for a night's simple pleasures. But an active sex drive does not explain why Henry returns to Catherine--why he continues to swear his love even after Catherine insists that he stop playing. In his fondness for Catherine, Henry reveals a vulnerability usually hidden by his stoicism and masculinity. The quality of the language that Henry uses to describe Catherine's hair and her presence in bed testifies to the genuine depth of his feelings for her. Furthermore, because he allows Henry to narrate the book, Hemingway is able to suffuse the entire novel with the power and pathos of an elegy: A Farewell to Arms, which Henry narrates after Catherine's death, confirms his love and his loss. Catherine Barkley - Much has been written regarding Hemingway's portrayal of female characters. With the advent of feminist criticism, readers have become more vocal about their dissatisfaction with Hemingway's depictions of women, which, according to critics such as Leslie A
83. поставить to put, place, set ставить/поставить 84. встать to get up, rise, stand up вставать/встать 85. играть to play играть/поиграть 86. следовать to follow, come next следовать/ последовать 87. рассказать to tell, narrate рассказывать/ рассказать 88. спать to sleep спать/поспать 89. оставить to leave, abandon оставлять/оставить 90. войти to enter, come in входить/войти 91. молчать to keep silence молчать/замолчать 92
Guards officer named Narumov. Among the assembled guests is a young officer of engineers, Hermann, who is of German origin, and who never gambles, but observes the play keenly. Tomsky, another member of the company, remarks that his octogenarian grandmother, the Countess Anna Fedotovna, also does not "punt" despite the circumstances of an anecdote, which (summarised as follows) he then proceeds to narrate: Sixty years before (i.e. about 1770) the Countess was the rage of Paris, known there as la Vénus moscovite. Having lost a considerable sum at cards (at the game of faro) to the Duke of Orleans, Literary Encyclopedia: Pikovaia dama 10/20/2007 07:09 PM http://www.litencyc.com/php/sworks.php?rec=true&UID=11210 Page 2 of 3 moscovite. Having lost a considerable sum at cards (at the game of faro) to the Duke of Orleans, which her husband refused to cover, she faced financial and social ruin
notion of marginal utility. (A) investigation (B) concept (C) effectiveness (D) opposition 4. In deep water, tidal waves are so long and so slight that ships seldom notice their presence. (A) suspect (B) relate (C) record (D) observe 5. The human adult heart is normally the size of a clenched fist and weighs about 300 grams. (A) roughly (B) actually (C) scarcely (D) typically LESSON 20 accentuate disguise finance initiate innovative narrate nevertheless occasionally omit outlandish overcome partially pass portray submit accentuate v. to highlight; to give more importance to adj. accentuated Syn. emphasize n. accentuation The colorful dress accentuated the joy of the occasion. The supervisor accentuated her preference for hard-working employees during the performance appraisal. disguise v
developmental period, using a special rating scale. Considering preliminary test results, the speech areas, (narrative skills and syntax) that would be developed, were centered out. After that the child participated in the intensive narrative skills developing program (21 activities). During this period child´s macrostructure and microstructure was enhanced. The aim of present study was to find out if and how a short developmental period of narrative skills influences childs ability to narrate. Analysis showed, that both, macrostructure and microstructure, produced by child as well as the length of sentences, increased. Key words: child with SLI, teaching narrative skills. Tekstiloomeoskuse õpetamine 5 Sissejuhatus Käesoleva magistritöö teema on autori jaoks oluline nii isiklikult kui tööalaselt. Töö koostaja lapse kõnediagnoosiks on spetsiifiline kõnearengupuue, alakõne 3
inner and outer challenges of life. MAKING AN ENTRANCE How the audience first experiences your hero is another important condition you control as a storyteller. W h a t is he doing the first time we see him, when he makes his entrance? W h a t is he wearing, who is around him, and how do they react to him? W h a t is his attitude, emotion, and goal at the moment? Does he enter alone or join a group, or is he already on stage when the story begins? Does he narrate the story, is it told through the eyes of another character, or is it seen from the objective eye of conventional narrative? Every actor likes to "make an entrance," an important part of building a character's relationship with the audience. Even if a character is written as already on stage when the lights come up, the actor will often make an entrance out of it by how she first impresses an audience with her appearance and behavior. As writers we
its major trends, its great men, its errors made and lessons learned. I have tried in this book to write a serious history of cryptology. It is primarily a report to the public on the important role that cryptology has played, but it may also orient cryptology with regard to its past and alert historians to the sub rosa influence of cryptanalysis. The book seeks to cover the entire history of cryptology. My goal has been twofold: to narrate the development of the various methods of making and breaking codes and ciphers, and to tell how these methods have affected men. When I began this book, I, like other well-informed amateurs, knew about all that had been published on the history of cryptology in books on the subject. How little we really knew! Neither we nor any professionals realized that many valuable articles lurked in scholarly journals, or had induced any
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