opening parties and finishes on the first weekend of October with the Closing Parties. A typical schedule for clubbers going to Ibiza includes waking at noon, early evening naps, late night clubbing, and "disco sunrises". Due to Ibiza's notable tolerance toward misbehavior from young adult tourists, it has acquired the sobriquet "Gomorrah of the Med". Also well-known is Café del Mar, a long-standing bar where many tourists traditionally view the sunset made famous by José Padilla. That and other bars close by have become an increasingly popular venue for club pre- parties after sunset, hosting popular DJ performers. The island's government is trying to encourage a more cultured and quieter tourism scene, passing rules including the closing of all nightclubs by 6 a.m. at the latest, and requiring all new hotels to be 5-star. However, many clubs tend to stay open until 7 or 8 a.m. as 6 a.m. is viewed as an unrealistic time for one to stop partying
October with the Closing Parties. A typical schedule for clubbers going to Ibiza includes waking at noon, early evening naps, late night clubbing, and "disco sunrises". Due to Ibiza's notable tolerance toward misbehavior from young adult tourists, it has acquired the sobriquet "Gomorrah of the Med". Also wellknown is Café del Mar, a longstanding bar where many tourists traditionally view the sunset made famous by José Padilla. That and other bars close by have become an increasingly popular venue for club preparties after sunset, hosting popular DJ performers. The island's government is trying to encourage a more cultured and quieter tourism scene, passing rules including the closing of all nightclubs by 6 a.m. at the latest, and requiring all new hotels to be 5star. However, many clubs tend to stay open until 7 or 8 a.m. as 6 a.m. is viewed as an unrealistic time for one to stop partying
THE Estonian Dance Orchestra. Kõnelus orkestri juhi Victor Compega. Mees, kes on insener, maestro ja helilooja. 1931. – Raadioleht, 26.07. TIRRO, F. 1977. JAZZ a history. New York: Norton & Company. TOMBERG, I. 1977. Kui Muusad pidid vaikima. Tallinn: Eesti Raamat. TOMSON, M. 2008. Kriitika väärtushinnangud ja tõekspidamised 1930. aastate eestikeelse kontserdikriitika põhjal. (Käsikiri autori valduses). TOOM, K. 1981. Kunstiansamblite päevik. Tallinn: Eesti Raamat. TORVINEN, J., PADILLA, A. (toim). 2005. Musiikin filosofia ja estetiikka. Kirjoituksia taiteen ja populaarin merkityksistä. Helsinki: Yliopistopaino. TÕNURIST, I. 1996. Pillid ja pillimäng eesti külas. Tallinn: Teaduste Akadeemia Kirjastus. UUED muusikariistad kookospähkel ja banaan. – Rahvaleht, 1932, 5.11. UUS tants “Eesti valss”. – Päevaleht, 1932, 15.10. UZKURAITIS, D. 1996. Lithuania before & after Ganelin. – Jazz Changes, Vol. 3, 2, 12–13. VAHTER, A. (koost). 1975. Eesti Muusika II
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