intellect courage optimism practicality, shrewdness, pragmatism resolution independence strength faculty for analysis vigour, temperamental character patience honesty sense of duty sense of humour generosity 1 Russian 2 Oral Essential Vocabulary Week 3 ,f duplicity
Comparing the two pie charts showing the hobbies of estonian and russian youth in tallinn. What can the reasons behind these differences and similatities be. source: 56 "puzzle" textbook According to the data 21.0% of Estonians play sports in their spare time. At the same time 31.5% of Russians play Sports as a hobby. Russians appear to care more about their body. Russians are athletic and they have good coaches. Russians are temperamental but Estonians are sluggish. According to the data 14.4% of Estonians sing in Choirs as a hobby . At the same time 3.1% of Russians sing in Choirs in their spare time. Estonians are better singers than the Russians because Estonians have a song festival. Singing Revolution is reason why Estonians sing so much. According to the data 10.7% of Estonians are in dance groups in their spare time. At the same time 19.1% of Russians are in dance group as a hobby.
Using strategies of domestication, which incorporate a peripheral/Irish culture perspective, again and again Murphy associates the Romanian landscapes and cultural identity to the Irish ones: I didn't suspect such a marked temperamental affinity between Irish and Rumanians. Also many details Á positive and negative, trivial and important Á remind me of Ireland forty years ago. The way women dress [. . .]; children's acceptance of parental discipline; the eager unsophistication of adolescents . .
Graphic art was developing rapidly, thanks initially to the works of Eduard Wiiralt (1898-1954) whose mature, fantastic and sensual style developed during his Paris years, 1925-1939. His style would gain international reputation and a number of imitators. The stressed angular black-and-white contrast became obvious in drawings and even aquarelle of Ado Vabbe. The Estonian Drama Theatre was renovated. In 1920 the temperamental, active and demanding Paul Sepp (1885-1943), actor, stage producer and educator (trained in St. Petersburg), established an acting studio to cater for the demands of young and qualified actors. In search for contemporaneity of ideas and their artistic realisation influences came from the West. Most recognisable of these was German Expressionism (Hugo von Hofmannstahl, Georg Kaiser and others). The repertoire became more
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