offered advertisements for a fee which led to stores, shops, garages and the like to being decorated with fancy and colorful drawings. Apartment buildings became the preferred choice of canvas. Spray-can memorials emerged, these were the murals in the memory of young Latinos and African Americans who were dying on the streets. The newer generation of graffiti artists is older than the original generation. There is a strong presence of Latino artists. Exemplary artists. Jean-Michel Basquiat (late-C20). He was self-taught who worked himself up to elitist galleries. He painted on paper, doors, refrigerators, scrap metal and made assemblages from junk. His paintings are flat, primitive and childlike. He depicted angry images with heads, grimacing skulls, words, arrows etc. Keith Haring (late-C20). He had formal training in art. He drew cartoon-like images on advertising spaces in New York subway. The basis of his art is the drawn line
offered advertisements for a fee which led to stores, shops, garages and the like to being decorated with fancy and colorful drawings. Apartment buildings became the preferred choice of canvas. Spray-can memorials emerged, these were the murals in the memory of young Latinos and African Americans who were dying on the streets. The newer generation of graffiti artists is older than the original generation. There is a strong presence of Latino artists. Exemplary artists. Jean-Michel Basquiat (late-C20). He was self-taught who worked himself up to elitist galleries. He painted on paper, doors, refrigerators, scrap metal and made assemblages from junk. His paintings are flat, primitive and childlike. He depicted angry images with heads, grimacing skulls, words, arrows etc. Keith Haring (late-C20). He had formal training in art. He drew cartoon-like images on advertising spaces in New York subway. The basis of his art is the drawn line
abstraktsionist, kuid kuna ta oli naine, ei peetud tema maale väärtuslikeks. Postkolonialistlik teooria kerkis jõuliselt esile 1980ndate USA-s, aktualiseerides ka postkolonialistliku kunsti, kirjanduse jms. Postkolonialistliku teooria ja kunsti ajalooliseks taustaks on kolonialism, st Lääne- Euroopa maad koloniseerimas mittelääne kultuure. Herbert Ward ,,Kongo kunstnik" 1910 Postkolonialismi läbimurre / multikultuurilisus 1980ndate-1990ndate kunstis: 1980ndatel Basquiat jt graffiti kunstnikud NY-s (esimesed mustanahalised valgete kunstimaailmas). 1994 New Yorgis Whitney muuseumis näitus "BLACK MALE: Representatives of Masculinity in Contemporary American Art" murranguline püstitus, tähelepanu osutamine Teisele. Näitus ,,Black male" (Must mees) 2001 postkolonialismi teooria ja kunsti teadvustamine Soomes: Kiasmas ARS'01 biennaalilik näitus. Soome kultuuripoliitiline zest, mis tulenes somaalia kogukonna olemasolust,
muul”, Christo “Sissepakitud Riigipäevahoone”. Tuntumad esindajad on Michael Heizer, Richard Long, Robert Morris, Dennis Oppenheim. Anselm Kiefer (s. 1945) Las õitseda sada lille. 2000>>> <<< Anselm Kiefer (s. 1945) Las õitseb sada lille. 1999 7 1980ndate New Yorgi kunstinähtused. Postkolonialistliku teooria ja kunsti enesekehtestamine. POSTKOLONIALISTLIK KUNSTITEOORIA Jean-Michel Basquiat. Pharynx. Õli, lõuend, 1985. > legitimeeris mitte-valgete kunstnike loomingu lääne kunstimaailmas. Multikultuurilisuse mõiste (multiculturalism). 1980ndate murrang Lääne kunstimaailmas - universaalse asemel konkreetne / kontekstuaalne, - dekonstrueerimine, - tsiteerimine, originaalsuse müüdi minetamine, - kohtu-juhtumid, tsensuur (fotode tsensuur; religioon, kriminaalsus) - feministlik kunstiteadus, “suurte naiskunstnike” ilmumine,
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