Qualitative reflects individual way succession. 5. TAUTOLOGY the author views an event happening.) - redundancy in words. 5. APOKOINU (grammatical using 5. ANTICLIMAX CONSTRUCTION double subject or - creates comic, satiric effect arranging sent-e so - is blend of 2 clauses into 1 predicate in a sent-e. that the aroused expectations are disappointed. omitting the connecting w-d Lexical saying the same thing by rephrasing
NT: I know the word, and the word knows me. CLIMAX CLIMAX means the arrangement of the words and phrases in such a way that their meaning becomes stronger in each case and reaches the peak of intensity in the end. NT: It was a mistake, a blunder, a lunacy. (creates gradation) NT: He wanted to weep, to vomit, to die. There is also a logical climax the way the author sees the things happened. The function of climax is to show the significance of things as the author sees them. ANTICLIMAX ANTICLIMAX means a comic, satiric effect by arranging sentences in such a way that the aroused expectations are disappointed. (paradoxes are often based on anticlimax). NT: Women have a wonderful instinct of things. They can discover everything except the obvious. NT: I know two things about the horses. And on of them is rather coarse. SUSPENSE SUSPENSE means holding the reader in a tense anticipation. This is achieved by special construction of the
g. "It was a mistake, a blunder, lunacy."). The function of climax is to show the significance of things as the author sees them. a) quantitative climax is based on words whose choice is logical (e.g. "An hour, a day, a week, a month, a year passed."). Numerals appear here. b) qualitative climax reflects the individual way the author views an event happening, etc. (e.g. "He wanted to weep, to vomit, to die."). 5. Anticlimax creates a comic, satiric effect by arranging sentence so that the aroused expectations are disappointed. Paradoxes are often based on anticlimax. 6. Suspense is a specific structure of the longer sentence that keeps the reader in tense participation, because the important part of information comes last. Less important descriptive parts are introduced in the beginning. Information is withheld and only later we have a
Internal Antithesis Shakespearean Head r. Chiasmus Blank verse Couplet r. Anaphora Limerick Cross r. Epiphora Accented verse Frame r. Climax Monometer Lexical SD Anticlimax Dimeter Metaphor: Suspense Trimeter Trite Rhetorical q. Pentameter Genuine Exclamation Hexameter Sustained Graphical Means, SD Heptameter Metonymy Under / overstopping Octometer Synecdoche Indented line
in order to emphasize the isolated part. The strongest is the full stop. (I saw him. In the garden.) Climax (gradation) is arranging the sentence so that each following part is emotionally stronger than the previous one. · Quantitative--logical (Minutes, hours, days, weeks, months, years passed.) · Qualitative--fairly individual, it suggests the way the author sees the significance of things. (he wanted to weep, to vomit, to die) Anticlimax--creates a comic effect by arranging sentences in such a way that the reader's expectations are disappointed. (Women have a wonderful instinct about things. They can discover everything--except the obvious.) Suspense is a peculiar construction of the sentence which withholds the basic parts of the information till the very end of the sentence. This is achieved by either separating the subject from the predicate or by amassing the less important descriptive subordinate parts
At the mass trials in Chicago and San Francisco, Friedman gave evidence that in effect convicted the conspirators out of their own mouths. The San Francisco proceeding witnessed one of the most dramatic scenes ever to occur in an American courtroom when one defendant rose, fired two shots from a revolver to assassinate a compatriot who was testifying for the government, and was himself killed by a marshal shooting over the heads of the crowd. In an anticlimax, a jury later found most of the defendants guilty. A few months after these Hindu solutions, the British submitted five short messages to Riverbank for tests. They had been enciphered by a cipher device invented by J. St. Vincent Pletts of M.I. l(b), the British War Office cryptanalytic bureau. The machine, to serve in the field, shifted its cipher alphabet irregularly by means of gears. So highly did the British regard it that one argument advanced against its adoption was that if the
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