Ta on võtnud sonaati ka muusikat Prokofjevi balletist ,,Romeo ja Julia". Poulenc tegeles ka pianistina. On reisinud mööda Euroopat palju ringi, enamasti koos bariton Pierre Bernaciga, kes tema laule esitas. On kirjutanud klaverimuusikat aastatel 1918- 1959. Sinna kuulub palju erinevaid palu, süite, tsükleid, nt. ,,Villageoises" (Külastseenid 1933) ja kaks sonaati klaveriansamblile. Kokku umbes 30 klaveriteost. · On kirjutanud 3 ooperit: ,,Les Mamelles de Tiresias" 1903, ,,La voix humaine" (Inimese hääl), 1958, ,,Dialogues des Carmelites" (Karmeliitide dialoogid), 1956. Tähtsamad teosed veel: · ,,Rapsodie negre" 1917 · Ballet ,,Las Bisches" 1924 · ,,Kontsert d- mollis" kahele klaverile ja orestrile 1932 · ,,Missa G- duuris" 1937 · ,,Kontsert" orelile, timpanile ja keelpillile 1938 · ,,Klaverikontsert" 1949 · ,,Gloria G- duuris" sopranile, koorile ja orkestrile 1959 Leidsin tema eluloost ka põnevaid fakte. Nt
Ta on võtnud sonaati ka muusikat Prokofjevi balletist ,,Romeo ja Julia". Poulenc tegeles ka pianistina. On reisinud mööda Euroopat palju ringi, enamasti koos bariton Pierre Bernaciga, kes tema laule esitas. On kirjutanud klaverimuusikat aastatel 1918- 1959. Sinna kuulub palju erinevaid palu, süite, tsükleid, nt. ,,Villageoises" (Külastseenid 1933) ja kaks sonaati klaveriansamblile. Kokku umbes 30 klaveriteost. · On kirjutanud 3 ooperit: ,,Les Mamelles de Tiresias" 1903, ,,La voix humaine" (Inimese hääl), 1958, ,,Dialogues des Carmelites" (Karmeliitide dialoogid), 1956. Poulenc vihkas jalutamist. Ta oli gei. On maetud Pere Lachaise surnuaeda. Looming. Vaimulik suurvorm"Litaanid "Mustale Madonnale"" naiskoorile ja orelile. Balletid: "Les Biches" (tellis Sergei Djagilev), "Eeskujulikud loomad". Ooperid: koomiline buffonaad "Teirasiase tissid", "Karmeliitide kahekõned" , "Inimhääl" Vaimulik muusika: "Stabat Mater", "Gloria"
the visual connection of differnet spaces. 1930 Poetic realism-whole film movement that was popular in France 1930. Contradiction, reality can't be poetic. Realism lies in the subject. Subjects are not glamorised. Stories are not about a dishwasher who becomes a star or something. Showed social group, social class. Showed everyday failures and so on in well composed style. Had strong fatalism. His films were very complex. 3 classical films ,,Le grande illusion", ,,La bete humaine", La regle du Jeu". Renoir in the American Studio-system 9 years, 6 films. Feels miserable, films are not commercialy succesful. Had problems dealing with the working method. Return to Europe Went to India. ,,The river". Renoir returned to Europe and started to make movies which reflected more firectly his preoccupation with the theatre. ,,Dr Jekyll and Mr Hyde" Renoir's themes The class differences in French society, the complexityof human nature, racism, war, theatre, identity
objects in everyday life (, nt pepper, plum, butter, wine, cup, dish, chalk, kitchen, street, mile, inch). 2)At the end of 6th cent christianity was introduced. Latin became the language of religion (nt, altar, angels, candle, devil, munk, nun, pope, preest) 3) During the Renaissance mainly abstract nouns and scientific words were borrowed (nt, conception, effect, idea, illusion, medium, necessity, decorate, illuminate, absolute, humaine,immidiate) Old Scandinavian(12-14 cent)England had been constantly invaded(sisse tooma) Norveigns, Danes, Sweeds. Especially strong was Danes influence(nt, anger, fellow, husband, sister; to die, to call, to raise; ill, low, odd, ugly). A typical feature of Scandinavian words is sk(sc) skill, scare, scanty(kasin). French found their way to Engl from the Norman dialect. In 1066 Engl was conqured by the Normans
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