A otsustas valikvastustega testis ei/jah küsimustele vastata teatud süsteemi alusel: nimelt, vastas ta 10 küsimuse korral ,,jah" igale teisele küsimusele, lõpuks oli tal ,,jah" vastuste seas kokku 3 õiget äraarvamist (tabamust, hits), lisaks on teada, et
– Have a clearer, more confident understanding of their identity (who am I?) – Less likely to change opinions and attitudes in the face of persuasion – Positive affect – Positivity bias—rate others more positively Enesehinnangut kisub alla: – Worry more about failure, rejection, and humiliation – Too much desire to succeed – look for ways to avoid failures, rejections, and setbacks Mõõtmisinstrumendid • Mina ja eneseteadvuse erinevaid aspekte mõõtvad skaalad. Näited: – A Collective Self-Esteem Scale: Self-Evaluation of One's Social Identity – Self-evaluation scale – UCLA Loneliness Scale – Subjective Happiness Scale – Beck Depression Inventory – Miller Social Intimacy Scale Leon Festinger (1919-1989) Erving Goffman (1919-1989)
People put a great deal of energy into protecting and hiding these weak and vulnerable spots. But in a fully developed character they will be apparent in the areas where she is touchy, defensive, or a little too confident. T h e wound may never be openly expressed to the audience — it can be a secret between the writer and the character. But it will help give the hero a sense of personal history and realism, for we all bear some scars from past humiliations, rejections, disappointments, abandonments, and failures. M a n y stories are about the journey to heal a wound and to restore a missing piece to a broken psyche. ESTABLISHING W H A T ' S AT STAKE For readers and viewers to be involved in the adventure, to care about the hero, they have to know at an early stage exactly what's at stake. In other words, what does the hero stand to gain or lose in the adventure? W h a t will be the consequences for the
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