spread spread spread spring sprang sprung stand stood stood steal stole stolen stick stuck stuck sting stung stung stink stank, stunk stunk strew strewed strewn, strewed stride strode stridden strike struck struck, stricken string strung strung strive strove striven. swear swore sworn sweep swept swept swell swelled swollen, swelled swim swam swum swing swung swung take took taken teach taught taught tear tore torn tell told told think thought thought thrive throve, thrived thriven, thrived throw threw thrown
steal stole stolen Varastama stick stuck stuck Kleepuma sting stung stung Kipitama, kõrvetama stink stank stunk haisema stride strod stridden Pika sammuga käima strike struck struck Lööma, tabama string strung strung Pingutama, riputama strive strove striven Püüdlema, taotlema swear swore sworn vanduma sweep swept swept pühkima swell swelled swelled/swollen Paisuma, paistetama swim swam swum Ujuma swing swung swung Kiikuma, õõtsima take took taken Võtma teach taught taught õpetama
Nõelama Sting Stung Stung Haisema Stink Stunk Stunk Puistama Strew Strewed Strew(-n/-ed) Sammuma stride Strode Stridden Lööma, streikima Strike Struk Struk Lükkima String Strung Strung Püüdma, taotlema Strive Strove striven Vanduma Swear Swore Sworn Pühkima Sweep Swept Swept Paistetama, paisuma Swell Swelled Swollen Ujuma Swim Swam Swum Kiikuma, kiigutama Swing Swung Swung Võtma, viima Take Took Taken Õpetama Teach Taught Taught Rebima, käristama Tear Tore Tore
211. stride strode stridden/strode (pikil sammel) sammuma; (millestki) üle (või läbi) astuma 212. strike struck struck lööma; rabama; streikima 213. string strung strung nööridega (või paeltega) varustama; (pilli) keelestama, keeltega varustama 214. strive strove (strived) striven püüdlema, taotlema, pürgima mlgi poole 215. swear swore sworn vanduma, kiruma 216. sweep swept swept pühkima, viipama, mööda tuhisema 217. swell swelled swollen paisuma; paistetama (swelled) 218. swim swam swum ujuma 219. swing swung swung kiikuma, õõtsuma 220
from men in their psychological needs and outlooks. The gathering feminist movement very much disagreed, and argued that women's writing expressed a distinctive female consciousness, which was more discursive and conjunctive than its male counterpart. Such consciousness was radically different, and had been adversely treated. Simone de Beauvoir in The Second Sex documented the ways "Legislators, priests, philosophers, writers and scientists have striven to show that the subordinate position of women is willed in heaven and advantageous on earth." Women had been made to feel that they were inferior by nature and, though men paid lip-service to equality, they would resist its implementation. Some men might be sympathetic to women's issues, but only women themselves knew what they felt and wanted. Nonetheless, by the early eighties, feminists had advanced to a much more confrontational attack
The suffering and emotions of dying people are expressed: at the end we also feel protest. Musicologist Yuri Korev from Moscow noted: It must be admitted that the composer has realized his aim in full. We feel that in Nekrolog the composer has expressed spiritual restlessness and tragic weakness. But can a Soviet artist confine himself only to the most reflexive recognition of terror and horror? If Pärt were a mature artist, he most likely would not have striven for illustrating his sensations instead finding in this exciting theme something worthier… This is the spiritual strength, endurance and noble faith in the coming triumph of progress and humanity.1 Estonian musicologist Karl Leichter stated: Nekrolog is more a description of fascist death camps with their monstrous ghastliness than a customary obituary. As an artistic documentation of stunning inhumanity the influence of 1
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