väga hästi ka omapead hakkama. ISABELLA: ,,Flavio, mu Flavio! It is frightening to consider just how deeply entrenched objectification of women really goes. We must certainly combat sexual objectification, but the battle will not end there. Women are objectified in more profound ways than we realise, and we must tear down every entwined shred of the patriarchy, in order to achieve our modest goal of being recognized and treated as human beings. Good by, my Superhero! Adieu, mon Flavio! Adiós! Lebewohl! Hüvasti! Ära lähen sinult nende õitsevi ilmuga!" Kogu lugu nagu keerlebki naiselikkuse ja mehelikkuse ümber. Armastuse ümber. Isabella ja Flavio mängivad üle nagu kirjanikud kirjutavad üle, utreerivad. Tegelikult ollakse ikka Mari ja Indrek. Kõik tunded on suuremad. Isabella ja Flavio annavad edasi suurte sõnameistrite tekste.
kuuehäälsest sansoonist vaid kuus levisid tema eluajal. Paljud surmajärgselt talle omistatud teosed arvatakse olevat võltsingud ning 20. sajandi viimastel aastakümnetel on tehtud palju tööd, et selles probleemis selgust saada. "A l'heure que je vous" "La Bernardina" "A l'ombre d'ung buissonet, au "La plus de plus" matinet" (3-h) "Le villain [jaloux]" "Adieu mes amours" "Ma bouche rit et mon cueur pleure" "Adieu mes amours" (6-h või 7-h) "Mille Regretz" (4-h) "Baisé moy, ma doulce amye" (4-h) "Mon mary m'a diffamée" "Belle, pour l'amour de vous" "N'esse pas ung grant desplaisir" "Bergerette savoyenne"
O, horrible! O, horrible! most horrible! If thou hast nature in thee, bear it not; Let not the royal bed of Denmark be A couch for luxury and damned incest. But, howsoever thou pursuest this act, Taint not thy mind, nor let thy soul contrive Against thy mother aught: leave her to heaven And to those thorns that in her bosom lodge, To prick and sting her. Fare thee well at once! The glow-worm shows the matin to be near, And 'gins to pale his uneffectual fire: Adieu, adieu! Hamlet, remember me. Exit HAMLET O all you host of heaven! O earth! what else? And shall I couple hell? O, fie! Hold, hold, my heart; And you, my sinews, grow not instant old, But bear me stiffly up. Remember thee! 41 Ay, thou poor ghost, while memory holds a seat In this distracted globe. Remember thee! Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past,
näevad! See on sulle, osta endale uus paar kingi, nüüd sa pead tulema. Lähme, Natalie, mu valvur, mu tugi, mu jünger, mu õde rõõmus ja mures NATALIE: Selle on kirjutanud armukade armastaja! Te pole minule kunagi niimoodi kirjutanud! MIHHAIL: Mis nüüd lahti on? NATALIE: Tu es vraiment un salaud! Adieu. (Viskab kirja mehele tagasi. Ja lahkub. Mihhail korjab selle üles.) MIHHAIL: (Belinskile) Sa oled tõesti kaabakas, hüvasti... oleks parem kui ma läheks ja... Kohtume Premuhhinos, sa pead mu õdedega tuttavaks saama. (Järgneb Natalie'le.) VAHESTSEEN NOVEMBER 1836 Klaver. Stankevits mängib Ljuboviga duetti. Katkestab ja tõuseb äkitsi püsti. STANKEVITS: Ljubov! Ma pean rääkima
came to the point, so little liked her going, that he told her to write to him, and almost promised to answer her letter. The farewell between herself and Mr. Wickham was perfectly friendly; on his side even more. His present pursuit could not make him forget that Elizabeth had been the first to excite and to deserve his attention, the first to listen and to pity, the first to be admired; and in his manner of bidding her adieu, wishing her every enjoyment, reminding her of what she was to expect in Lady Catherine de Bourgh, and trusting their opinion of her--their opinion of everybody--would always coincide, there was a solicitude, an interest which she felt must ever attach her to him with a most sincere regard; and she parted from him convinced that, whether married or single, he must always be her model of the amiable and pleasing. Her fellow-travellers the next day were not of a kind to make her think him less
annaabi.ee 
