fashioning olend välja vana kehaosad. Üks Huippukohta öö, mis saladust oma korteris, ta toob kaasa oma loomingu elu. Kui ta vaatab Kaameus, et ta on loodud, aga vaatepilt horrifies teda. Pärast hootine öösel magada, katkenud spekter koletis ähvardavale tema üle, ta jookseb tänavatel lõpuks ekslemine kahetsus. Victor satub Henry, kes on tulnud õppima ülikooli, ja ta võtab oma sõbra tagasi oma korterisse. Kuigi koletis on kadunud, Victor jaguneb palavikuga haigus. Sickened tema kohutava teoga Victor valmistub naasta Genf, tema perekonnale ja tervisele. Vahetult enne väljuvate Ingolstadt, aga ta saab kirja isa teda teavitatakse, et tema noorem vend, William, on mõrvatud. Murest murtud, Victor hurries koju. Kuigi läbib metsa kui William oli kägistatud, ta püüab silmist monster ja muutub veendunud, et koletis on tema vend, s mõrvar. Saabuv Genfis, Victor leiab, et Justine Moritz, sorti, õrn tüdruk, kes oli olnud vastu Frankenstein majapidamises, on
First Marlowe sees a chain gang of several natives who seem starved and nearly worked to death. As they pass by, they seem to have the blank stare of death, unconscious to Marlowe's presence even though they pass within six inches of him. Again in the grove of death, Marlowe sees the effect of the civilizing light of Europe upon the natives. "They were dying slowly . . . nothing but black shadows of disease and starvation . . . lost in uncongenial surroundings, fed on unfamiliar food, they sickened, became inefficient, and were then allowed to crawl away and rest" (82). Marlowe implies in this passage that the natives were abused, used relentlessly for labor until they were spent, at which point they were "allowed" by the civilized whites to crawl into the grove of death to die. Truly a barbaric and dehumanizing view, using the natives only for their labor power, with no concern for their health or even their existence. 4. James Joyce as a master of European Modernism
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