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Cambridge University Press, 1998, lk 102-137. 27 6 K. G. Wilson, The Columbia Guide to Standard American English. N.Y., 1993, lk 413. 7 Vt ka E. Veldi, Noah Websteri mõju Ameerika identiteedile. - Favoriit 1995, nr 3. 8 Vt M. Mondiano, Standard English(es) and Educational Practices fo r the World's Lingua Franca. - English Today, Vol. 15, No. 4. Vt Cambridge International Dictionary of English. Ed. P. Procter. Cambridge University Press, 1995, lk 687. 10 R. W. Burchfield, The New Fowler's Modern English Usage. Revised third edition. Oxford University Press, 1998. The Oxford Dictionary for Writers and Editors. Second edition. Ed. R. M. Ritter. Oxford University Press, 2000. Toimetaja märgib eessõnas, et seda sõnaraamatut tuleb kasutada koos järgmiste keeleraamatutega: ,,The Oxford Guide to Style" (ilmub 2001. aasta kevadel); ,,The New Fowler's Modern English" (kolmas, täiendatud trükk, 1998); ,,The
He suggests non-existent or uneasy relations between human figures. He emphasizes light to suggest the time of day. The sense of location is perseveres in his pictures. Thomas Hart Benton (early-C20). He was a proponent of Regionalism. He was disappointed with the lack of narrative content in modernism art. He was influenced by Renaissance art. His paintings exhibit human warmth, energy, power and dynamism. His cultural viewpoint is simplistic. Subsidiary artists: Charles Burchfield, Grant Wood. Social Realism. Social Realism arose as a reaction to the political and economic crisis. This drove artists to seek a new cultural identity. Hopelessness and government sponsorship spurred an art which was primarily concerned with social themes. The process of democratization of the arts resurfaced again after the Civil War. The government employed artists to decorate municipal building, banks and other public edifices. Variations on primitive expression also returned to the fore
He suggests non-existent or uneasy relations between human figures. He emphasizes light to suggest the time of day. The sense of location is perseveres in his pictures. Thomas Hart Benton (early-C20). He was a proponent of Regionalism. He was disappointed with the lack of narrative content in modernism art. He was influenced by Renaissance art. His paintings exhibit human warmth, energy, power and dynamism. His cultural viewpoint is simplistic. Subsidiary artists: Charles Burchfield, Grant Wood. Social Realism. Social Realism arose as a reaction to the political and economic crisis. This drove artists to seek a new cultural identity. Hopelessness and government sponsorship spurred an art which was primarily concerned with social themes. The process of democratization of the arts resurfaced again after the Civil War. The government employed artists to decorate municipal building, banks and other public edifices. Variations on primitive expression also returned to the fore