· Mimetic engagements of traditionally narrated novel vs anti-narrative method · Coheret narrative suspense interest vs play of authorial language Postmodernism vs modernism · Modernism: enjoyable artistic embodiment, formal sophistication, art for the elite · Postmodernism interpretataive implications, play, not elitist-do not favour humour 14. Anthony Burgess. A Clockwork Orange as a satiric dystopia. The philosophy of free choice. Burgess's linguistic experiments. Anthony Burgess ,,a clockwork orange".Plot: futuristic super-state: authoritan government, manipulates citizens, passive complacency. By way of opposition: a group of teenagers: taking drugs, involved in violence, robbery, rape, prison, further violence Satiric dystopia: dystopia, negative utopia. UTOPIA-nowhere(t. More). Ideal society. Dystopia- bad, ill place
· A setting in outer space, on other worlds, or involving aliens · Stories that involve technology or scientific principles that contradict known laws of nature · Stories that involve discovery or application of new scientific principles, such as time travel or psionics, or new technology, such as nanotechnology, faster-than-light travel or robots, or of new and different political or social systems (e.g. a dystopia) True Love by Isaac Asimov "True Love" is a science fiction short story by Isaac Asimov. It was first published in the February 1977 issue of American Way magazine and reprinted in the collections The Complete Robot (1982) and Robot Dreams (1986). In his autobiography In Joy Still Felt, the author states that American Way had requested a Valentine's Day story from him for its February 1977 issue, and that he wrote the story to
violations of syntax, etc.; 5) revision of the cultural canon; 6) images of women in classical texts and mythology, fairy-‐tales revisited (Ophelia; Sleeping Beauty, Red Riding Hood); 7) wrote in the new genres of fantasy and dystopia. The feminist literature of the 1960s and 70s often resorted to radicalism and the previous female victim was turned into a terrorist; by the 1980s and onward this changed and feminist literature became more imaginative and complex; a return to
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