OR "Per cao.ta pe rsonal Inco me is the mean average Incom e co mp ut ed fo r every man, wo man, and child in a ( p articula r area. It 1$ d erived by d ivid Ing the ro ral income o f a part icular area by the tot al popu lation of that area. The areas used in th IS map are the co untie s and county eq uivalents. Based on latest availab le dat a. WY Source: Bureau of Econo mic Ana lysis, U S. Cen sus Bu reau
Pull out the flexible 76 Remove the roof lever knob and bezel, 1 Remove the trim panel as described in grommets and withdraw the wiring looms until then remove the trim panel (3 screws) with the Section 32. the cords appear. Untie the looms, leaving the lever in the locked position and disconnect 2 Extract the lock cylinder retaining clip, cords in the tailgate. the speaker wires. disconnect the control rods and remove the 4 Repeat this procedure for the washer
marriage, campfire scenes, self-realization, vengeance, or retaliation. But Return is your last chance to touch the emotions of the audience. It must finish your story so that it satisfies or provokes your audience as you intended. It bears special weight because of its unique position at the end of the work, and it's also a place of pitfalls for writers and their heroes. SURPRISE A Return can fall flat if everything is resolved too neatly or just as expected. A good Return should untie the plot threads but with a certain amount of surprise. It should be done with a little taste of the unexpected, a sudden revelation. T h e Greeks and Romans often built a "recognition" scene into the endings of their plays and novels. A young man and woman, raised as shepherds, discover to everyone's surprise they are prince and princess, promised to each other in marriage long ago. In the tragic mode, Oedipus discovers the man he killed in the Ordeal was his father and the
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