opposite of noble). · GC was in a transitional stage into the Renaissance. There is humanity and humanism in his works and it is why he has sympathy for people. · GC decided to break free from Italian and French literature. His vocabulary is very informal, easy, he doesn't use alliteration and his verse is musical. He uses lines of 10 syllables with 5 stresses each. His lines run in rhyming couplets. · GC was a forerunner of the Renaissance. Literature of the 15th century · The barren century · Ethnic groups in England had become a more or less unified nation · Beginning of the English nation, no longer Saxon or French Norman, or Celtic · An earlier consciousness of nationality than elsewhere in Europe · The Hundred Years War 1337-1453 · When the external war was lost, there was the internal war: War of the Roses 1455-
water... Byron) Head rhymes are rather uncommon. It connects the end of a line with the beginning of the next one by similar sound combinations (The sunlight on the garden hardens and grows cold...MacNiece). It may also appear in the form of stringing together lines beginning with the same sound, or syllable, or word (He the strongest of all mortals, he the mightiest among many... Longfellow) According to the arrangement of rhymes in stanzas, rhymes fall into: · Couplets--when two lines are rhythmically linked by the final rhyme (a a) · Cross rhymes--a b a b · Frame rhymes--a b b a · Monorhymes--a a a a a a Blank verse--no rhyme 8. Lexical stylistic devices Lexical stylistic devices are structures in which the meaning becomes primary. 1) SD-s based on the interaction of lexical and contextual meaning. Metaphor--a hidden comparison, achieved by likening one object to another. The word is used in a figurative meaning
- warm, flames - Thames. Eye-rhyme is appreciated by the eye rather than by the ear. Thus, it is a property of the written poem. Internal rhymes occur within a poetic line. Head rhyme is rather uncommon. It connects the end of a line with the beginning of the next one by similar sound combinations. Head rhyme may appear in the form of stringing together lines beginning with the same sound, or syllable, or word. According to the arrangement of rhymes in stanzas, rhymes fall into: 1. couplets - when two lines are rhythmically linked by the final rhyme (marked a a); 2. triple rhymes or triplets (a a a); 3. cross rhymes (a b a b); 4. framing rhymes (a b b a); 5. monorhymes (a a a a ...) 8. LEXICAL STYLISTIC DEVICES (LSD) I. LSD based on the interaction of lexical contextual and meaning 1. Metaphor here lexical and contextual meaning is based on the similarity of two notions and thus metaphor is hidden comparison: one
inner and head rhymes. Inner or internal rhymes occur within a poetic line. Head rhyme is rather uncommon. It connects the end of a line with the beginning of the next one by similar sound combinations. Head rhyme may appear in the form of stringing together lines beginning with the same sound, or syllable, or word. According to the arrangement of rhymes in stanzas, rhymes fall into: 1. couplets - when two lines are rhythmically linked by the final rhyme (marked a a); 2. triple rhymes or triplets (a a a); 3. cross rhymes (a b a b); 4. framing rhymes (a b b a); 5. monorhymes (a a a a ...) The rhyme scheme may assume different patterns, allowing for a delay of the expected rhyme which creates a kind of poetic suspense and stirs the reader emotionally. Rhyme is an essential feature, of classical poetry.
eat a crocodile? I'll do't. Dost thou come here to whine? To outface me with leaping in her grave? Be buried quick with her, and so will I: And, if thou prate of mountains, let them throw Millions of acres on us, till our ground, Singeing his pate against the burning zone, Make Ossa like a wart! Nay, an thou'lt mouth, I'll rant as well as thou. QUEEN GERTRUDE This is mere madness: And thus awhile the fit will work on him; Anon, as patient as the female dove, When that her golden couplets are disclosed, His silence will sit drooping. HAMLET Hear you, sir; What is the reason that you use me thus? I loved you ever: but it is no matter; Let Hercules himself do what he may, The cat will mew and dog will have his day. Exit KING CLAUDIUS I pray you, good Horatio, wait upon him. Exit HORATIO To LAERTES Strengthen your patience in our last night's speech; We'll put the matter to the present push. Good Gertrude, set some watch over your son.
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