savage-looking woman sneaks into her room one night and rips her wedding veil in two. As with previous mysterious events, Mr Rochester attributes the incident to drunkenness on the part of Grace Poole, one of his servants. During the wedding ceremony, Mr. Mason and a lawyer declare that Mr Rochester cannot marry because he is already married to Mr. Mason's sister. Mr Rochester bitterly admits this, explaining that his wife is a violent madwoman whom he keeps locked in the attic, in the care of Grace Poole. When Grace occasionally drinks too much, it gives his wife a chance to escape, and she is the true cause of Thornfield's strange events. Mr. Rochester asks Jane to go with him to the south of France, and live as husband and wife, even though they cannot be married. Refusing to go against her principles, and despite her love for him, Jane leaves Thornfield in the middle of the night.
feministlikke eesmärke. Feministlik teooria on olnud oluline mitmete teooriate arengus, nt, uushistoritsism, postkolonialistlik teooria ja kriitika, eetiline kriitika, ökokriitika. Feministliku kriitika areng 1 ) Naistegelaste analüüs (mees)autorite teostes: Kate Millet "Sexual Politics," (1969), M. Ellmann, "Thinking About Women" (1968) 2) Naiskirjanduse traditsiooni ja naiskirjutuse poeetika uurimine: E. Showalter, A Literature onf Their Own (1977) S. Gilbert ja S. Gubar, Madwoman in the Attic (1979), No Man's Land. Place of the Woman Writer in the Twentieth Century I-III (1988-1994), (Felski "Beyond Feminist Aesthetics" (1989) Écriture féminine, naiskirjutus (Hélène Cixous, "Meduusa naer", 1975), Julia Kristeva, Luce Irigaray 3) Fookus soouuringutel: kuidas soolisus on kirjandustekstides markeeritud, soolisuse roll kirjanduses 4) Erinevused: kuidas rassi, klassi, seksuaalsuse jne erinevuste roll sooliselt markeeritud
Feministlik teooria on olnud oluline mitmete teooriate arengus, nt, uushistoritsism, postkolonialistlik teooria ja kriitika, eetiline kriitika, ökokriitika. Feministliku kriitika areng 1 ) Naistegelaste analüüs (mees)autorite teostes: Kate Millet “Sexual Politics,” (1969), M. Ellmann, “Thinking About Women” (1968) 2) Naiskirjanduse traditsiooni ja naiskirjutuse poeetika uurimine: E. Showalter, A Literature onf Their Own (1977) S. Gilbert ja S. Gubar, Madwoman in the Attic (1979), No Man’s Land. Place of the Woman Writer in the Twentieth Century I-III (1988-1994), (Felski “Beyond Feminist Aesthetics” (1989) Écriture féminine, naiskirjutus (Hélène Cixous, “Meduusa naer”, 1975), Julia Kristeva, Luce Irigaray 3) Fookus soouuringutel: kuidas soolisus on kirjandustekstides markeeritud, soolisuse roll kirjanduses
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