John Donne: passionate feeling and logical argument are mixed, play of intellect, conceits (extended metaphors), wit, huge range of ideas with startling connections between them, analyses love with different moods (cynicism and profound dedication) The First Anniversary. An Anatomy of the World; The Flea; Love’s Alchemy; Elegy XIX To His Mistress Going To Bed; Holy Sonnets (9, X, XIV); Hymn To God My God, in My Sickness. Francis Quarles: emblem poems Canticle George Herbert: courtly urbanity of language, certain neatness and point, his wit „homely” (simple), sometimes queer, conceits in title. The Dawning; The Altar; The Collar; The Pilgrimage Richard Crashaw: paradoxes, sensuous warmth, conceit as isolated ornament rather than integral part of poem’s meaning To the Noblest & best of Ladyes, the Countesse of Denbigh Henry Vaughan: many obvious borrowings, striking opening lines. The World
For a short while, American breeders developed the Peke- Face Persian. This arose as a mutation in red/red-tabby Persians and suffered from breathing problems, tear duct problems, high palate (making suckling difficult) and sometimes the head was too massive for kittens to be born naturally (Caesarian section needed). These have now vanished, but the ultra-types are becoming almost as extreme. In 1872, Dr Gordon Stables, in his review of cat shows, had noted that "urbanity of countenance" should not be overlooked when judging Red Tabbies; the modern equivalent would be "a pleasing expression". In 1981, Phyllis Lauder noted that the Peke-faced Persian (bred only in the USA) was a solid red or red tabby longhair (there being no Peke-faced Exotic Shorthair equivalent) with a very different expression to that of a regular Persian. Like Pekinese dogs, they had prominent eyes, sometimes described as "owl-eyed". It was
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