Chronicles All of Shakespeare's tragic protagonists are capable of both good and evil Titus Andronicus is about a Roman king whose daughter is raped, is full of violence and comedy. The most foul of the tragedies. Romeo and Juliet is about teenage romance and how it can be stopped by feuding families Julius Caesar is an historical tragedy concerning the ethics and consequences of political assassination Hamlet is about a tortured young prince who is obliged to kill his uncle to avenge his father's death Othello is about a Moor who is deceived by the machinations of his servant Iago, and his love for Desdemona. King Lear is about a king who divides his kingdom between three daughters, two of whom turn on him and the third, who truly loves him, is unrecognized. This is considered to be Shakespeare's darkest tragedy and was not performed for many years. Antony and Cleopatra is about two great lovers and nobility is an important theme in it. So are the relations between
Film: Desperado Genres: Thriller, crime drama Director: Robert Rodriguez Release date: 25 August 1995 Main actors: Avtonio Banderas, Salma Hayek, Joaquim de Almeida Company: Columbia TriStar Desperado is a crime drama written, directed and edited by Robert Rodriguez. It was released on August 25, 1995. Desperado is the sequel to El Mariachi and stars Antonio Banderas as musician El Mariachi. Mariachi is a musician who gets mistaken for a hitman tries to avenge the murder of his girlfriend. The movie also stars Salma Hayek, Quentin Tarantino, Steve Buscemi and Cheech Marin. The film takes place in Mexican border town where Bucho (Joaquim DeAlmeida), a wealthy but casually bloodthirsty drug kingpin rules. When `El Mariachi'comes to town to kill Bucho for killing his lover, action begins. Desperado tells the story of El Mariachi, played by Antonio Banderas. Mariachi is out for revenge on a drug lord named Bucho, played by Joaquim de Almeda, who killed
remains maidenly, singing songs about flowers and finally drowning in the river amid the flower garlands she had gathered. Laertes - Polonius's son and Ophelia's brother, a young man who spends much of the play in France. Passionate and quick to action, Laertes is clearly a foil for the reflective Hamlet. Fortinbras - The young Prince of Norway, whose father the king (also named Fortinbras) was killed by Hamlet's father (also named Hamlet). Now Fortinbras wishes to attack Denmark to avenge his father's honor, making him another foil for Prince Hamlet. The Ghost - The specter of Hamlet's recently deceased father. The ghost, who claims to have been murdered by Claudius, calls upon Hamlet to avenge him. However, it is not entirely certain whether the ghost is what it appears to be, or whether it is something else. Hamlet speculates that the ghost might be a devil sent to deceive him and tempt him into murder, and the question of what the ghost is or where it comes from is never
own house, but he later demonstrates that he is also capable of great bravery. Edgar - Gloucester’s older, legitimate son. Edgar plays many different roles, starting out as a gullible fool easily tricked by his brother, then assuming a disguise as a mad beggar to evade his father’s men, then carrying his impersonation further to aid Lear and Gloucester, and finally appearing as an armored champion to avenge his brother’s treason. Edgar’s propensity for disguises and impersonations makes it difficult to characterize him effectively. Edmund - Gloucester’s younger, illegitimate son. Edmund resents his status as a bastard and schemes to usurp Gloucester’s title and possessions from Edgar. He is a formidable character, succeeding in almost all of his schemes and wreaking destruction upon virtually all of the other characters.
and praise Marat: "Hurry, all of you! Mothers, widows, orphans, oppressed soldiers, all whom he defended at the risk of his life, approach and contemplate your friend; he who was so vigilant is no more; his pen, the terror of traitors, his pen has slipped from his hand! Grieve! Our tireless friend is dead. He died giving you his last crust of bread; he died without even the means to pay for his funeral. Posterity, you will avenge him; you will tell our descendants how he could have possessed riches if he had not preferred virtue to fortune. . . . To you, my colleagues, I offer my homage with my brush; as you observe the livid and bloody features of Marat, you will remember his virtue, which you must never cease to emulate." The painting itself is very symbolic. In Marat's left hand there is a letter from Corday and beside it a letter with some money to a soldier's widower. This portrays him as a good hearted
death in 632, disagreement broke out over who would succeed him as leader of the Muslim community. Umar ibn alKhattab, a prominent companion of Muhammad, nominated Abu Bakr, who was Muhammad's intimate friend and collaborator. Others added their support and Abu Bakr was made the first caliph. This choice was disputed by some of Muhammad's companions, who held that Ali ibn Abi Talib, his cousin and soninlaw, had been designated his successor. Abu Bakr's immediate task was to avenge a recent defeat by Byzantine (or Eastern Roman Empire) forces, although he first had to put down a rebellion by Arab tribes in an episode known as the Ridda wars, or "Wars of Apostasy". The territory of the Caliphate in 750His death in 634 resulted in the succession of Umar as the caliph, followed by Uthman ibn alAffan and Ali ibn Abi Talib. These four are known as al khulaf' arrshidn ("Rightly Guided Caliphs"). Under them, the territory under Muslim rule
TARTUFFE A COMEDY CHARACTERS MADAME PERNELLE, mother of Orgon ORGON, husband of Elmire ELMIRE, wife of Orgon DAMIS, son of Orgon MARIANE, daughter of Orgon, in love with Valere CLEANTE, brother-in-law of Orgon TARTUFFE, a hypocrite DORINE, Mariane's maid M. LOYAL, a bailiff A Police Officer FLIPOTTE, Madame Pernelle's servant The Scene is at Paris ACT I SCENE I MADAME PERNELLE and FLIPOTTE, her servant; ELMIRE, MARIANE, CLEANTE, DAMIS, DORINE MADAME PERNELLE Come, come, Flipotte, and let me get away. ELMIRE You hurry so, I hardly can attend you. MADAME PERNELLE Then don't, my daughter-in law. Stay where you are. I can dispense with your polite attentions. ELMIRE We're only paying what is due you, mother. Why must you go away in such a hurry? MADAME PERNELLE Because I can't endure your carryings-on, And no one takes the slightest pains to please me. I leave your hou...
"I usually am -- but about what in particular this time?" "Ditching is healthy." I practiced breathing evenly. "You scared me for a minute there," he admitted after a pause. His tone made it sound like he was confessing a humiliating weakness. "I thought Newton was dragging your dead body off to bury it in the woods." "Ha ha." I still had my eyes closed, but I was feeling more normal every minute. "Honestly -- I've seen corpses with better color. I was concerned that I might have to avenge your murder." "Poor Mike. I'll bet he's mad." "He absolutely loathes me," Edward said cheerfully. "You can't know that," I argued, but then I wondered suddenly if he could. "I saw his face -- I could tell." "How did you see me? I thought you were ditching." I was almost fine now, though the queasiness would probably pass faster if I'd eaten something for lunch. On the other hand, maybe it was lucky my stomach was empty. "I was in my car, listening to a CD
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