Overrun f, overlook not notice or look out over Underdo, undercook, underdeveloped, underuse, underestimate, underplay d. Underclass and underline e. Underwrite agree to provide money needed to cover losses. Outdo, outlive, outclass, outrun, outplay c. Outlook attitude or forecast. Outline general shape or general explanation, or show general shape or give general explanation. EX 38 Presence, tolerance, complexity, courtship, persistence, dependence, brevity, craftsmanship, sincerity, anxiety, fragility, resilience, leadership, resonance.
But one part of the story is left out. Some of the men got their hands in elephant dung and concluded that the elephant was just a nasty practical joke.. 110. A fool and his monkey are soon partners. 111. Although the truth is a pathless land a random walk is still not the best way to explore it. 112. Better to be a live rat than a dead captain. 113. Boys will be boys but unfortunately disciplinarians will be disciplinarians. 114. Brevity is the soul of superficiality. 115. Contrary to popular opinion, absolute power is not a prerequisite for absolute corruption. 116. Cream rises to the top but shit floats, too! 117. Do what you love and the money will come after you're dead. 118. Half an oaf is better than one. 119. He who loses is hesitant. 120. If it walks like a duck and squawks like a duck, it imprints like a duck. 121. If you've got demons, make demonade. 122. No wonder they didn't notice
is mainly a matter of rhyme. 8. Limerick is a funny poem of nonsense comprising 5 anapaestic lines, rhyming: a a b b a; with the 3rd and 4th lines shorter than the other 3. 16. RHYTHM IN POETRY AND IN PROSE Rhythm is a concept that applies to any phenomenon or process that is characterized by orderly sequences, by harmonic coordination of different elements. In prose rhythm is defined as "the regular alternation of acceleration and slowing down, of length and brevity, of similar and dissimilar elements". Any written text is rhythmically organized. Rhythm helps to convey a certain mood; it is a potent means of signaling heightened emotions, increased excitement, speed or slowness. Rhythmical parameters do not usually occur together in one poem. There are optional rhythmical elements, which may or may not be resorted to by the author. And there are also obligatory parameters in classical versification, without which no poem exists.
Limerick is a funny poem of nonsense comprising 5 anapaestic lines, rhyming: a a b b a; with the 3rd and 4th lines shorter than the other 3. RHYTHM IN POETRY AND IN PROSE ("Rhythm and Text") Rhythm is a concept that applies to any phenomenon or process that is characterized by orderly sequences, by harmonic coordination of different elements. In prose rhythm is defined as "the regular alternation of acceleration and slowing down, of length and brevity, of similar and dissimilar elements". Any written text is rhythmically organized. Rhythm helps to convey a certain mood; it is a potent means of signaling heightened emotions, increased excitement, speed or slowness. Rhythmical parameters do not usually occur together in one poem. There are optional rhythmical elements, which may or may not be resorted to by the author
5. The history of human thought on the nature of the cosmos offers a number of remarkable lessons. (A) inspiring (B) identical (C) exceptional (D) enlightening LESSON 25 briefly circulate consistently exhibit found improperly impulsively infrequently isolated overtly profoundly sharply situated subsequently unmistakable briefly adv. short, usually in time adj. brief Syn. concisely n. brevity The visiting professor spoke briefly at the faculty meeting. Solar eclipses are brief moments when the Earth and Moon cross the Sun's fixed position in the solar system. circulate v. to cause to move along a fixed path; to adj. circulatory move freely n. circulation Syn. distribute The news of the president's visit circulated quickly throughout the city. A dollar bill remains in circulation for approximately one and a half years.
KING CLAUDIUS It likes us well; And at our more consider'd time well read, Answer, and think upon this business. Meantime we thank you for your well-took labour: Go to your rest; at night we'll feast together: Most welcome home! Exeunt VOLTIMAND and CORNELIUS LORD POLONIUS This business is well ended. My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit, 58 And tediousness the limbs and outward flourishes, I will be brief: your noble son is mad: Mad call I it; for, to define true madness, What is't but to be nothing else but mad? But let that go. QUEEN GERTRUDE More matter, with less art. LORD POLONIUS Madam, I swear I use no art at all. That he is mad, 'tis true: 'tis true 'tis pity; And pity 'tis 'tis true: a foolish figure; But farewell it, for I will use no art.
Cooperation extended to the small Australian communications-intelligence unit and to the unit at Singapore, and Canada assisted in making sure that all got all Japanese intercepts. Among the characteristic features of World War II was the extensive use of codenames to designate important operations or secret projects. Codenames had been used before—the words "tank" and "blimp" themselves derive from World War I codenames—but never so frequently. They aimed both at security and brevity: obviously it was easier to say "Operation TORCH" than "the Anglo-American invasion of North Africa," and solvers of any messages would still have to determine the meaning of the code-names. Selection and assignment of the codenames was, in the United States, a duty of the Current Section of the Army's Operations Division. Men of the unit culled the unabridged dictionaries for suitable words—chiefly common nouns and adjectives that did not imply operations or localities.
saying much. Her own thoughts were employing her. She expected every moment that some of the gentlemen would enter the room. She wished, she feared that the master of the house might be amongst them; and whether she wished or feared it most, she could scarcely determine. After sitting in this manner a quarter of an hour without hearing Miss Bingley's voice, Elizabeth was roused by receiving from her a cold inquiry after the health of her family. She answered with equal indifference and brevity, and the other said no more. The next variation which their visit afforded was produced by the entrance of servants with cold meat, cake, and a variety of all the finest fruits in season; but this did not take place till after many a significant look and smile from Mrs. Annesley to Miss Darcy had been given, to remind her of her post. There was now employment for the whole party--for though they could not all talk, they could all eat; and the beautiful pyramids of grapes,
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